WEBVTT
1
00:00:03.200 --> 00:00:09.279
Caloroga Shark Media.
2
00:00:10.439 --> 00:00:13.039
Hey, their Happy Derby Day. I'm Johnny Mack with your
3
00:00:13.119 --> 00:00:16.359
daily comedy news, daily briefing on stand up comedy, comedians
4
00:00:16.440 --> 00:00:20.719
and the comedy industry. Catherine Blandford is an amy she'd
5
00:00:20.800 --> 00:00:23.679
keep an eye on. She's been to the Derby. She said.
6
00:00:23.719 --> 00:00:26.239
I was in college and took my roommate to the
7
00:00:26.320 --> 00:00:28.679
Derby with me. She'd never been to Kentucky. I was like,
8
00:00:28.879 --> 00:00:32.280
porta potty racist tradition. I forgot to tell her it's illegal.
9
00:00:32.920 --> 00:00:35.079
She gets to the end and she's dancing and celebrating
10
00:00:35.079 --> 00:00:37.119
and people are cheering and the cops are waiting for
11
00:00:37.159 --> 00:00:39.679
her to get down. I was hiding, and she was like,
12
00:00:39.759 --> 00:00:41.640
I'm a team mom, It's my first night out. She
13
00:00:41.719 --> 00:00:44.039
went to the drunk tank for the rest of the Derby.
14
00:00:44.240 --> 00:00:49.159
Ha Lanford started performing comedy at the University of South Carolina.
15
00:00:49.320 --> 00:00:51.640
She says, I've done a competition for a fraternity when
16
00:00:51.640 --> 00:00:53.439
I was in college. It was like a pageant. You
17
00:00:53.479 --> 00:00:55.399
had to do a talent portion. I wrote a sketch
18
00:00:55.679 --> 00:00:57.840
like I was Chelsea Handler. That's when her show Chelsea
19
00:00:57.960 --> 00:01:00.240
Lately was big. I roasted a bunch of frat guys
20
00:01:00.280 --> 00:01:02.520
and then did an interview with the pledge from their fraternities,
21
00:01:02.600 --> 00:01:05.159
Charlie Sheen. Obviously we won and I kinda had the bug.
22
00:01:05.760 --> 00:01:07.760
She hit it big in twenty twenty two when a
23
00:01:07.760 --> 00:01:10.680
clip of her joking about her parents being cousins went viral.
24
00:01:10.799 --> 00:01:14.439
David Spade saw the clip and they connected. Blandford started
25
00:01:14.480 --> 00:01:18.959
opening for Spade. That lasted two years. She started headlining
26
00:01:18.959 --> 00:01:21.239
on her own, moved to La She's a regular at
27
00:01:21.239 --> 00:01:24.359
the Improv and the Laugh Factory. She plans to record
28
00:01:24.599 --> 00:01:29.319
two specials this year. Interesting Maximini was asked by the
29
00:01:29.319 --> 00:01:32.120
Hollywood reporter do you think the rulers of Iran will
30
00:01:32.120 --> 00:01:36.120
ever loosen their grip? Max says, I think so, and
31
00:01:36.239 --> 00:01:38.040
it has I think of it as water and oil.
32
00:01:38.120 --> 00:01:40.439
The ideology hasn't been able to penetrate a culture that
33
00:01:40.480 --> 00:01:42.560
people there have had in their DNA for centuries, go
34
00:01:42.640 --> 00:01:45.000
back to the attacks of the Mongols, to the Arabs,
35
00:01:45.000 --> 00:01:47.920
to the Greeks and so on. These different ideologies and
36
00:01:47.959 --> 00:01:50.280
invasions have affected the country and the people in the culture,
37
00:01:50.319 --> 00:01:53.680
but the foundation cannot be destroyed. The minute young Iranians
38
00:01:53.680 --> 00:01:55.920
get an opportunity to show themselves. I think the world
39
00:01:55.959 --> 00:01:59.120
will see a very friendly, kind and enthusiastic nation who
40
00:01:59.159 --> 00:02:02.400
likes to smile. Look, despite forty seven years of this
41
00:02:02.519 --> 00:02:06.120
Islamic republic mentality, every household still has their parties and gatherings.
42
00:02:06.120 --> 00:02:08.120
They have art shows and man, the music they listen to.
43
00:02:08.479 --> 00:02:11.039
They're so open minded. You have social media and the
44
00:02:11.039 --> 00:02:13.599
younger generation of moderates. Over time, I think it's going
45
00:02:13.639 --> 00:02:16.199
to de escalate. When I was in Iran, you weren't
46
00:02:16.199 --> 00:02:18.039
allowed to have a cassette tape and you'd get arrested
47
00:02:18.039 --> 00:02:21.400
for listening to music. Today, the same regime allows concerts,
48
00:02:21.439 --> 00:02:23.960
obviously with a lot of guidelines, but the progression has happened.
49
00:02:24.000 --> 00:02:26.520
It's inevitable. Max says, I never really thought of the
50
00:02:26.520 --> 00:02:28.800
opportunity to do comedy in Iran. But when I came
51
00:02:28.840 --> 00:02:31.280
back to America, that true sense of freedom that I
52
00:02:31.280 --> 00:02:32.800
can do all these things I could have never done
53
00:02:32.840 --> 00:02:35.599
in Iran was the spark. When I started college, I
54
00:02:35.639 --> 00:02:38.199
decided to become a theater major and pursue acting in comedy.
55
00:02:38.240 --> 00:02:40.000
I was very funny when I did my improv with
56
00:02:40.000 --> 00:02:42.560
my classmates. I discovered stand up comedy through that. In
57
00:02:42.639 --> 00:02:44.199
the last four or five years, a lot of young
58
00:02:44.240 --> 00:02:46.639
stand up comedians have popped in Iran. They're doing open mics,
59
00:02:46.639 --> 00:02:49.360
and they have their little comedy cafes that didn't previously
60
00:02:49.400 --> 00:02:51.439
exist in Iran. I feel like me hanging in there
61
00:02:51.439 --> 00:02:52.960
and doing stand up and four Sea is going to
62
00:02:53.000 --> 00:02:54.879
pave the way for Irunian comedians down the line to
63
00:02:54.879 --> 00:02:57.599
be able to tour and build from there. Right Max,
64
00:02:57.639 --> 00:02:59.159
what do you think he got popular? He said, For
65
00:02:59.199 --> 00:03:01.520
many years, I was disappointed that the industry was not
66
00:03:01.639 --> 00:03:04.960
recognizing my talent. No casting director, producer director, no projects,
67
00:03:05.000 --> 00:03:07.639
no comedy festivals. But I'm one of the lucky people,
68
00:03:07.680 --> 00:03:09.960
and that social media gave me the opportunity to let
69
00:03:09.960 --> 00:03:13.280
the people decide who they like. The Cavalier Daily went
70
00:03:13.360 --> 00:03:17.039
to go see Hannibal Burris. Charlottesville comedian Chris Allen was
71
00:03:17.039 --> 00:03:19.560
the opener we saw. At the end of his sets,
72
00:03:19.639 --> 00:03:23.400
Chris Allen offered a heartwarming introduction for Hannibal Burris, calling
73
00:03:23.479 --> 00:03:26.639
him a personal inspiration who proved that off kilter black
74
00:03:26.680 --> 00:03:29.639
comedians could succeed in the industry. Hannibal grabbed the mic
75
00:03:29.759 --> 00:03:33.000
and jokingly took offense to being called weird by his opener.
76
00:03:33.280 --> 00:03:37.680
Hannibal started with some political comedy Send your letters to
77
00:03:37.719 --> 00:03:40.159
Hannibal Burris, who lamented that America would be in much
78
00:03:40.199 --> 00:03:43.319
better shape if only Donald Trump's television show The Apprentice
79
00:03:43.360 --> 00:03:46.479
had been renewed for another season before his first presidential campaign.
80
00:03:47.000 --> 00:03:49.919
Hannibal did some more topical jokes about the economy and
81
00:03:50.080 --> 00:03:52.560
the war in Iran and did an hour and a
82
00:03:52.639 --> 00:03:56.080
half Wow. This is different to keep things fresh throughout
83
00:03:56.120 --> 00:03:58.280
the set, different for Hannibal. I've seen other comedians do this.
84
00:03:58.560 --> 00:04:00.560
Hannibal used to screen to the back of the stage
85
00:04:00.599 --> 00:04:03.199
to show funny text messages he received from his friends,
86
00:04:03.520 --> 00:04:05.879
and brief video clips that amplify the impact of certain
87
00:04:05.919 --> 00:04:08.919
jokes with meme like outbursts were told. The audio visual
88
00:04:08.960 --> 00:04:12.400
elements were you sparingly until the finale. After stepping off
89
00:04:12.400 --> 00:04:14.560
stage for a moment, Burris returned to an act a
90
00:04:14.639 --> 00:04:16.839
scenario in which a rap song he wrote called the
91
00:04:16.920 --> 00:04:19.879
Tallest Person at This Mexican Party became his most popular
92
00:04:19.959 --> 00:04:23.560
contribution to society. Seems like it was a good show.
93
00:04:23.839 --> 00:04:27.600
Jeff Dunham talked about his new television show on Discovery,
94
00:04:27.639 --> 00:04:30.480
The Cars that Drove Us. This from the folks that
95
00:04:30.560 --> 00:04:32.279
made the toys that made us. In the movies that
96
00:04:32.360 --> 00:04:35.360
made us. Jeff Dunham and developed his love of cars
97
00:04:35.360 --> 00:04:38.680
from growing up on hot wheels. Remember hot wheels, fellow oldies,
98
00:04:38.879 --> 00:04:41.000
we were hot wheels. Person are a matchbox guy. I
99
00:04:41.040 --> 00:04:42.839
was a matchbox guy. I never really liked the hot
100
00:04:42.879 --> 00:04:46.360
wheels matchbox bleeding cool as Jeff. If you guys get
101
00:04:46.399 --> 00:04:49.120
another season, do you know what cars? Jeff said, not
102
00:04:49.160 --> 00:04:51.519
a clue. What I loved about this one was it
103
00:04:51.560 --> 00:04:53.439
with seven great cars. And then in the eighth episode
104
00:04:53.480 --> 00:04:55.399
we did a call It's called the factory. It was
105
00:04:55.480 --> 00:04:57.319
some of the goofy things that car designers put in
106
00:04:57.360 --> 00:04:59.959
the vehicles. So we have an idea they're not be
107
00:05:00.399 --> 00:05:02.040
there's still a cars. And if you pointed a gun
108
00:05:02.079 --> 00:05:03.560
at me right now and said tell me which ones
109
00:05:03.560 --> 00:05:05.360
they are, I couldn't do it because I can't remember
110
00:05:05.480 --> 00:05:07.879
since we've gone through so many ideas. But I like
111
00:05:07.959 --> 00:05:09.920
the idea and a season of having one episode that's
112
00:05:09.959 --> 00:05:13.279
an outlier, kind of a weird one. Switching to comedy,
113
00:05:13.319 --> 00:05:15.439
Jeff Dunham, do you have to temper your act? You know,
114
00:05:15.560 --> 00:05:19.480
times are changing, tastes or changing, Jeff said, timings everything.
115
00:05:19.480 --> 00:05:21.199
I wouldn't want to be a new comic coming up
116
00:05:21.279 --> 00:05:23.399
right now, trying to do stand up comedy because it's
117
00:05:23.399 --> 00:05:25.040
been a long time since I did a show to
118
00:05:25.040 --> 00:05:28.720
a comedy club. But as I understand it now, especially
119
00:05:28.720 --> 00:05:31.319
out here in Hollywood, the audiences can be brutal if
120
00:05:31.360 --> 00:05:33.560
you say anything that's somewhat too left or two right,
121
00:05:33.879 --> 00:05:35.959
and you will get nailed, nailed, nailed by the audience.
122
00:05:36.040 --> 00:05:38.399
I laugh when I talk to my daughter who's in
123
00:05:38.439 --> 00:05:41.600
college in California, and she cancels me about three times
124
00:05:41.639 --> 00:05:43.759
a day. Now, if you listen to me every day,
125
00:05:43.959 --> 00:05:46.439
there's two thousand episodes, you kind of get what my
126
00:05:46.560 --> 00:05:49.639
vibe is. Right, Like I was explaining to her about
127
00:05:49.639 --> 00:05:52.800
Season one of Survivor. I bought this is all true.
128
00:05:53.000 --> 00:05:57.639
I bought the DVDs of season one of Survivor. Fellow oldies,
129
00:05:57.680 --> 00:06:00.439
did you watch Season one of Survivor? Remember Root the
130
00:06:00.480 --> 00:06:03.160
old Guy. There's a clip you can go on YouTube
131
00:06:03.199 --> 00:06:05.720
because I sent this to my daughter where one of
132
00:06:05.759 --> 00:06:10.319
the contestants, Rich is gay. But twenty five years ago,
133
00:06:10.360 --> 00:06:12.920
people are like quizzing him, like, so is it okay
134
00:06:12.920 --> 00:06:14.759
to say that you're homosexual? And Rich is like, yeah,
135
00:06:14.759 --> 00:06:16.319
I'm homosexual. Let me pull up the clips. So you
136
00:06:16.319 --> 00:06:21.319
don't cancel me. Here's Richard Hatch explaining, it's okay, guys.
137
00:06:21.959 --> 00:06:24.199
You're not just homosexual. I know gay guys don't like
138
00:06:24.240 --> 00:06:26.519
to be called that because you're not homosexual. You're gay.
139
00:06:26.560 --> 00:06:29.040
You know you're I'm homosexual. Do we not like to
140
00:06:29.040 --> 00:06:29.360
be called?
141
00:06:29.360 --> 00:06:29.399
No?
142
00:06:29.519 --> 00:06:31.800
Because it just makes no If you classify that, it's
143
00:06:31.839 --> 00:06:36.600
own classifying people's sexual lifestyle. Right, and well, there is
144
00:06:36.639 --> 00:06:40.000
a lifestyle associated with being gay, but it's not something
145
00:06:40.120 --> 00:06:42.560
you can't say I decided to be gay. But it's
146
00:06:42.600 --> 00:06:44.959
been interesting in this new environment to kind of decide
147
00:06:45.000 --> 00:06:48.079
when to say what about yourselves?
148
00:06:48.279 --> 00:06:50.399
I think there's only one person you got worried about.
149
00:06:50.600 --> 00:06:53.639
Oh, I'm not worry about it at all. As people
150
00:06:53.720 --> 00:06:56.720
get to know me, they learn who I am, and
151
00:06:56.759 --> 00:06:59.600
then eventually over time find out I'm gay. I've never
152
00:06:59.680 --> 00:07:03.079
once in my life encountered prejudice based on my being
153
00:07:03.120 --> 00:07:04.399
homosexual anyway.
154
00:07:04.560 --> 00:07:07.279
So I want to watch a Survivor one with my
155
00:07:07.360 --> 00:07:09.759
daughter just to watch her freak out and cancel me
156
00:07:09.839 --> 00:07:12.279
for liking a show. Twenty five years ago, I Digress.
157
00:07:12.720 --> 00:07:14.879
Jeff Denham said audiences can be brutal, and if you
158
00:07:14.920 --> 00:07:17.040
say anything that's somewhat too left or to right, you
159
00:07:17.040 --> 00:07:18.879
will get nailed by the audience. They don't like it.
160
00:07:19.160 --> 00:07:21.040
When all this business started rumling a few years ago,
161
00:07:21.079 --> 00:07:22.240
as at a point in my career where there are
162
00:07:22.279 --> 00:07:23.800
two different ways you can go to comedy club. You're
163
00:07:23.839 --> 00:07:25.600
either paying money just to go to the club and
164
00:07:25.680 --> 00:07:27.839
you know who's going to be there, you don't care,
165
00:07:28.000 --> 00:07:29.800
just want a night off, or you're paying a little
166
00:07:29.800 --> 00:07:33.079
bit more to specifically see a particular person. That's a
167
00:07:33.120 --> 00:07:35.240
little bit easier because the audience who pay to see you,
168
00:07:35.319 --> 00:07:37.800
most of them know what to expect. When I was
169
00:07:37.839 --> 00:07:40.199
doing theaters and arenas, it was eighty five to ninety
170
00:07:40.199 --> 00:07:42.920
percent already my crowd. They already loved Acamed the Dead
171
00:07:43.000 --> 00:07:45.800
terrorist Jose Halapino. Want a stick. If I came about
172
00:07:45.839 --> 00:07:48.519
those characters right now, there's no way they would work.
173
00:07:48.720 --> 00:07:51.279
As a comic. You must, as you say, temper things,
174
00:07:51.360 --> 00:07:52.920
or at least I'm not gonna use the word temper.
175
00:07:53.000 --> 00:07:54.680
I'm going to show you how I present the comedy.
176
00:07:55.079 --> 00:07:56.800
And because I do it as a ventrill quist, I
177
00:07:56.800 --> 00:07:58.399
have a little bit of a huge advantage over the
178
00:07:58.399 --> 00:08:00.720
other comics because I can point and counterpoint the dummy
179
00:08:00.720 --> 00:08:02.279
can make a joke and I can argue with him,
180
00:08:02.759 --> 00:08:04.920
and I can say, ah, that's not okay. So it's
181
00:08:04.959 --> 00:08:07.360
a conversation, a debate. I like this a lot. The
182
00:08:07.360 --> 00:08:10.079
true ingredients of comedy are conflict and tension. I can
183
00:08:10.120 --> 00:08:12.079
create that on stage myself, and by the time I'm
184
00:08:12.079 --> 00:08:14.040
finished with whatever I'm talking about, whatever the subject is,
185
00:08:14.040 --> 00:08:16.000
the audience walks away going, I really don't know what
186
00:08:16.040 --> 00:08:19.240
he thinks or what he believes. Friend of the Show, Ismo,
187
00:08:19.399 --> 00:08:22.000
remember he was on. He was a guest. He has
188
00:08:22.120 --> 00:08:26.279
teamed up with a Finland based production house they're pushing
189
00:08:26.360 --> 00:08:29.399
into the live comedy space. Ismo said, it's exciting to
190
00:08:29.439 --> 00:08:32.080
take the next steps with ic S Nordick. We share
191
00:08:32.120 --> 00:08:34.399
the same ambition to build comedy of the Travels internationally
192
00:08:34.440 --> 00:08:36.799
while staying true to its roots. Not entirely sure what
193
00:08:36.840 --> 00:08:38.879
they're up to, but I'm behind it because he's a
194
00:08:38.960 --> 00:08:41.919
cool guy. Hey are friends. At the eight hundred Pound Gorilla.
195
00:08:42.080 --> 00:08:45.200
They're starting a new premium ad free service called Gorilla
196
00:08:45.360 --> 00:08:49.200
Comedy Plus, launching May fifth. Gorilla Comedy Plus will feature
197
00:08:49.240 --> 00:08:52.799
exclusive news specials, plus the full eight hundred Pound Gorilla
198
00:08:52.879 --> 00:08:55.720
catalog that includes more than two hundred and fifty titles.
199
00:08:56.279 --> 00:08:59.120
At launch, you'll have access to things like Star Trek Ruiner,
200
00:08:59.200 --> 00:09:02.759
Patton Oswalt'sle Hour's Heat in Scotch, and specials from the
201
00:09:02.840 --> 00:09:06.679
likes of Pete Holmes Gorilla Comedy Plus, priced at nine
202
00:09:06.720 --> 00:09:09.759
to ninety nine per month. The folks from CNNs have
203
00:09:09.840 --> 00:09:12.639
I Got news for you. They are Roywood Junior, Amber Ruffin,
204
00:09:12.679 --> 00:09:15.879
and Michael ian Black. They will be hosting the upcoming
205
00:09:16.000 --> 00:09:21.440
Sports News and Documentary Emmy ceremonies, but individually on different nights.
206
00:09:21.919 --> 00:09:24.559
On May twenty sixth, Roywood Junior will host the forty
207
00:09:24.559 --> 00:09:28.120
seventh Annuel Sports Emmy Awards. Michael ian Black will host
208
00:09:28.120 --> 00:09:32.080
the Documentary categories of the News and Documentary Emmys on Thursday,
209
00:09:32.120 --> 00:09:35.039
May twenty eighth. Amber Ruffin will host the news categories
210
00:09:35.039 --> 00:09:38.159
on Wednesday, the twenty seventh, Michael ian Black the documentary
211
00:09:38.159 --> 00:09:41.200
categories on the twenty eighth. All these events take place
212
00:09:41.200 --> 00:09:43.919
at the Jazz at Lincoln Centers, Frederick P. Rose Hall
213
00:09:44.039 --> 00:09:47.159
in New York. Paralyzed by Hope that Maria Bamford story
214
00:09:47.200 --> 00:09:51.519
recently played the Milwaukee Film Festival, filmmaker Neil Berkeley said,
215
00:09:51.600 --> 00:09:53.759
so many comedians these days have put her on the
216
00:09:53.759 --> 00:09:56.039
Mount Rushmore of the Greatest of all Time with Richard
217
00:09:56.080 --> 00:09:59.679
Pryor and Rodney Dangerfield. She's that revered in this industry.
218
00:10:00.080 --> 00:10:03.320
I'm so tempted to bog down on a Mount Rushimore
219
00:10:03.360 --> 00:10:06.440
of comedy that has Richard Pryor, Rodney Dangerfield and Maria Bamford.
220
00:10:06.519 --> 00:10:08.759
That's not too bashed Maria Bamford. But you only get
221
00:10:08.759 --> 00:10:12.600
four on Mount Rushmore's. And he also gave a spot
222
00:10:12.639 --> 00:10:16.639
to Rodney I Digress Paralyzed by Hope. The Maria Bamford
223
00:10:16.679 --> 00:10:19.799
Story explores Bamford's comedy journey and the mental health struggles
224
00:10:19.840 --> 00:10:22.639
that have influenced her material. Neil says, I want people
225
00:10:22.679 --> 00:10:24.799
to experience Maria. I want people to know there's this
226
00:10:24.840 --> 00:10:26.200
person who gets up at eight in the morning and
227
00:10:26.320 --> 00:10:28.120
is comedy for ten people in a bookstore, and then
228
00:10:28.120 --> 00:10:30.759
that weekend goes to a thousand seed theater. She has
229
00:10:30.799 --> 00:10:33.279
this ability to turn all of her life's experiences into
230
00:10:33.279 --> 00:10:36.679
these incredibly funny but also useful stories. And this isn't
231
00:10:36.679 --> 00:10:38.360
always the goal of stand up comedy. But you can
232
00:10:38.399 --> 00:10:40.159
go to her shows and everyone in that audience can
233
00:10:40.200 --> 00:10:42.279
hear something or learn about one of her experiences. That
234
00:10:42.320 --> 00:10:46.279
they can empathize with. The film looks at Maria's creative process,
235
00:10:46.360 --> 00:10:50.600
switching between interviews, stand up tapings, and other archival footage
236
00:10:50.960 --> 00:10:53.320
to show how Maria's mental health struggles and trauma have
237
00:10:53.399 --> 00:10:56.559
informed her comedy. And that is your comedy news for today.
238
00:10:56.679 --> 00:10:57.639
I will see tomorrow.