Jan. 8, 2025
Jim Gaffigan on comedy's evolution
Johnny Mac delves into how stand-up comedy has evolved through insights from various comedians. Jim Gaffigan reflects on his journey and fresh material, while Jim Jefferies discusses his interest in acting and a humorous exchange with Russell Crowe....
Johnny Mac delves into how stand-up comedy has evolved through insights from various comedians. Jim Gaffigan reflects on his journey and fresh material, while Jim Jefferies discusses his interest in acting and a humorous exchange with Russell Crowe. Anthony Jeselnik speaks on his comedic influences and character development, and Shang Wang shares his relationship with Ali Wong and the secrets behind his success. J.B. Smoove and Kevin Nealon provide advice to aspiring comics, and Matt Rife talks about his aspirations and audience. Finally, Adam Carolla and Jay Leno preview their upcoming Comedy Fantasy Camp.
00:00 Jim Gaffigan's Insights on Stand-Up Evolution
01:32 Jim Jefferies on Acting and Stand-Up
02:41 Anthony Jeselnik's Comedy Influences and Evolution
05:32 Shang Wang and the Influence of Ali Wong
06:32 JB Smoove's Advice for Aspiring Comics
07:09 Kevin Nealon on Cancel Culture
07:48 Matt Rife's Career Aspirations
09:26 Comedy in LA according to Jay Leno
Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed! You also get 20+ other shows on the network ad-free!
This podcast supports Podcasting 2.0 if you’d like to support the show via value for value and stream some sats!
https://linktr.ee/dailycomedynews
Contact John at john@thesharkdeck dot com
John’s free substack about the media: Media Thoughts is mcdpod.substack.com
DCN on Threads: https://www.threads.net/@dailycomedynews
You can also support the show at www.buymeacoffee.com/dailycomedynews
Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.
WEBVTT
1
00:00:03.200 --> 00:00:10.720
Callaroga Shark Media been there. I'm Johnny Mack with your
2
00:00:10.800 --> 00:00:13.279
daily comedy news Jim Gaffing. Until the La Times that
3
00:00:13.359 --> 00:00:15.519
stand up has changed so much, to the notion that
4
00:00:15.560 --> 00:00:18.160
people are putting out multiple specials didn't exist when I
5
00:00:18.199 --> 00:00:20.600
started stand up. But I think that people who consume
6
00:00:20.640 --> 00:00:23.600
a stand up comedian's material, there's a familiarity, but it's
7
00:00:23.600 --> 00:00:26.160
like a friendship. You can't have the exact same conversation.
8
00:00:26.239 --> 00:00:27.600
Even though we all have friends where it's like we're
9
00:00:27.600 --> 00:00:29.519
having the same conversation about high school. It has to
10
00:00:29.519 --> 00:00:32.039
be different. You both have to challenge each other. So
11
00:00:32.119 --> 00:00:34.359
for me working on the special or working on this
12
00:00:34.439 --> 00:00:36.719
new hour that I'm working on now, it's self assignment.
13
00:00:36.840 --> 00:00:38.960
So some of it. Any creative person's like, what can
14
00:00:39.000 --> 00:00:41.719
I talk about that is embarrassing or revealing. I think
15
00:00:41.719 --> 00:00:44.039
that people that have tracked me along the way in
16
00:00:44.079 --> 00:00:46.200
my stand up would be interested in my view and parenting.
17
00:00:46.479 --> 00:00:48.159
I've always had the view that I suck at it,
18
00:00:48.479 --> 00:00:50.520
but I have greater empathy for what all parents are
19
00:00:50.520 --> 00:00:52.560
dealing with, and I think also parents of this era,
20
00:00:52.719 --> 00:00:55.000
we've made mistakes and it doesn't help. With social media
21
00:00:55.039 --> 00:00:56.960
and the apps and the screens. And that's something that's
22
00:00:56.960 --> 00:00:58.799
revealed in doing my stand up and in reading some
23
00:00:58.840 --> 00:01:01.840
of the parenting books. Parents of teenagers have this perspective.
24
00:01:01.840 --> 00:01:04.079
Adults have an impression of what their teenage years were like,
25
00:01:04.120 --> 00:01:06.040
and I'm providing this point of view about what it's
26
00:01:06.079 --> 00:01:08.079
like to live with these people. It's kind of a cliche
27
00:01:08.439 --> 00:01:11.079
raising teenagers is like raising a mentally ill person. It
28
00:01:11.120 --> 00:01:13.640
sounds harsh. We know this is a natural separation process
29
00:01:13.640 --> 00:01:16.640
where teenagers challenge things. But I love that I've gained
30
00:01:16.640 --> 00:01:19.519
this perspective of was my data jerkface? Or maybe I
31
00:01:19.680 --> 00:01:22.000
was a jerk face? He used the D word. Maybe
32
00:01:22.040 --> 00:01:24.439
it's kind of basic, but that's something that's universal. We
33
00:01:24.519 --> 00:01:27.280
all went through being teenagers, and not necessarily the conflict,
34
00:01:27.359 --> 00:01:29.920
but the misunderstanding between the teenager and the parent, which
35
00:01:30.040 --> 00:01:33.719
I find fascinating. Jim Jeffreys told Rolling Stone that he
36
00:01:33.760 --> 00:01:37.159
wants to act more. Name dropper Jim said, I texted
37
00:01:37.239 --> 00:01:40.239
Russell Crowe excuse me, and I said, Russell, I've got
38
00:01:40.280 --> 00:01:42.560
an acting job. Can I call you quickly for some tips?
39
00:01:42.920 --> 00:01:45.159
And I think he thought I just wanted acting tips,
40
00:01:45.200 --> 00:01:46.959
and I was asking him more about when you talk
41
00:01:47.000 --> 00:01:49.560
to a director, what do you do here? Is it
42
00:01:49.640 --> 00:01:51.319
too much for me to add a line here or there?
43
00:01:51.480 --> 00:01:53.519
Do you not do that? In trauma? But Russell sent
44
00:01:53.560 --> 00:01:55.519
me a quote from Hamlet and told me to hold
45
00:01:55.599 --> 00:01:57.840
up a mirror to nature and I went, thanks, mate.
46
00:01:58.239 --> 00:02:00.840
Rolling Stone asked him if stand up could take a
47
00:02:00.879 --> 00:02:03.920
back seat to film. Jim said, that's like saying, do
48
00:02:03.959 --> 00:02:06.079
you think you'll have sex with more tractive women? It's
49
00:02:06.120 --> 00:02:09.719
not my decision, is it. They get to make the choice. Now.
50
00:02:09.719 --> 00:02:12.319
Obviously I'm joking, I'm a happily married man. Blah blah
51
00:02:12.319 --> 00:02:14.240
blah blah blah. But you get what I'm saying. It's
52
00:02:14.280 --> 00:02:15.840
up to the movie industry. It's not up to me.
53
00:02:16.319 --> 00:02:18.520
I look at Sammy Davis Junior. I watched a documentary
54
00:02:18.520 --> 00:02:20.560
about him. He was a really good singer, an amazing dancer,
55
00:02:20.560 --> 00:02:23.039
and outstanding impersonator and all that type of stuff. He
56
00:02:23.159 --> 00:02:25.120
was a ball of entertainment, and I'd like to be that.
57
00:02:25.719 --> 00:02:27.840
I like the idea that I can entertain at any time.
58
00:02:27.919 --> 00:02:30.000
So whether it be TV presenting or acting or doing
59
00:02:30.080 --> 00:02:32.159
stand up, I just consider myself to be an entertainer
60
00:02:32.240 --> 00:02:34.719
first and foremost. I don't think I can because of
61
00:02:34.800 --> 00:02:36.240
my voice or whatever. But I'd like to do a
62
00:02:36.319 --> 00:02:38.280
bit of musical theater or something like that. I'd give
63
00:02:38.319 --> 00:02:40.599
that a crack. I'm up for doing everything but juggling
64
00:02:40.680 --> 00:02:44.199
and mime. Anthony Jesson expoke to crack dot com about
65
00:02:44.199 --> 00:02:47.680
his influences Stephen Right, Ronnie Dangershfield, and Mitch Hedberg. They
66
00:02:47.719 --> 00:02:50.080
were curious where he discovered those guys. Anthony said, it
67
00:02:50.159 --> 00:02:51.960
must have been late night TV as a kid, waiting
68
00:02:52.000 --> 00:02:53.919
for those last five minutes of Carson to see who
69
00:02:53.919 --> 00:02:56.120
would show up. I remember watching a lot of end
70
00:02:56.199 --> 00:02:58.400
of Carson's waiting for Letterman to come on. They would
71
00:02:58.439 --> 00:03:00.080
usually have a comic at the end. I'm sure, well,
72
00:03:00.159 --> 00:03:02.319
Stephen writes HBO special at some point, but I must
73
00:03:02.319 --> 00:03:04.840
have been introduced through late night sets Hebburg. I didn't
74
00:03:04.840 --> 00:03:06.599
find out about until i'd been doing comedy for about
75
00:03:06.599 --> 00:03:08.080
a year, but Stephen Wright was the first, and then
76
00:03:08.120 --> 00:03:10.560
Dangerfield was like, oh, I'm into this guy too. But
77
00:03:10.680 --> 00:03:14.120
Stephen Wright to me was huge. Did Jessinic try and mimic,
78
00:03:14.280 --> 00:03:17.520
writs Cadence. He said, no, surprisingly not. You could say
79
00:03:17.599 --> 00:03:19.719
Christopher walk In for sure has had an impact on
80
00:03:19.800 --> 00:03:22.240
how I speak, even though my dad gets the same comparison,
81
00:03:22.560 --> 00:03:25.039
But Stephen Wright was almost too much of a departure
82
00:03:25.080 --> 00:03:27.039
from my character. Maybe there would have been a couple
83
00:03:27.039 --> 00:03:28.599
of years in college when I was smoking too much
84
00:03:28.639 --> 00:03:30.759
pot that I could have had a Hebburg kind of personality.
85
00:03:30.800 --> 00:03:32.800
But I never had that burnout thing either, which just
86
00:03:32.879 --> 00:03:34.800
more of how did they think of? That? Crazy twist?
87
00:03:35.360 --> 00:03:37.520
Never really entered into my persona with my friends in
88
00:03:37.560 --> 00:03:41.599
the beginning. Has the Anthony Justinic character evolved over time,
89
00:03:42.080 --> 00:03:43.639
and he said, I think of the character as an
90
00:03:43.680 --> 00:03:46.919
aging punk rocker. At this point. In the beginning, it
91
00:03:47.039 --> 00:03:49.520
was like, there are no lines. If everybody offend everybody,
92
00:03:49.639 --> 00:03:51.400
let's go. And I'm glad I did that in my
93
00:03:51.520 --> 00:03:54.159
twenties and that helped me out a lot my idols
94
00:03:54.159 --> 00:03:55.759
who have softened as they get older. I find that
95
00:03:55.840 --> 00:03:58.199
to be interesting, and as the world changes, you find
96
00:03:58.199 --> 00:04:00.680
yourself going from the villain of the hero. My past
97
00:04:00.800 --> 00:04:03.199
is my past, then I'll never apologize for it or
98
00:04:03.319 --> 00:04:05.319
try to whitewash it. But I think I've gained a
99
00:04:05.360 --> 00:04:07.560
lot of wisdom, a lot of knowledge and life experience.
100
00:04:08.080 --> 00:04:10.639
I like that I've softened and that the act isn't
101
00:04:10.639 --> 00:04:12.400
as hardcore as it used to be. I think that's good,
102
00:04:12.439 --> 00:04:14.840
and I think that's more interesting. I don't think of
103
00:04:14.879 --> 00:04:17.319
the character evolving, but as I write, I'm reacting to
104
00:04:17.399 --> 00:04:20.240
what's popular around me. If the biggest comics in the
105
00:04:20.279 --> 00:04:22.759
world started getting real family friendly, maybe I would go
106
00:04:22.839 --> 00:04:25.360
darker and would go harder. There's plenty of comics now
107
00:04:25.399 --> 00:04:27.199
that are just as dark and hardcore as I used
108
00:04:27.199 --> 00:04:29.079
to be. It's next part too justting listen to this.
109
00:04:29.279 --> 00:04:31.680
I think they lack my writing talent now. I just
110
00:04:31.720 --> 00:04:33.759
see a lot of culture personality. I think having a
111
00:04:33.800 --> 00:04:36.319
popular podcast is more important than having a good act.
112
00:04:36.800 --> 00:04:39.600
That's how it dies with the podcasting. You don't really
113
00:04:39.680 --> 00:04:41.800
have to do anything other than have a popular podcast
114
00:04:41.879 --> 00:04:43.920
to sell tickets, and you'll have a great show because
115
00:04:43.920 --> 00:04:46.279
the audience loves it, and you're never really testing anything out.
116
00:04:46.839 --> 00:04:48.839
That's why I see all these podcasts put out a special.
117
00:04:49.199 --> 00:04:51.879
They're immediately savage by critics and forgotten about to the
118
00:04:51.920 --> 00:04:53.480
point that people don't even want to write about it,
119
00:04:53.480 --> 00:04:55.240
because there's no point in writing a negative review of
120
00:04:55.279 --> 00:04:58.160
something that's just friends hanging out, which is what comedy's becoming.
121
00:04:58.560 --> 00:05:02.160
He's both not wrong and somewhat wrong. I mean, I
122
00:05:02.240 --> 00:05:07.839
get what he's saying about things having less artistic reaching.
123
00:05:08.600 --> 00:05:11.959
But on the other hand, from the consumer point of view, Hey,
124
00:05:12.199 --> 00:05:14.519
I went out, I saw somebody I dig. I had
125
00:05:14.560 --> 00:05:16.759
a good time and laughed, and I went home hopefully,
126
00:05:16.800 --> 00:05:19.199
and I'm home by ten thirty because I'm old. I
127
00:05:19.199 --> 00:05:21.519
don't think there's anything wrong with that. Not everything has
128
00:05:21.600 --> 00:05:23.800
to be art, and I know I sometimes argue that
129
00:05:23.920 --> 00:05:26.279
both ways, but I don't know. If you go out
130
00:05:26.319 --> 00:05:27.879
and you have a good time, that's fine. Like as
131
00:05:27.920 --> 00:05:29.759
I reviewed these specials, some of them are just fine.
132
00:05:29.800 --> 00:05:32.639
I can be a comedy snob, I admit it. Shang Wang,
133
00:05:32.680 --> 00:05:34.199
I like him a lot. He spoke to The Texas
134
00:05:34.279 --> 00:05:37.199
Standard talked about his friendship with Ali Wang, who executive
135
00:05:37.199 --> 00:05:39.040
produced a special, and said, yeah, she's a friend of mine.
136
00:05:39.120 --> 00:05:40.720
We met in the early days of doing stand up.
137
00:05:41.600 --> 00:05:43.160
We were both in the open mic scene in San
138
00:05:43.199 --> 00:05:45.480
Francisco in the early two thousands, and we've been friends
139
00:05:45.519 --> 00:05:47.920
ever since. I mean we got closer later on. We
140
00:05:48.000 --> 00:05:49.800
both moved to New York together around the same time.
141
00:05:49.920 --> 00:05:51.680
She moved to LA to be a writer, and I
142
00:05:51.759 --> 00:05:53.759
followed her out there, And so I've been sort of
143
00:05:53.800 --> 00:05:56.319
following her footsteps and just kind of following her playbook
144
00:05:56.319 --> 00:05:58.600
in a way, so to speak. I kind of live
145
00:05:58.639 --> 00:06:00.959
in the ghost of Alley's past. I have her old furniture,
146
00:06:01.000 --> 00:06:03.560
her old couch or old nightstand, and I might even
147
00:06:03.600 --> 00:06:06.160
tape my second special where she taped her second special.
148
00:06:06.519 --> 00:06:08.399
So I'm just kind of following the Alley Wong playbook
149
00:06:08.399 --> 00:06:10.519
in a weird way because it works. But I'm very
150
00:06:10.560 --> 00:06:12.959
grateful for our friendship and for all the sports she's
151
00:06:13.000 --> 00:06:15.399
given me. It's pretty incredible to have a friend like that.
152
00:06:15.560 --> 00:06:17.959
I mean, she's an incredibly talented person, but I think
153
00:06:17.959 --> 00:06:20.240
it's also helpful to have a friend succeed to that
154
00:06:20.360 --> 00:06:22.240
level where you get a sense of like, this is
155
00:06:22.279 --> 00:06:24.639
a friend. This person also kind of looks like me,
156
00:06:24.759 --> 00:06:27.040
she's an Asian American, and just makes it feel a
157
00:06:27.079 --> 00:06:29.720
little bit more accessible, like these things are possible. Of course,
158
00:06:29.800 --> 00:06:35.279
it helps when she produces a direction comedy special. JB.
159
00:06:35.439 --> 00:06:38.720
Smooth as advice for aspiring comics, it is find who
160
00:06:38.800 --> 00:06:42.319
you are, constantly work on your style, matristylity of personality,
161
00:06:42.639 --> 00:06:44.519
say things that only you would say, and talk about
162
00:06:44.560 --> 00:06:46.240
what you know about. Don't be stuck in one place.
163
00:06:46.279 --> 00:06:47.720
It's great to have material, but you don't want to
164
00:06:47.720 --> 00:06:49.199
be a robot. You want to be able to connect
165
00:06:49.240 --> 00:06:51.240
with people. If you can walk on stage and grab
166
00:06:51.319 --> 00:06:53.959
that microphone, you're fifty percent there already fifty percent of
167
00:06:54.040 --> 00:06:55.879
what it takes is to get up there. There's rules,
168
00:06:55.920 --> 00:06:57.839
of course, you gotta have an intro, you gotta have
169
00:06:57.879 --> 00:06:59.600
a presence on stage, you gotta have a certain amount
170
00:06:59.600 --> 00:07:01.199
of last person minute. But you don't have to go
171
00:07:01.279 --> 00:07:03.560
buy those rules. There's something being offbeat and true to
172
00:07:03.600 --> 00:07:05.399
yourself and talking about what you know about, which is
173
00:07:05.439 --> 00:07:08.439
absolutely golden because you're taking people on vacation, on a
174
00:07:08.480 --> 00:07:11.759
trip through your brain. Kevin Nielan said cancel culture has
175
00:07:12.000 --> 00:07:14.480
stifled some comedians. For someone like me, I don't have
176
00:07:14.480 --> 00:07:16.319
a problem with it because I never really ventured in
177
00:07:16.399 --> 00:07:18.199
that area. I may touch on something where someone's like,
178
00:07:18.279 --> 00:07:20.439
hey man, you can't do that, but some people get
179
00:07:20.439 --> 00:07:21.920
away with still. I don't really have a problem with
180
00:07:21.920 --> 00:07:23.759
the woke stuff. Although my wife and son won't come
181
00:07:23.800 --> 00:07:25.839
to see my shows because they're afraid I'll get canceled
182
00:07:25.879 --> 00:07:27.720
and be the last person to get canceled. People won't
183
00:07:27.720 --> 00:07:30.040
even cancel my reservation if I don't show up. I
184
00:07:30.120 --> 00:07:32.319
think a lot of comedians hopefully will evolve, like people
185
00:07:32.360 --> 00:07:35.120
do in their profession or whatever it is, They'll find
186
00:07:35.160 --> 00:07:36.600
better ways of doing it. I always try to be
187
00:07:36.680 --> 00:07:39.480
unique in my voice, because that's what matters, That's how
188
00:07:39.519 --> 00:07:41.759
you stand apart from other comedians. Now that we have
189
00:07:41.839 --> 00:07:44.279
zillions of comedians, it's hard for comedians to become unique
190
00:07:44.360 --> 00:07:46.759
or be unique and also have something original say that
191
00:07:46.800 --> 00:07:49.600
isn't about McDonald's or whatever. A hard reporter I spoke
192
00:07:49.639 --> 00:07:51.839
to Matt Rife who said other comics have told me
193
00:07:51.920 --> 00:07:53.800
they miss not only the pace of stand up, but
194
00:07:53.879 --> 00:07:57.519
the level of control. Do you want to be an actor? Right? Said?
195
00:07:57.639 --> 00:07:59.079
I don't feel like I need control. I'm not a
196
00:07:59.079 --> 00:08:00.600
point now where I want to learn something new. I
197
00:08:00.639 --> 00:08:02.399
want to get better at something else. I mean, I'm
198
00:08:02.399 --> 00:08:04.720
getting so much better, so much faster at stand up,
199
00:08:04.720 --> 00:08:07.040
and I'm learning how to hopefully prepare for a lifetime
200
00:08:07.120 --> 00:08:09.360
of this, And now that I see that that's achievable,
201
00:08:09.399 --> 00:08:11.680
I'm like, Okay, awesome. What are some other skills that
202
00:08:11.759 --> 00:08:13.319
I can sharpen along the way that are only going
203
00:08:13.360 --> 00:08:15.199
to help everything else that I do. The better comedian
204
00:08:15.240 --> 00:08:17.000
I am, the more people are gonna want to watch
205
00:08:17.079 --> 00:08:18.879
the movies that I'm in, and the more movies I'm in,
206
00:08:19.439 --> 00:08:20.759
the more people are gonna want to see what I
207
00:08:20.839 --> 00:08:23.319
do live at a stand up show. Whose career mighty
208
00:08:23.360 --> 00:08:26.839
want to emulate? You have the Big Three Robin Williams,
209
00:08:26.959 --> 00:08:30.480
Jim Carrey, and Adam Sandler. Imagine Matt Riife doing Adam
210
00:08:30.519 --> 00:08:32.879
Sandler type movies. I might have to quit the podcast.
211
00:08:33.120 --> 00:08:34.960
Those are the ones who did best, and I don't
212
00:08:35.000 --> 00:08:37.039
know that anybody will ever do it at that level again,
213
00:08:37.440 --> 00:08:39.679
That's my dream. Comedians who took their fan base into
214
00:08:39.720 --> 00:08:41.559
the theaters with their comedic talents and then they were
215
00:08:41.559 --> 00:08:44.440
able to transition over to different genres, especially dramas. I mean,
216
00:08:44.480 --> 00:08:46.960
my god, Robin Williams A Goodwill Hunting is one of
217
00:08:47.000 --> 00:08:50.000
my favorite acting performances of all time. Ryan Reynolds is
218
00:08:50.080 --> 00:08:51.840
my idol. That's who I'd love to work with more
219
00:08:51.879 --> 00:08:53.879
than anything, and he has this type of acting career
220
00:08:53.919 --> 00:08:55.559
that I'd love to try to emulate, and he's done
221
00:08:55.600 --> 00:08:57.759
everything new top Egg Mett Rife, Who do you see
222
00:08:57.840 --> 00:09:01.519
is your core audience at this point? Young people, older women?
223
00:09:01.879 --> 00:09:03.759
Rife said, it's a mix of everybody, which is so
224
00:09:03.879 --> 00:09:07.080
crazy and so cool. That's a non answer. Nobody has everybody,
225
00:09:07.240 --> 00:09:09.759
most comedians, and this is exactly why you'd asked this question.
226
00:09:09.799 --> 00:09:12.559
I have a relatively specific audience, whether it's a specific
227
00:09:12.679 --> 00:09:15.399
race or gender or age range. But for us, it's
228
00:09:15.519 --> 00:09:19.039
kind of everybody. There's many people in their early twenties
229
00:09:19.080 --> 00:09:21.679
as there are fifty and up, just people who love comedy.
230
00:09:22.080 --> 00:09:23.720
What's on your bucket list? I'd love to do more
231
00:09:23.759 --> 00:09:26.120
movies and TV, and I'd love to work with Ricky Gervais.
232
00:09:26.480 --> 00:09:29.039
Adam Carolla and Jay Leno are getting ready to do
233
00:09:29.360 --> 00:09:32.279
a Comedy Fantasy Camp in La January twenty third through
234
00:09:32.279 --> 00:09:35.720
to twenty sixth. The four day camp offers workshops, Q
235
00:09:35.840 --> 00:09:37.879
and as and panels on all things comedy, from TV
236
00:09:37.960 --> 00:09:42.080
writing and podcasting to performing on stage. The Rap spoke
237
00:09:42.159 --> 00:09:45.519
with them. They pointed out that Adam's from Southern California,
238
00:09:45.679 --> 00:09:48.480
Jay's from Boston. Is there a difference between the comic
1
00:00:03.200 --> 00:00:10.720
2
00:00:10.800 --> 00:00:13.279
3
00:00:13.359 --> 00:00:15.519
4
00:00:15.560 --> 00:00:18.160
5
00:00:18.199 --> 00:00:20.600
6
00:00:20.640 --> 00:00:23.600
7
00:00:23.600 --> 00:00:26.160
8
00:00:26.239 --> 00:00:27.600
9
00:00:27.600 --> 00:00:29.519
10
00:00:29.519 --> 00:00:32.039
11
00:00:32.119 --> 00:00:34.359
12
00:00:34.439 --> 00:00:36.719
13
00:00:36.840 --> 00:00:38.960
14
00:00:39.000 --> 00:00:41.719
15
00:00:41.719 --> 00:00:44.039
16
00:00:44.079 --> 00:00:46.200
17
00:00:46.479 --> 00:00:48.159
18
00:00:48.479 --> 00:00:50.520
19
00:00:50.520 --> 00:00:52.560
20
00:00:52.719 --> 00:00:55.000
21
00:00:55.039 --> 00:00:56.960
22
00:00:56.960 --> 00:00:58.799
23
00:00:58.840 --> 00:01:01.840
24
00:01:01.840 --> 00:01:04.079
25
00:01:04.120 --> 00:01:06.040
26
00:01:06.079 --> 00:01:08.079
27
00:01:08.439 --> 00:01:11.079
28
00:01:11.120 --> 00:01:13.640
29
00:01:13.640 --> 00:01:16.640
30
00:01:16.640 --> 00:01:19.519
31
00:01:19.680 --> 00:01:22.000
32
00:01:22.040 --> 00:01:24.439
33
00:01:24.519 --> 00:01:27.280
34
00:01:27.359 --> 00:01:29.920
35
00:01:30.040 --> 00:01:33.719
36
00:01:33.760 --> 00:01:37.159
37
00:01:37.239 --> 00:01:40.239
38
00:01:40.280 --> 00:01:42.560
39
00:01:42.920 --> 00:01:45.159
40
00:01:45.200 --> 00:01:46.959
41
00:01:47.000 --> 00:01:49.560
42
00:01:49.640 --> 00:01:51.319
43
00:01:51.480 --> 00:01:53.519
44
00:01:53.560 --> 00:01:55.519
45
00:01:55.599 --> 00:01:57.840
46
00:01:58.239 --> 00:02:00.840
47
00:02:00.879 --> 00:02:03.920
48
00:02:03.959 --> 00:02:06.079
49
00:02:06.120 --> 00:02:09.719
50
00:02:09.719 --> 00:02:12.319
51
00:02:12.319 --> 00:02:14.240
52
00:02:14.280 --> 00:02:15.840
53
00:02:16.319 --> 00:02:18.520
54
00:02:18.520 --> 00:02:20.560
55
00:02:20.560 --> 00:02:23.039
56
00:02:23.159 --> 00:02:25.120
57
00:02:25.719 --> 00:02:27.840
58
00:02:27.919 --> 00:02:30.000
59
00:02:30.080 --> 00:02:32.159
60
00:02:32.240 --> 00:02:34.719
61
00:02:34.800 --> 00:02:36.240
62
00:02:36.319 --> 00:02:38.280
63
00:02:38.319 --> 00:02:40.599
64
00:02:40.680 --> 00:02:44.199
65
00:02:44.199 --> 00:02:47.680
66
00:02:47.719 --> 00:02:50.080
67
00:02:50.159 --> 00:02:51.960
68
00:02:52.000 --> 00:02:53.919
69
00:02:53.919 --> 00:02:56.120
70
00:02:56.199 --> 00:02:58.400
71
00:02:58.439 --> 00:03:00.080
72
00:03:00.159 --> 00:03:02.319
73
00:03:02.319 --> 00:03:04.840
74
00:03:04.840 --> 00:03:06.599
75
00:03:06.599 --> 00:03:08.080
76
00:03:08.120 --> 00:03:10.560
77
00:03:10.680 --> 00:03:14.120
78
00:03:14.280 --> 00:03:17.520
79
00:03:17.599 --> 00:03:19.719
80
00:03:19.800 --> 00:03:22.240
81
00:03:22.560 --> 00:03:25.039
82
00:03:25.080 --> 00:03:27.039
83
00:03:27.039 --> 00:03:28.599
84
00:03:28.639 --> 00:03:30.759
85
00:03:30.800 --> 00:03:32.800
86
00:03:32.879 --> 00:03:34.800
87
00:03:35.360 --> 00:03:37.520
88
00:03:37.560 --> 00:03:41.599
89
00:03:42.080 --> 00:03:43.639
90
00:03:43.680 --> 00:03:46.919
91
00:03:47.039 --> 00:03:49.520
92
00:03:49.639 --> 00:03:51.400
93
00:03:51.520 --> 00:03:54.159
94
00:03:54.159 --> 00:03:55.759
95
00:03:55.840 --> 00:03:58.199
96
00:03:58.199 --> 00:04:00.680
97
00:04:00.800 --> 00:04:03.199
98
00:04:03.319 --> 00:04:05.319
99
00:04:05.360 --> 00:04:07.560
100
00:04:08.080 --> 00:04:10.639
101
00:04:10.639 --> 00:04:12.400
102
00:04:12.439 --> 00:04:14.840
103
00:04:14.879 --> 00:04:17.319
104
00:04:17.399 --> 00:04:20.240
105
00:04:20.279 --> 00:04:22.759
106
00:04:22.839 --> 00:04:25.360
107
00:04:25.399 --> 00:04:27.199
108
00:04:27.199 --> 00:04:29.079
109
00:04:29.279 --> 00:04:31.680
110
00:04:31.720 --> 00:04:33.759
111
00:04:33.800 --> 00:04:36.319
112
00:04:36.800 --> 00:04:39.600
113
00:04:39.680 --> 00:04:41.800
114
00:04:41.879 --> 00:04:43.920
115
00:04:43.920 --> 00:04:46.279
116
00:04:46.839 --> 00:04:48.839
117
00:04:49.199 --> 00:04:51.879
118
00:04:51.920 --> 00:04:53.480
119
00:04:53.480 --> 00:04:55.240
120
00:04:55.279 --> 00:04:58.160
121
00:04:58.560 --> 00:05:02.160
122
00:05:02.240 --> 00:05:07.839
123
00:05:08.600 --> 00:05:11.959
124
00:05:12.199 --> 00:05:14.519
125
00:05:14.560 --> 00:05:16.759
126
00:05:16.800 --> 00:05:19.199
127
00:05:19.199 --> 00:05:21.519
128
00:05:21.600 --> 00:05:23.800
129
00:05:23.920 --> 00:05:26.279
130
00:05:26.319 --> 00:05:27.879
131
00:05:27.920 --> 00:05:29.759
132
00:05:29.800 --> 00:05:32.639
133
00:05:32.680 --> 00:05:34.199
134
00:05:34.279 --> 00:05:37.199
135
00:05:37.199 --> 00:05:39.040
136
00:05:39.120 --> 00:05:40.720
137
00:05:41.600 --> 00:05:43.160
138
00:05:43.199 --> 00:05:45.480
139
00:05:45.519 --> 00:05:47.920
140
00:05:48.000 --> 00:05:49.800
141
00:05:49.920 --> 00:05:51.680
142
00:05:51.759 --> 00:05:53.759
143
00:05:53.800 --> 00:05:56.319
144
00:05:56.319 --> 00:05:58.600
145
00:05:58.639 --> 00:06:00.959
146
00:06:01.000 --> 00:06:03.560
147
00:06:03.600 --> 00:06:06.160
148
00:06:06.519 --> 00:06:08.399
149
00:06:08.399 --> 00:06:10.519
150
00:06:10.560 --> 00:06:12.959
151
00:06:13.000 --> 00:06:15.399
152
00:06:15.560 --> 00:06:17.959
153
00:06:17.959 --> 00:06:20.240
154
00:06:20.360 --> 00:06:22.240
155
00:06:22.279 --> 00:06:24.639
156
00:06:24.759 --> 00:06:27.040
157
00:06:27.079 --> 00:06:29.720
158
00:06:29.800 --> 00:06:35.279
159
00:06:35.439 --> 00:06:38.720
160
00:06:38.800 --> 00:06:42.319
161
00:06:42.639 --> 00:06:44.519
162
00:06:44.560 --> 00:06:46.240
163
00:06:46.279 --> 00:06:47.720
164
00:06:47.720 --> 00:06:49.199
165
00:06:49.240 --> 00:06:51.240
166
00:06:51.319 --> 00:06:53.959
167
00:06:54.040 --> 00:06:55.879
168
00:06:55.920 --> 00:06:57.839
169
00:06:57.879 --> 00:06:59.600
170
00:06:59.600 --> 00:07:01.199
171
00:07:01.279 --> 00:07:03.560
172
00:07:03.600 --> 00:07:05.399
173
00:07:05.439 --> 00:07:08.439
174
00:07:08.480 --> 00:07:11.759
175
00:07:12.000 --> 00:07:14.480
176
00:07:14.480 --> 00:07:16.319
177
00:07:16.399 --> 00:07:18.199
178
00:07:18.279 --> 00:07:20.439
179
00:07:20.439 --> 00:07:21.920
180
00:07:21.920 --> 00:07:23.759
181
00:07:23.800 --> 00:07:25.839
182
00:07:25.879 --> 00:07:27.720
183
00:07:27.720 --> 00:07:30.040
184
00:07:30.120 --> 00:07:32.319
185
00:07:32.360 --> 00:07:35.120
186
00:07:35.160 --> 00:07:36.600
187
00:07:36.680 --> 00:07:39.480
188
00:07:39.519 --> 00:07:41.759
189
00:07:41.839 --> 00:07:44.279
190
00:07:44.360 --> 00:07:46.759
191
00:07:46.800 --> 00:07:49.600
192
00:07:49.639 --> 00:07:51.839
193
00:07:51.920 --> 00:07:53.800
194
00:07:53.879 --> 00:07:57.519
195
00:07:57.639 --> 00:07:59.079
196
00:07:59.079 --> 00:08:00.600
197
00:08:00.639 --> 00:08:02.399
198
00:08:02.399 --> 00:08:04.720
199
00:08:04.720 --> 00:08:07.040
200
00:08:07.120 --> 00:08:09.360
201
00:08:09.399 --> 00:08:11.680
202
00:08:11.759 --> 00:08:13.319
203
00:08:13.360 --> 00:08:15.199
204
00:08:15.240 --> 00:08:17.000
205
00:08:17.079 --> 00:08:18.879
206
00:08:19.439 --> 00:08:20.759
207
00:08:20.839 --> 00:08:23.319
208
00:08:23.360 --> 00:08:26.839
209
00:08:26.959 --> 00:08:30.480
210
00:08:30.519 --> 00:08:32.879
211
00:08:33.120 --> 00:08:34.960
212
00:08:35.000 --> 00:08:37.039
213
00:08:37.440 --> 00:08:39.679
214
00:08:39.720 --> 00:08:41.559
215
00:08:41.559 --> 00:08:44.440
216
00:08:44.480 --> 00:08:46.960
217
00:08:47.000 --> 00:08:50.000
218
00:08:50.080 --> 00:08:51.840
219
00:08:51.879 --> 00:08:53.879
220
00:08:53.919 --> 00:08:55.559
221
00:08:55.600 --> 00:08:57.759
222
00:08:57.840 --> 00:09:01.519
223
00:09:01.879 --> 00:09:03.759
224
00:09:03.879 --> 00:09:07.080
225
00:09:07.240 --> 00:09:09.759
226
00:09:09.799 --> 00:09:12.559
227
00:09:12.679 --> 00:09:15.399
228
00:09:15.519 --> 00:09:19.039
229
00:09:19.080 --> 00:09:21.679
230
00:09:22.080 --> 00:09:23.720
231
00:09:23.759 --> 00:09:26.120
232
00:09:26.480 --> 00:09:29.039
233
00:09:29.360 --> 00:09:32.279
234
00:09:32.279 --> 00:09:35.720
235
00:09:35.840 --> 00:09:37.879
236
00:09:37.960 --> 00:09:42.080
237
00:09:42.159 --> 00:09:45.519
238
00:09:45.679 --> 00:09:48.480