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Callaroga Shark Media. Hello, I'm Jenny Mack with your daily
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comedy news. Michael Jay and Colin Jokes apparently have a
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good relationship, but seems there was one joke Michael Jay
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didn't like. He told this story to Dana Carvey and
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David Spade. They were curious if there was any punchline
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that he didn't like. Chase said, I think jalapagno business.
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I was pretty furious about that one. Joe said, you
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were just upset that it worked so well. The joke
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in question related to a twenty fifteen Ohio criminal case,
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which saw a woman charged with stabbing her boyfriend because
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he ate a tub of sauca they were meant to share.
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Chase said, I remember and run through when you did
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it because I'd never heard it before. I don't remember
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what the setup was, but the punchline was halapano business,
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a play on words on the saying all up in
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your business. On the final airing, Jose recapped the crime
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and concluded by saying you'd be angry too if your
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boyfriend was jlapagno business, and Chase said, I was like,
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if you tell that joke on the air, I'm leaving
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him quitting the show, and he did it on air
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and it destroyed. I was so frustrated. I was like,
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I don't even know what we'd do anymore. On the
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original airing, Chase shared, first of all, I hate you
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for laughing at that. My joke got pulled after dress
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rehearsal because they said it was too offensive and way
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over the line. Man. The PR people over at CNN,
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they definitely worked hard at getting word out about how
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I got news for you. You've got a couple of stories today,
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and I'll do some more tomorrow. Since the show airs
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on Saturday. And look it's canceled because it's scheduled on
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Saturday night. I know if anybody's gonna watch it. Micha
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Lee and Black told Inside Hook, I'm so plugged in,
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like annoyingly so, I know so much about the news,
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mostly as a function of being unemployed. I live on
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Twitter discuss even me. Black appeared in a pilot for
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an NBC version of the show years ago that never
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took off. When CNN came calling, he was like, why
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see it in doing this? This doesn't make any sense
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to me, So I asked that question to CNN. I'm like,
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this doesn't make any sense, and they said they've been
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airing Bill Mahers show on Saturday nights and reruns and
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it'd been performing really well for them, and they saw
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an opportunity there and they were looking for something to
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pair with it to expand their weekend programming from just
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Sunday Originals to Saturday Originals. Seem like a good fit,
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some one was explained to me. I was like, oh,
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you're smarter than I thought you were. They've been really
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respectful of Roy Amber and I in terms of letting
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us do what we want, never saying well, in the
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British version they do this or they do that. I
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think they're very cognizant of the fact that this has
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to stand on its own two legs with an American
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cast doing it the way we would do it. So
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I'm sure the architecture of it, the way the show
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is constructed, and the design and the games that are
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all within it, that's all lifted from the British one.
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But in terms of how we executed here, they haven't
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give us any notes other than go as far as
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you want to go, which is the best possible note
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to receive. He said. The crew instantly connected. While filming
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a test episode, even though they didn't know each other,
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Black says, I felt so familiar and so comfortable, and
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they were so funny. It felt to me like we'd
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be doing it for years. I was shocked, it really was.
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I think all of us have enough experience in the
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format sitting on a stage, there's an audience, there's four
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or five cameras, and you're just like shooting at the stuff.
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I think it felt natural for all of us and
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a very easy place to fall into. The X factor
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is always like, well, what's the chemistry going to be? Like?
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So far is so good. I mean they were making
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fun of me. I was making fun of them. They
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were making fun of each other. That's all you want.
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That's all I want. If some tragedy or something, or
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I should say, when there's some tragedy or something, it's
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entirely possible we will be preempted that week, depending on
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the nature of whatever's happening, and I'd be fine with that.
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I'm not trying to get up on September thirteenth to
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joke about September eleventh, you know what I mean. I
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think my approach would be to treat the events with
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the seriousness they deserve. That doesn't mean you can't find
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the humor in them. But then there's just some things
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that are not going to be funny, and I won't
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try to make them funny. If a school shooting happens,
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you're not going to see me up there making armpit
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fart noises over it. I'm just not The CNN press
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machine got Rolling Stone to write an article. Roy Wood
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Junior said, I wouldn't mind RFK Junior as a guest.
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It would be funny, I guarantee you that, and at
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times it would be very what the f is happening,
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but informative at the end of the day, and I
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think that part of it's fun to see. The thing
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that I'm trying to remain conscious about the American version
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of this is there's still a lot of people suffering
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under a lot of these policies that are quarterback by
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people that were thrown around a pure as guests, and
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so there's a way to tend of the wins of
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the people that are in pain while creating a sense
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of accountability or explaining yourself for people that have pushed
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some of these policies. I don't want to laugh at
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stuff that's insensitive. At the end of the day, I've
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had six days to yell, curse and cry. On Saturday nights,
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we will laugh. In the Daily Mail, Alexa Semino talks
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about being at participant in Kill Tony. I found this
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very interesting, Alexa writes. I had waited in the sign
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up line on the first day of the show, even
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convincing my editor to let me out of work early.
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I arrived at four pm, thinking an hour was plenty
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of time to screw my place in line for the
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five pm sign ups. I was very wrong. At least
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eight hundred aspiring comedians had been waiting and sweltering ninety
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five degree heats since eleven am. By the time I arrived,
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only three hundred to four hundred lean in and I
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didn't make the cut that day, but I was determined
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the next day. I came prepared. There were only twenty
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or so people in mind when I arrived at mid day,
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so I was golden. I chatted with the other comics
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who had flown in from all over the country. Wow,
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it felt like a comedy tailgate party, where instead of football,
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we discussed the kill Tony bump. Referring to the possible
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career boosts that would come from being selected to perform
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on the show. When it was time to sign up,
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we were herded like cattle through metal detectors made to
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sign waivers. We were given wristbands and ushered beneath the
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arena on the left side of the stage. Especial section
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was reserved for comics who had entered their names in
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the bucket. A live man fired up the crowd. The
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show kicked off as Tony began explaining the bucket poll system.
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That's when I realized I had willingly signed up for
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three hours of anxiety because no one knew who was
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going to be called. I whipped out my trusty red
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Joke book, frantically flipping through the pages and knowing I'd
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be so shocked I'd probably forget my own name. I
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needed to strategically select jokes that were second nature, like
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the kind of jokes I knew so well I could
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recite them in my sleep. Eventually, her nerves calm because
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she's not being called, and then she writes it turns
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out my chances of being called were far higher than
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I thought, for one reason. I was a woman. Tony
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wanted a woman and had one last bucket poll left
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for Saturday night show, so he kept drawing names until
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he found one mine. I was rushed backstage by the
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production crew. My face pale, my hand's trembling. The production
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assistant laid down the law. Don't touch the judges, don't
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go over your time. When you hear a kittens me
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owt from the soundboard, wrap it up, Tony says, make
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some noise for Alexa Semino. I walked up the stairs,
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picked up the signature red microphone, looked out to the
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sea of twenty thousand faces stretching out before me. You
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could hear a pin drop. I launched it into my set.
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The words tumbled out with a confidence I didn't know
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I possessed. The crowds laughter echoed throughout the arena. In
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comedy terms, I had killed it. I managed to banter
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with Shane Gillis, dressed as Donald Trump. I was awarded
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a big Joke book, a prestigious symbol that the bucket
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pull had impressed the judges. Stepping off the stage, I
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was greeted by some of the most famous names in comedy.
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After the show, I was bombarded with congratulations autograph requests
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and so much love, especially from female audience members. It
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took me nearly an hour to leave the venue. In
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a few weeks I'll find out if the Kiltny bump
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is real or if we'll be back to climbing the
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stand up ladder from scratch again. I gotta remember to
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watch those shows. The MSG shows are up on YouTube now.
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You know this football like nine nights a week now.
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There aren't nine nights in a week, John, There's like
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football like eight nights a week now, and I was
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having a time to watch kil Tony. But the MSG
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shows are definitely up there out today. Anna Valenzuela's a
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new comedy album, A Murder Puss, is available from a
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burn This Records. There's going to be a book about
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Lauren Michaels entitled Lauren Then, who invented Saturday Night Live.
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Get ready for nine solid months of SNL talk starting
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with this movie ending with the fiftieth anniversary show. This
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new book, written by Susan Morrison from The New Yorker,
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will introduce you to him in full for the first time,
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with unprecedented access to Michaels, who has spent his career
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mostly avoiding reporters and the entire SNL apparatus. The New
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Yorker's Susan Morrison takes you behind the curtain for the rollicking,
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definitive story of how Lorne created the institution that would
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change comedy forever. Sidebar Mark Maron had lorn On at
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one point, I think two episodes worth, maybe only one.
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That was a great listen. I know Maren put stuff
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behind the paywall after a while. I don't know if
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that's still available, but that was really good if you
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can still get it. Other people interviewed in the book
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Paul Simon, Paul McCartney, Steve Martin, Chris Rock, Amy Poehler,
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and Jason Sadeikas, Bill Hayter Buck, Henry Chevy, Chase and Moore.
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The book will be out in February. Forbes spoke to
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Caroline Hirsch, who used to own Caroline's Comedy Club in
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Caroline Hirsch is a big part of the New York
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Comedy Festival. They spoke to her about how comedians dress.
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Airlines said to me many many years ago, Robin Williams
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always presents it himself in kind of a you know,
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it was a cool way on stage in the beginning,
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he wore T shirts with suspenders. It was kind of
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his look after get rid of the Hawaiian shirts. Later
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he was a very chic dresser. She says. JB. Smooth
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is the coolest dresser around. Tracy Morgan also make sure
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he's dressed to the nines. Kevin Hard as well is
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dressed to the nines. Those guys really do out there
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and make sure they have a look, very very much
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a look on what they do. Caroline says, once comedians
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get the means, they dress up, that's their thing. I
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watch people go from jeans and T shirt to there
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are many suits. You could see the transition of people
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going through it. Her favorite is when comedians wear bling.
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It's almost like do they dress up so people take
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them more seriously or is it a way to show
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their status that they've made it. It's really about making it.
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Look at Nikki Glazer, she's impeccantly dressed on stage all
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the time. As for the now closed Caroline's Comedy Club,
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she says, it lives on through the festival. That's what
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we've been doing. And look, when the news went out
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that we were closing club, I had so many offers
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from different real estate people around New York saying, Oh,
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come work with us, open another club. But I needed
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sign a step back a bit, and we've been exploring
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other ideas about the Caroline's brand. Speaking of the well
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dressed JB Smooth, The Port City Daily caught up with JB,
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who said, people forget how short life is, and people
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really focus on too much stuff that keeps them stagnant
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and keeps them at a certain mindset for a long
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time until they realize that being in that mindset has
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affected them long term. By the time they get to
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a certain age, they realize they can't fix it. They
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can't repair it because they're locked into it. They presented
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someone to everybody and now everybody knows them as that
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personality and that person. But if you can't find a
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way to laugh, find a place in there for humor
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and growth, we're in trouble. And I think comedy is
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a departure from the normal world. You should put your
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phones away and be in the moment with somebody. It's
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kind of like an intervention. We as humans have definitely
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attached ourselves to a different speed of the world, and
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there's something really intimit about a setting like comedy when
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somebody leans forward in their chair and I'm like, oh,
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I got them. That's the fun thing about stand up man,
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sat yourself to the heartbeat, and that it's your comedy
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news for today. If you enjoy the program, tell a
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friend about it. They might like it too. If you
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would like this program without commercial interruption, there's a link
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in the show notes so to tell you how that works.