Aug. 28, 2026

Norm Macdonald Netflix Doc Leads October Comedy Documentary Lineup

Norm Macdonald Netflix Doc Leads October Comedy Documentary Lineup

Johnny Mac reports poolside on Netflix’s four Friday comedy documentaries in October: “Who Is Martin Mull?” (Oct 7, produced by Bob Saget and Neil Berkeley), “Norm: The Tale of Norm Macdonald” (Oct 16, built from archival material and backed by Judd Apatow), “Paralyzed by Hope: The Maria Bamford Story” (Oct 23, also from Apatow), and “SCTV: The Greatest Show You’ve Never Heard Of” (Oct 30, with Jimmy Kimmel as executive producer; SCTV episodes arrive Sept 1). He also covers NASCAR’s Theo Von promo for the playoffs, Sam Morril saying a great Knicks run hurt his comedy writing, Jimmy Kimmel discussing retirement doubts, Great Outdoors Comedy Festival Mississauga lineup changes tied to Mike Birbiglia’s new film, Michael Ian Black’s new special, and Edinburgh Fringe items including Sasha Nazlobin’s exile story and discussions on risk and experimentation in comedy.

00:00 Netflix Comedy Docs
01:52 SCTV and Kimmel Credit
02:49 Theo Von NASCAR Promo
03:59 Sam Morril Knicks Bit
04:15 Nate Bargatze Backlash
05:52 Kimmel Retirement Talk
07:47 Festival Lineup Updates
08:48 Birbiglia New Movie
09:16 Michael Ian Black Special
11:41 Comedy Stock Market
13:06 Pablo Pledgecobar Skit
14:20 Exiled Russian Comic
17:21 Fringe Risk and B-Sides



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From Poolside, I'm Johnny Mac with your daily comedy news.

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October is going to be very exciting on Netflix. They

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have four comedy documentaries. I think the big one will

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be about Norm Macdonald, but I'll tell you about them

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in order. These will be on Fridays. On October 7th,

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we'll get Who is Martin Mull, produced by the late

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Bob Saget and Neil Berkley. Who is Martin Mull tells

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the story of the Chicago-born actor, musician, and painter known

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for Mary Hartman, Mary Hartman, and for playing Jean on

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Arrested Development. We're told that the doc traces his restless

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reinvention from smoky folk clubs to primetime sitcoms to gallery walls,

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told in his own words and by their friends who

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watched it happen, including Steve Martin, Tom Waits, David Alan Greer,

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and others. Then on October 16th, we get Norma. The

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Tale of Norm Macdonald, an intimate portrait of Norm Macdonald,

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including his rise as the deadpan anchor of Weekend Update

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to his enduring legacy as a comedian's comedian, a master

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of the absurd, the dry, and the unexpected. The doc

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is built entirely from archival footage, personal photos, and rare

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home videos. This is really great. Judd Apatow is the

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force behind this one. Then on the 23rd, we get

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the Maria Bamford documentary, also from Judd. It is called

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Paralyzed by Hope, the Maria Bamford Story. It made its

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premiere earlier this year at Sundance. It is a funny

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and tender glimpse into the childhood, early career, and present-day

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life of a comedy great who's known for turning radical

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honesty into radical comedy, often blurring the line between performance

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and personal crisis. I know people that like Maria Bamford

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love Maria Bamford. Never quite been my thing, but I

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know people are really, really into her. So that is

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Paralyzed by Hope, the Maria Bamford story. Then on October 30th,

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we get SCTV, The Greatest Show You've Never Heard Of,

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which is just a fascinating title, because if you're my age,

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of course you've heard of it. Plus, by the time

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October 30th rolls around, SCTV is coming to Netflix September 1st,

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so it will have been on Netflix for two months,

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so people will have heard of it anyway. SCTV, The

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Greatest Show You've Never Heard Of, except you have, tells

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the story of one of the most influential sketch comedy

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series in TV history, although ostensibly you supposedly haven't heard

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of it, even though you have. Second City Television helped

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boost the careers of John Candy, Eugene Levy, Martin Short,

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Catherine O'Hara, Rick Moranis, and more. No love for Dave

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Thomas there? Why is there no love for Dave Thomas?

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Come on. Anyway, we're told through intimate interviews with surviving

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members of its legendary cast and an emotional reunion in Toronto,

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the film explores the creative partnership that transformed a small

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Canadian television production into a cultural phenomenon, etc., etc., etc.

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Jimmy Kimmel has an executive producer credit on this. As

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I previously mentioned, all episodes of Second City TV arrive

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on Netflix September 1st. NASCAR has teamed up with Theo Vaughn.

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USA Sports brought in comedian and podcaster Theo Vaughn to

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star in a new promo for The Chase, breaking down

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how the NASCAR playoffs work in simplest terms. Vaughn explains,

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16 drivers, 10 races, one champion, the rules are easy,

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winning insanely hard. Then there's a video where we see

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some drivers in a classroom. Let's cut to the trailer. Now,

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I did make edits for pacing. And honestly, I struggled

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to make it all the way to the end, so

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at some point we're going to bail here, but here's

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Theo Vaughn doing his NASCAR thing.

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Welcome to USA Sports Racing School.

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You've battled all season for a shot at the championships,

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And now you've graduated.

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To the chase. Are you talking about me?

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I am not, but big fan. Did you just say chase? Hey,

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Chase Briscoe, pipe down.

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We're talking about NASCAR's postseason.

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Wait, the chase is back? The chase is back, Ryan Blaney.

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Thank you, man.

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And apparently so are 70s mustaches, huh?

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16 drivers, 10 races, one champion.

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The rules are easy. Winning, insanely hard.

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Johnny Mac, stick to sports. OK, Sam Morrell was on

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Rich Eisen's podcast and they talked about the world champion Knicks.

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Sam said it hurt my comedy that Knicks run because

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it's hard to write jokes when everything is great. A

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lot of comedy comes from irritability and like, you know, oh,

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this is annoying. But what am I going to be like?

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You ever notice that God is real and everything's cool? Like,

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what am I going to write about? I couldn't believe it.

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Pajiba wrote an article about that controversial mega comedian, you know,

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the guy Nate Bregansi. That's right. I didn't have to

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tell you who it is. Pajiba's headline, Nate Bregazzi does

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edgy comedy now, losers. Let's just read this one verbatim

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from Pajiba. After the breadwinner whimpered into theaters, Nate Bregazzi

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immediately went mask off and stumbled around the White House

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UFC fight like some sort of mega Forrest Gump. He

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had just spent months carefully saying he's not a political guy,

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only to prove that anyone who says that is totally

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political but self-aware enough to know that they should keep

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it under wraps.

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Well.

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In an entirely predictable move, Nate is reportedly moving past

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his family-friendly shtick that made him a massive success on

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the standout circuit. His Nateland Entertainment just announced the launch

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of No Pictures, a new company producing film and television

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that will delve into edgier genres and stories more suited

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for older audiences. Pajiba continues, While I just assumed Nate

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would stay arm's length away from anything that uses words

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stronger than dorn, He's already full steam ahead on some

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pretty spicy stuff. Hold on to your butts. What does

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any of this mean? Well, for starters, I'm guessing roller

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coasters cost way more than Nate realized, and he wants

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to open an amusement park. He's going to need more

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than Mr. Mom rehashes to bring in eyeballs. Pajima says,

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I'm also reminded of Nate's May 2025 interview with Esquire,

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where Nate confessed that he was very tempted to go

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the canceled comedian route, but ultimately chose not to pursue

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those riches. Riches that would not be available to him

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unless he had views that would get him canceled. Are

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we about to learn what those views are? This certainly

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looks like a start. Unless we're about to witness a

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very expensive foray into four chokes. Sounds like Jimmy Kimmel's

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not going to retire. I mean, that makes sense. Once

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they make you the king of late night, why would

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you walk away after a year in your late 50s?

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What else are you going to do? Sit in the

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backyard recording a podcast like a loser? No, Jimmy Kimmel,

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you keep hosting the show. You already have the summers off.

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Call Rosie O'Donnell up and tell her you want her

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for six weeks next summer. Tell ABC you don't want

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to work in December. Rosie will do it. That's a

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good solution, actually, everybody. Rosie can waltz in. Everyone will go, oh,

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Rosie's great. Kimmel doesn't have to work. ABC has a show.

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Why are we not doing this? Jimmy and his wife

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Molly went on Dax Shepard's podcast. Kimmel said he still

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asks himself if the demands of doing a nightly show

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are worth it. Quoting Jimmy, weirdly, I deal with it

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less now than I used to because now I feel

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like the show's an outlet for people who are outraged

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by what's going on, and I feel some responsibility to

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those people. So it's not just like, oh, man, why

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do I need to get up? It's like, well, yeah,

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there is kind of a reason, a non-financial reason that

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you need to do this. Kimmel's current contract runs through May. Recently,

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Kimmel told Vulture that ABC hadn't yet talked about a renewal.

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Kimmel at that point said, I don't know what ABC

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is going to want to do. Jimmy's wife, Molly, said

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she could picture her husband with a fly rod in

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one hand and a torch in the other, finally getting

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a chance to relax. But she believes his voice is important. Now,

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this is where we get down to it. Jimmy was asked,

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could he see himself retiring and then regret it? He said, yeah,

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I do. And he said he had watched others announce

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their retirement only to make a, quote, lesser comeback. Jimmy said,

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I always look at that and go, oh, is that

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going to be me? Yeah, don't walk away, dude. Will

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he retire, retire? It depends on what you mean by retirement.

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He said, I'm never going to stop doing things. That

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is my like I'm already pretty much retired. I'm sitting

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next to a pool. talking into a laptop and making

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money doing this, and thank you for listening. You help

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fund this ridiculous lifestyle that I have. I am so blessed.

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Thank you. I have no reason not to do this.

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I already pre-taped some days of the week when I

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want to go to the beach. I mean, Jimmy, apply that. Again,

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call Rosie O'Donnell. In fact, Rosie, if you want to

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host this podcast on the weekends, I'm happy to have you.

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The Great Outdoors Comedy Festival is stepping up their lineup.

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If you're free on Friday, the 11th of September, and

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you want to hit the Mississauga Festival weekend at Arendelle Park,

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Stavros Halkias and James Austin Johnson have been announced. They

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were replacing Mike Birbiglia and Nick Kroll, who can no

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longer appear on the show on Friday due to scheduling conflicts.

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We'll get into that in a second. But it is

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a pretty solid lineup at the Great Outdoors Comedy Festival

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Mississauga lineup. On the 11th, you get John Mulaney, Stavros Halkias,

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Fred Armisen, and James Austin Johnson. I mean, when Fred

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Armisen's the fourth best guy, that's a pretty good night.

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Then the afternoon show on the 12th is Adam Ray's Dr. Phil,

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Miss Patton, T.J. Miller. Then the night show on the

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12th is Jeffrey Curie, fresh cut featuring Brad Williams and

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Grace O'Malley. Then the afternoon show on the 13th, we'll

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be watching football, so I feel bad for Matt Matthews

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and Jordan Jensen and also Catherine Blanford, who is fantastic,

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but there's football that day. And then you can blow

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off Sunday night football and go see Hasan Minhaj and

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Ronnie Chang plus Michael Kosta. Now, why isn't Mike Birbiglia going?

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Remember he said he had a bail on the Mulaney

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tour because he had a dream job? Well, apparently it

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is this. Focus Features has greenlighted Old Friends, New Friends,

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a comedy marking Mike Birbiglia's first feature effort in a decade.

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When a tight-knit group of college friends travels to a

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summer camp for their old friend's wedding, they discover he's

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built a new life with new friends, forcing them to

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confront what they've lost, who they've become, and whether growing

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up means growing apart. Michael Ian Black, who looks fantastic,

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and I say that because I watched the trailer for

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the thing I'm about to tell you, which is His

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new comedy special, it's titled First Annual Retirement Special. It

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is now out on Comedy Dynamics. Michael Ian Black reflects

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on his 27 years of experience as a married man

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and the difficult choices that come with it, like choosing

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between intimacy and watching Better Call Saul. Caring for each

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other through sickness and health and discovering just how important

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accent pillows are to bringing home together. He also takes

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on the increasingly unhinged world of snack and soda flavors,

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living abroad in Rome and London. where he learned that

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London theatre might not be all it's cracked up to be,

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and recounts the time he hit it big at the

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poker table against a man named Dave. Now, there is

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a trailer. Michael Ian Black, who's 55 and looks fantastic,

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goes a really long way for a joke here. I'll

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let it roll into the laugh line. There's a tag

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after the laugh line that's more visual, but I'll cut

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it before we get to that because it's visual. But

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this is a long way to go for a joke.

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If you ever get the chance to live abroad for

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any length of time, Take it. It's such a great experience.

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You learn so much, not only about the cultures that

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you're in, but about your home culture. And what eventually

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happens is you will accumulate approximately $ 36, 000 in credit card debt.

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Here's what happened. Towards the end of our stay, I

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got a call from my friend, Joe. Joe works for

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this big poker company putting on a high stakes poker

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game in Las Vegas. Would I like to participate? Now,

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I am a poker player. I've been playing poker my

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whole life. But when I buy into a poker game,

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it's for like $ 300, $ 500. The buy-in for this game, $ 50, 000. Okay. Okay. Now,

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my strategy is very simple. We have 150 hands of

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poker to play. When the 150 hands are over, the

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game is over. So my thinking is, I'm just going

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to hang back. I'm not going to do a thing

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unless I absolutely have to hope to put a dent

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in this $ 36, 000 of credit card debt that I've got.

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On the second hand of the 150, I hear myself

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saying these words. I'm all in.

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Well, once again, I'm bumping that Hannah Berner story because

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the podcast is getting long. We'll eventually get to it. And,

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you know, sadly, it's not that good. But it is

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Friday and time for the Comedy Stock Market. Take it away,

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Burt Reynolds. Comedy Stock Market. All right, despite me constantly

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bumping Hannah Burner stories from the podcast, we're going to

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buy stock in Hannah Burner. She's got a lot of

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projects coming along. Not that I ever tell you about them,

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but someday I will. But just trust me. You trust

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a guy sitting by a pool hosting a podcast, don't you?

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Hannah Burner is a buy for us. Let's also buy

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some Stavros Halkias. He's got a lot going on, and

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I'm seeing a lot of press. I already have a

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few things into next week's scripts. And also let's buy...

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Can you buy Norm Macdonald? Let's buy some Norm Macdonald estate.

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I feel like this Netflix documentary will re-shine the light

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on Norm. Not that the light has really diminished. He's revered.

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I've even caught in grief from people like friend of

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the show Scott Beckett would be like, what do you

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mean when I say Norm Macdonald is not one of

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the best standups of all time? So, yeah, people are

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into Norm and I think this doc will really help.

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And if you're on Twitter, people will either repost old

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Norm stuff or do stuff in the style of Norm

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on this breaking news. So Norm is in the zeitgeist.

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So we'll buy Stavros. We'll buy Hannah. We'll buy Norm MacDonald.

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And that is your comedy stock market on a Friday

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next to the pool all week. I've had this in

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the notes every day. And what happens, because it's just

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one sentence, I've been glossing over it and forgetting to

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put it in. Remember like a week ago there was

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the thing at Penn State with the frat guys who

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were accused of being coke dealers? Did you hear that?

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And the ringleader was tagged with the nickname Pablo Pledgobar?

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Have you heard this story? Anyway, a comedian named Chris

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Barnes made a video of what it might have sounded

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like at the fraternity. Taz, today you.

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Gotta move this brick! You gotta move it, man! You

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gotta move this brick! It's a ton of cocaine!

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It's hazing!

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It's fun! I sell it or snort it, but you

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gotta get rid of it!

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It's gotta be go- You really gotta move this!

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You will all be getting one brick! And you gotta

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cut it with this!

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Is that Fent?

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Yes! Yeah, assface, it is Fent! And you better mix

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it in well, because it's not good quality! Get a whisk! Like,

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really get it in there! Tonight we're doing a scavenger hunt!

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You gotta get on an 18-wheeler!

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You gotta go to Bogota!

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Over the border! In Colum- Columbia?

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Yeah! Oh! Oh, you've seen a map before. Did you

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major in math? Oh, geography guy. You're going to get

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a selfie with the head of the cartel, and don't

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fake it.

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We know what he looks like.

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Don't just take a pic with a random Mexican guy.

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He's a loner.

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He's a legacy. He's class of 08.

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I like that a lot. If you are on my

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texting list, you got a copy of that sent to

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you by me. From the Sunday Post, let's head up

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to the fringe. Comedian Sasha Neslobin fled Russia after making

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an anti-war protest. He doesn't know when or if he

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or his family will ever be able to return. He

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was performing in a small space, capacity 83. He was

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once Russia's most successful comic, a household name with his

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own sitcom, who could fill arenas with his stand-up shows

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and directed successful films. He sounds like the Russian Nate Bergenzi, huh?

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Then Sasha Nazbolin criticized his country's invasion of Ukraine and

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was forced to leave everything he knew behind, fleeing Russia.

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One of the last direct flights from Moscow to the U.S.

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Are there not direct flights? I haven't looked. I'm going

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on kayak. No, I'm not going on kayak, because then

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guys in sunglasses will be like, why is he looking

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up flights to Moscow? I'm not looking. You look it up.

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Got to be careful what you Google. Sasha explains, in Russia,

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I have thousands of people in the audience, but it's

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all understandable. I'm on a different road, and I don't suffer.

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I don't want to do arenas right now on my show.

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I want to do 100 people 100 times. Then, of course,

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I desire to have more. I'm fine with this amount.

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This amount makes me happy, and I can do pictures

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afterwards with all who want them. Now I have more

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connections with my audience because I'm talking with them after

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my shows. People come to my show to see a

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guy who made the same decision they did, who left

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his country, who left everything there. They come up to

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me and say, wow, it's so cool. You're telling stories

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about your struggles and it helps us to live in

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the same situation. They hug me a lot right now.

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10 years ago, people wanted a picture just to show

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it on the internet. Now it's completely different. It's people

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with the same perspectives, values, and views. I'll miss them

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when I'm selling out 4,000 seat venues, he laughs. They'll

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be saying, Sasha was so nice when he was unsuccessful.

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As for his set, he says, I talk about struggles

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with politics, relationships, and the future of my childhood. I

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think anywhere in the world you can experience this. The U.S., U.K.,

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and Russia have a lot in common and a huge

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history of relations, most notably World War II. Johnny Mac's

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been listening to a lot of the Tom Hanks World

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War II podcast while walking his dog. When we last

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left Tom Hanks, we were at Yalta. So yes, the U.S., U.K.,

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and Russia do have a lot in common and a

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huge history of relations. Sasha says, some small things or

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stupid laws that we have now in Russia I can

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explain and turn into jokes. This has got to be

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really hard. He said, I told my girl we were

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going on vacation and we packed up her favorite toys.

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I took two big suitcases and we flew to New York.

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A week or two later, my wife decided she wanted

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to leave because countries were closing their airspace. She had

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to go via another country, only bringing a small carry-on

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bag because she didn't believe we'd be going for long.

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Four years later, they're still in the U.S. with no

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idea if they'll ever return home. Getting even more serious,

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Sasha said, I read Viktor Frankl's book about Auschwitz. I

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read that in college. High recommend, very powerful book. I

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read Viktor Frankl's book about Auschwitz and there was a

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theory that that the people who believed it would end

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in a year died first. Those who believed it would

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end in five years also died, but those who stayed

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alive are the people that believed it would end, but

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they didn't know when. So I've decided to live my

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life in the here and now and not think about it.

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I don't know what will happen in the next 10 years,

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but I've experienced so much. I have so many new

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experiences in life, and everything is nice. One of my

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dreams is to go back to Russia and educate students

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to teach cinema, stand-up art, something like that. I think

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that could be really profitable if I learn here, then

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take that experience and give it back to my homeland

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to build a new generation of people. That would be nice.

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Staying over at the Fringe yesterday when we wrapped up,

365
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I was telling you about Warren Morton, who's putting on

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two shows at the Fringe. This from comedy.co.uk. Warren says

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the part of the Fringe that nobody really prepares you

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for is what happens when you finish your show. The

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audience leaves, the adrenaline disappears, and suddenly you're alone. The

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Fringe can be incredibly social when you're surrounded by performers

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and audiences, but there are moments when the crowds have

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gone and the Fringe feels strangely lonely. Would I recommend

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doing two shows at the Fringe? Absolutely. Would I recommend

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doing two solo shows at the Fringe? Probably not. One

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of the shows is selling out every day, while the

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other has a consistently almost full room. Audience feedback's been outstanding,

377
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and artistically it's been fantastic. From the Scotsman, comedian Stephen

378
00:18:00.920 --> 00:18:03.440
Gordon says the Fringe was built on risk. Comedy should

379
00:18:03.460 --> 00:18:06.440
be allowed to fail again. He compares live comedy to

380
00:18:06.579 --> 00:18:08.799
rugby and said it has the same electricity. A brilliant

381
00:18:08.839 --> 00:18:11.180
comedian is not just someone who recites a polished routine.

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00:18:11.579 --> 00:18:13.480
There is someone with a strange private logic and the

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00:18:13.500 --> 00:18:16.660
ability to feel a room shifting between their feet. Comedy,

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00:18:16.720 --> 00:18:19.559
at its best, is a live negotiation between idea, performer,

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00:18:19.579 --> 00:18:23.240
and audience. The Edinburgh Fringe understands that better than almost anywhere.

386
00:18:23.289 --> 00:18:25.890
At least, it always has done. At its best, the

387
00:18:25.930 --> 00:18:29.430
Fringe has a punk spirit. Messy, ambitious, experimental, occasionally ridiculous,

388
00:18:29.450 --> 00:18:34.170
sometimes life-changing. It has also become increasingly expensive, slick, and professionalized.

389
00:18:34.250 --> 00:18:37.019
Posters are better, PR is sharper, reviews matter, awards matter.

390
00:18:37.890 --> 00:18:40.079
A month in Edinburgh can define a comedian's career or

391
00:18:40.140 --> 00:18:43.819
bank balance. Awards, reviews, and agents don't just recognize comedy,

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00:18:43.880 --> 00:18:46.859
they shape it. When the most recognized path is the

393
00:18:46.960 --> 00:18:51.400
polished 50-minute hour, comedians naturally optimize for that form. It's

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worth asking what gets squeezed out with the fastest route

395
00:18:53.759 --> 00:18:57.450
to legitimacy most rewards completion. At the biggest comedy festival

396
00:18:57.470 --> 00:18:59.450
in the world, it is oddly difficult to find space

397
00:18:59.470 --> 00:19:02.170
for the most basic act in comedy, trying something out.

398
00:19:02.609 --> 00:19:05.829
He explains, there's a difference between unfinished and careless. I'm

399
00:19:05.849 --> 00:19:08.230
not arguing for laziness or for charging audiences to watch

400
00:19:08.269 --> 00:19:11.079
comedians read out scraps. The question is something else. What

401
00:19:11.099 --> 00:19:14.539
happens when skilled people meet genuine uncertainty? The same way

402
00:19:14.660 --> 00:19:17.619
a world-class rugby player uses years of training when the

403
00:19:17.660 --> 00:19:20.430
ball bounces wrong, a great comic uses timing, instinct, and

404
00:19:20.490 --> 00:19:22.970
nerve when an unfinished idea suddenly has to live in

405
00:19:23.009 --> 00:19:25.769
front of an audience. That's why I created Notes, the

406
00:19:25.809 --> 00:19:29.309
comedy B-sides. Comedians open up their Notes app and perform live,

407
00:19:29.410 --> 00:19:32.670
half-written premises, 3M voice memos, strange fragments they once believed

408
00:19:32.690 --> 00:19:34.660
were worth saving. See, I love that. That is great.

409
00:19:35.339 --> 00:19:37.539
He explains, what has surprised me is how quickly brilliant

410
00:19:37.579 --> 00:19:40.930
comics have understood the appeal. Acts with polished hours, international followings,

411
00:19:40.970 --> 00:19:44.049
and serious reputations have still jumped the chance, not because

412
00:19:44.069 --> 00:19:46.390
they have nothing finished, but because even the best comedians

413
00:19:46.410 --> 00:19:49.130
still want rooms where they can play. Comedy B-sides at

414
00:19:49.150 --> 00:19:53.319
the tonic. 11 40 p.m claire smith went to go

415
00:19:53.380 --> 00:19:56.799
see rury miller miller's show is called autocorrect thinks my

416
00:19:56.839 --> 00:20:02.849
name is rubbish uh rury is spelled r-u-a-r-i-d-h i had

417
00:20:02.890 --> 00:20:08.470
to look up the pronunciations So Rory Miller, spelled R-U-A-R-I-D-H, autocorrect,

418
00:20:08.569 --> 00:20:11.210
thinks my name is Rubbish. Claire Smith, writing for Entertainment

419
00:20:11.230 --> 00:20:14.289
Dash Now, says, Finally, I feel seen. This is a

420
00:20:14.309 --> 00:20:16.650
brilliant hour of comedy. I knew I was in for

421
00:20:16.670 --> 00:20:18.529
a good time as soon as he walked onto Dog

422
00:20:18.549 --> 00:20:22.210
Dribble by Get Down Services. Rory reveals he's named after

423
00:20:22.230 --> 00:20:24.809
a dog shortly before getting into his place in society.

424
00:20:24.869 --> 00:20:28.059
Middle class, of course. The show begins with the painfully

425
00:20:28.119 --> 00:20:31.079
relatable pain in the neck that is autocorrect when you

426
00:20:31.099 --> 00:20:34.200
don't have a boring name. Autocorrect thinks my name is Rubbish.

427
00:20:34.200 --> 00:20:36.859
8 to 20 p.m. at the Penny at the Gilded

428
00:20:36.900 --> 00:20:40.609
Ballroom Patter House until the Fringe ends on the 30th.

429
00:20:41.329 --> 00:20:44.009
That is your comedy news for today. All right, tomorrow,

430
00:20:44.029 --> 00:20:46.589
what's the deep dive? I haven't recorded it yet, which

431
00:20:46.650 --> 00:20:48.410
is why I don't know. I have to check my

432
00:20:48.490 --> 00:20:51.750
own script. Richard Jenney is who we're doing tomorrow. I've

433
00:20:51.769 --> 00:20:53.269
written it. I just didn't record it yet. All right,

434
00:20:53.329 --> 00:20:56.059
Richard Jenney tomorrow. On the Comedy Deep Dive, a normal

435
00:20:56.099 --> 00:20:58.420
episode on Sunday. I've got a lot, including the eternally

436
00:20:58.460 --> 00:21:00.970
bumped Hannah Berner article. Maybe I'll get to it on Sunday.

437
00:21:01.150 --> 00:21:04.130
Who knows? From Poolside, I'm Johnny Mac. Back in a

438
00:21:04.170 --> 00:21:07.640
couple hours with the short afternoon check-in and Richard Jenney

439
00:21:07.759 --> 00:21:08.619
in the morning. See you then.