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Caalaroga Shark Media. Well, this show is interesting. Hello, I'm
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Johnny Mack with your daily comedy news. Shane Gillis says
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he was asked to come back to SNL for a
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year to play Trump. Shane was at Skankfest, the comedy
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festival in Las Vegas. We'll talk about that in a second.
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Lewis J. Gomez said of Shane, nobody thought he was
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coming to the festival this year. Shane said, explain why?
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Gomez asked, can I explain why Gillis gave him the
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go ahead? Gomez says, because he was offered to play
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Trump on the entire season of SNL and he turned
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it down to effing b Here Shane confirmed the story
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and said, they said, are you serious? You're gonna say no?
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And I said, Lorne, I gotta go to Coke Magic.
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Coke Magic is a show where Gomez performs magic tricks. Now,
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this is all interesting because remember that Hollywood reporter piece
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I was picking away at that suggested that James Austin
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Johnson wouldn't be doing Trump on the show. But wait,
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there's more. Late Nighters said during rehearsal of the Nate
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Berghansey episode, there was a version of the opening sketch
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where Maya Rudolph's Kamala Harris was home watching the debate.
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In the dress rehearsal version, James Austin Johnson's Trump was
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also watching the debate. The Trump character said, this guy's
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doing great, before it was revealed that he's not watching
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the debate. He's actually watching American Ninja Warrior. So really interesting, right,
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I mean, Shane Gillis goes from hey, you're on SNL,
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Sorry you can't be on ESNL to now they're asking
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him to come back for a year. I mean, his
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Trump is really good, probably is better than James Austin
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Johnson's right now. But wow, now, new topic interesting to
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me about skank Fest is again. I'll remind you I
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host this podcast every day and as part of the
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prep I go to several websites and I also type
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in words like comedy and comedian. Nothing about skank Fest
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came up at all this year. I would have mentioned it.
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It didn't come up at all. I came up like
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six months ago when they announced it, and that's the
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last time I saw it came and went. I would
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have told you who was playing. I would have said
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something about it even stranger as I put together the
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show on Tuesday. If you type skank Fest into Google
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and then click on the news tab, as one might
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do when preparing their comedy podcast, here's what comes up.
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The deadline story about Shane. I just told you the
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local patch telling us about the official skank Fest after
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party at Peppermint Hippo. That story from two weeks ago.
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David Tail spoke to the Las Vegas Review Journal. They
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were curious what a sober fellow like Dayton Fettel does
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late nights in Vegas these days. Dave said, it's a blur,
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but the beauty of Vegas is you're always a block
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away from a T shirt shop. You know me, I
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like a good saucy T shirt. And I really like
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Vegas because we're on the same time frame. You can
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get breakfast at two in the morning. Even though I
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don't party, it's perfect for me. And the fear is
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right there as well. I haven't been there, but I've
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been to the BattleBots Arena, which is a couple blocks away.
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It looks bigger in person than it did on TV.
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He was asked about skank Fest and said, this is
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the third year in Vegas, and I think Vegas and
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skank Fest they're a perfect fit. It's a great town
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for the super fans to fly into. The guys from
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the Legion of Skanks podcast have always cool to me,
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and I love what they've done now they've built this
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fond that really appreciates live stand up. The Journal was
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curious about Lewis Black's retirement, and Etel said, Lewis, of
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course is the road warrior. Nobody tore it harder than him,
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and the guy's a class all the way. He's been
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a role model for the rest of us. I'll be
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doing it thirty seven years now and I'm hoping to
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make it a forty, but that really depends on my bills.
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So if you see me after that, then I got
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to pay these bills. But I do enjoy it. The
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only thing I don't like is the travel, and it's
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a little harder when you're older, but the shows are
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still really will get you going. I know, comedy in
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Vegas is kind of lowered down, somewhere between magic and massage,
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and I'm working on new stuff all the time. He
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was worried about the temperature getting down of the low
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nineties and said he was going to bring a jacket.
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Late Nighter I spoke to Chris Gethard and pointed out
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that when mulaney did his talk show, a lot of
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people were comparing it to the Chris Gethard show. Chris
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told Late Nighter, Mullany is a cornerstone of modern comedy
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to a degree that no one can ignore it now
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and moving forward, you just can't have another boring talk
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show that looks like every talk show since nineteen fifty.
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Mullaney has cracked that open. I mean, yeah, but it
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was Son of Letterman, to which Chris Gether talked about,
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and he said, for me, like a lot of people
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my age, it's the Letterman and Conan. My parents tell
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me I used to fake being asleep as a little kid,
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at like three to four years old. I'd pretend to
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be asleep on the couch. Then they'd realize I was
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sitting there watching Johnny Carson with them. But Letterman was
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the real game changer. Amen high five, says Johnny Mack.
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I remember the first time I stayed up late and
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watched Letterman with my older brother. I was definitely on
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the younger side of it, but someone who was built
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to understand that guy's being kind of a troublemaker. He's
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not Carson. Carson's what it's supposed to look like. This
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guy's not doing that. Amen. On top of that, a
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lot of my favorite stuff was stuff that Letterman platform.
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Do you look at Andy Kaufman, Chris Elliott, Howard Stern.
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Not only did Letterman do a lot of stuff that
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really shook things up, he took the people who were
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really outlandish and gave them a national platform, and then
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Conan felt completely insane. Conan really felt like if you
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took the smartest version of me and my brother and
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our friends and put them on TV and just let
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them do whatever they want. I've often said, if there's
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only one piece of comedy I could ever watch in
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my tire life again, it would be Conan takes mister
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t apple Picking. I think there's a little bit of
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that happens among comedy nerds when you think what's the
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best sketch group of all time and you go, you know, oh,
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kids in the Hall, Monty Python, UCB, the Slade, whoever
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you want to say. But I really think that Conan's
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rying staff from that area. Brian Stack, Brian McCann, Kevin Dwarf,
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Andy Blitz, Alison Silverman, John Glazer. If you just put
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that in a vacuum, that's one of the best sketch
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comedy groups ever assembled. It just happened to exist under
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the umbrella of this larger talk show. That's the best
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of the best sketch comedy of that generation, all under
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one roof, operating at a super high level. As for
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the Chris Gathard Show, there were a lot of things
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I was just chasing, especially with Letterman Conan. If I
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could do anything as funny as Dave dumping ten thousand
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bouncy balls off the roof of the studio onto the
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streets of New York, I'll die happy. If I can
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do anything as interesting or funny as a Conan staring
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contest bit, and I feel like it's worth doing it.
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But there's definitely part of me that was like, these
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guys don't like doing these monologues, these political jokes, especially
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back then, that's just how Carson used to do it.
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So you're making them do that. I wish the Late
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Night Show didn't have to do the monologue. It seems
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like the part of the hosts like least the Chris
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gathered show was far from perfect. I'm not saying we
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nailed it even the majority, but I think some of
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the reason it developed a cult following was because people
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saw us going, let's see what we could do to
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maybe totally turn down the stuff we don't like about
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talk shows and then pour gasoline on the stuff that
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we do. Back to Mullaney's late night show. I've known
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John for many, many years now, but I saw those
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people going, whoa man, this show has the Chris Gathard
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Show in front of it, and I was really nervous
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about that, because, just to be clear, John mullaney does
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not need to rip me off in any way. He's
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a very brilliant guy. But a lot of it was
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very healthy by seeing a lot of the fans of
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the Gathered show going, this is cool to watch this
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Mullenie show, and seeing old Gathered show fans jump in
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and say, if you like this guy, you might really
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like this thing. I like back when I was in
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high school. Here's a link to the YouTube page, and
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they're all still up there. I emailed Mullanie after the
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first couple nights of a show to say, it's so
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cool to see what you're going for It's bringing back
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a lot of positive feelings for me. You're taking big
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chances on live TV, and I really love it. I
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talked to my old show runner and he was like,
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the cool thing is that Late Night always builds on
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the history of Late Night. Carson built on Steve Allen.
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Letterman was building on Erni Kovax, than Conan built on Letterman,
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and I never ever hide the fact that my show
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was worshiping at the altar of Letterman and Conan. Front
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of the Podcast. Jason Zinnemann reviewed Ali Wong's new Netflix
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special for The New York Times. It's going to take
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me a minute to get to Ali special. The Mets
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are in the playoffs. There's football. I have this life
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outside of doing the comedy podcast, so it's going to
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be a minute before you hear me talk about it.
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Jason writes, Wong always reminds me of Bill Burr, because
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she seems funniest at her most tense, working through anger
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using that machine gun delivery. She pops off with some
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umbrage on light topics, but also displays stream This is
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a show that a time feels undercooked. There are bits
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about dating younger men and Midwesterners that are less than ambitious.
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The show is the feel of someone rushing to tell
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us something. Her main message is that being a divorced
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woman in your forties is better than its cracked up
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to be. It's a promising take, in part because you
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rarely hear it. But the punchlines slow down as she
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zeros in on herself, telling the crowd look at me
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as an alternative example of how it can be. Yikes,
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that doesn't sound great. Hanna Gasby started their live show
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in New York City. The Daily Beast saw it and said,
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in Hannah Gatsby's latest excellent show, prepare for that sweet
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innocence to be left in undignified crumbs thanks to a
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brilliantly disgusting joke involving a discarded packet of Tim Tams
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and something. Tim TAM's seemed to be Australia's favorite chocolate biscuit.
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It consists of two malted biscuits, separated by a light
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hearted chocolate cream filling and coated in a thin layer
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of textured chocolate. But I digress. You may recall the
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joke involves a discarded packet of Tim Tams and something
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let's say if you're cleaning a hotel room, you never
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want to find on the floor. Gatsby's both a wonderful
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joke and storyteller. A tilt of the head, a side eye,
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a pause can add to moments of extended hilarity while
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attempt at threading stories and jokes with moments of sharp
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self reflection and confession. In this show, at certain moments,
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they insist that these moments are just between us, reflecting
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on Tailor Swift's fame and global predominance. Uh oh, watch out.
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You know one time Joe Cooy made a Tailor Swift joke.
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I think we all know that went Now I'm not
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doing it. Scot Relex Speed not only confesses to not
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being much of a fan, but also sums up Swift
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as a can of coke masquerading as a sorority cult.
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Oh man, I guess Hannah Gatsby won't be hosting the
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Golden Globes anytime soon. Gasby has previously spoken of their
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own autism. Here, they talk of social media being the
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place where neurotypical people go to experience the worst of
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the condition. They joke, I'm going to be canceled by feminists.
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I don't think there's anything more feminist than being canceled
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by feminists. Sounds like a fun show. Trevor Noah has
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unveiled his latest book. It is called Into the Uncut Grass,
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an illustrated story that invites readers of all ages on
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a journey of connection, imagination, and self discovery. Into the
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Uncut Grass follows a young child's adventure in a magical
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landscape beyond the familiar world of home, discovering the joy
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of sharing connection and finding peace with the people we love.
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And that's your comedy news for today. If you enjoy
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the program, tell a friend about it. They might like
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it too. If you'd like the program without a commercial interruption,
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five bucks a month. If you're on Apple Podcast, just
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click on the banner. You can try it out for
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free for thirty days. I mean, why wouldn't you right
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exactly see you tomorrow.