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Callaroga Shark Media.
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Hello, I'm Jenny Mack with your daily comedy news. Shane
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Gillis isn't a new bud Light commercial. USA Today points
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out Shane Gillis drinking a bud Light for a college
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football game isn't exactly headline news. A quick scroll through
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his Instagram and you can see Shane and his friends
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enjoying bud Lights while out at various events. In January,
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Shane announced a partnership with bud Light. They have a
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new campaign rolling out across TV and social media. Ton
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Allen is bud Light's senior vice president of Marketing. He said,
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as a passionate college football fan himself, Shane Gillis was
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the perfect partner to connect to our college football audience
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with his distinct style of humor. And it doesn't hurt
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that Shane loves a bud Light or two on game day,
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all right. In this commercial, which I'm going to play
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most of for you, it's called The Dean's Office. Shane
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Gillis plays Coach Herb who's brought into the office for
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a meeting between the college dean and a football player
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in trouble. A bucket of bud Lights is offered in
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exchange for the truth. Let's take a listen. It takes
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a minute to get rolling, but once we get to
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Shane major payoff.
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Here you go, Bobby, you've been accused of pagiarizing your
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master's thesis. If you were found guilty, you will have
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to forego the football season. But if you confess, I
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will make it only half the season. I'll make you
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a deal. You tell the truth, you can have this
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ice cold bucket of bud light. All you have to
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do is confess, all right.
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I'll go first, grease the wheels a little. What no,
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I confess said? I practice my halftime speeches in the
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shower before games. Professor Wilkins, do you want to confess anything? No,
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all right, I'll go for you. Professor Wilkins has been
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taking karate classes ever since that saxophone girl put him
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in a headlock.
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Jane Gillis provided an exclusive statement to USA Today in
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which Shane Gillis says, I've spent the past couple of
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years working with these guys on projects from beautiful dogs
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to tires. Getting to shoot new shorts with them and
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bud was a lot of fun, all right. Adam Sandler recaps.
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Here's the deal. I've got some stuff going on in
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my personal life. I had a tape a couple days
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in advance, so I'm actually recording today because I'm not
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around today. I had to record this on Tuesday. My
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plan here as I sit here in the basement is
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to actually watch Adam Sandlor. But as I record, I
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haven't seen it yet. But a bunch of reviews are out,
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the first from USA Today, Who Right, there are two
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Adam Sandlers. One is the in your face, lowest common
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denominator fort and penis joke guy you know and maybe love,
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depending on your comedic taste. Johnny Mack personally hates that
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the other is getting a little bit older, a little
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bit romantic and very nostalgic. I like the older Adam Sandler.
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I've talked about this. I openly don't like most of
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his movies, and I think some of the more dramatic roles,
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I think he's actually pretty good at it, and I'd
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like to see him do more of that. USA Today
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Right says for the special these two men meet in
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an odd dysfunctional marriage and Sandler's new Netflix special Adam Sandler,
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Love You. They gave a two and a half stars
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out a four. The hour long special is a foe
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off the cuff event directed by one of Sandler's uncut
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Gem's collaborators, Josh Safti. It makes more odd penis and
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sex jokes than you would expect, with a bit of
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melancholy and softness sorry my brain locked on penis jokes
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and softness, I know, plus some unreality pretending to be real. Altogether,
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it's a little joring, sometimes off putting, but also kind
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of sweet. Love You is nowhere near the heights of
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his last special, twenty eighteen's one hundred percent fresh. That
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outing was full of energy and newness. Spoilers. Love You
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opens with Sandler driving a car with a shattered windshield
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into an alley. He's instantly overcome by fans and gets
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a hoodie from a stranger. It's meant to be raw footage,
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but in reality it's clearly scripted to be weird and
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off putting, complete with a random ventriloquist as Saandlor's opening act.
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It stinks of Safty involvement, as films from Safty and
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his brother Benny, including Gems in Good Time, are known
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for their stressful, slightly off killed re version of the
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real world. It doesn't really work or does a series
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of technical glitches after Sandler takes the stage that might
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have been real or but also come off scripted. This
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is really interesting. Now I'm looking forward to watching this
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and considering the special was filmed over four nights, that's
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the most logical conclusion. Yeah, that's too that they had
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to take four different nights to make an hour here
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or seventy minutes here. A little weird coffee in hand,
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which he demands to be sweetened with Stevia and not
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a different artificial sugar. Sandler begins a row call of
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middling jokes about life, veering from the mundane to the fantastic.
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Old topics include genies, talking balloons, other mythical characters. He's
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never been the kind of comedian to invite the audience
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into his actual personal life, even if some of his
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experiences as a husband, father, and celebrity sneak into a storytelling.
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There are many many of his typical, less than tasteful jokes.
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Kids walking in on their parents having sex, a genie
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tricking Sandler in a performing something naughty in an airport bathroom,
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songs about old guys with kids. The list goes on
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the line between funny and vulgar has crossed more than once,
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but that's nothing new for Sandler. This is USA today.
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But then there are the simple, folksy kind of jokes
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that hit without inducing. Rob Schneider appears in an Elvis
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Presley get up to do a really solid impression of
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the King as Saandlor sings along. I played on The
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Weekly Comedy Thing. That's the show I host on Live One.
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I played a Schneider bit where he was doing Yoko
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and Julian Lennon. Now, the Yoko is every stereotype you
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can imagine, but the Julian Lennon was pretty good. It
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was basically doing Lennon as the John Lennon everyone does.
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But it was really entertaining. Anyway. That show is called
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The Weekly Comedy Thing. It's on the Live One app.
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The show is free. The app is free if you
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want to check that out. I do that once a week,
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new episodes every Sunday. The Elvis thing is not really
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a joke so much as a solid musical interlude. The
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Chicago Sun Times reviewed Adam Sandler's new special and say
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we are living in the age of the streaming comedy
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special when it seems like there's at least one new
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stand up show every week. Yes, there are the first
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five minutes of Love You Play, like a deleted scene
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from uncut Gems, with Saidler pulling up an allie. I
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has talked about that one sailor's inside. It's clear the
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venue isn't exactly the United Center or American Airlines arena.
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Sandler wonders aloud, who booked this place? So like, I
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haven't seen it yet. That sounds kind of lame, like
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Adam Sandler's walking in having no idea where he's performing.
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I mean, that's just not true. So you know, I
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have two minds here. One it's comedy, Just laugh whatever,
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have a good time. But if the underlying premise is, oh,
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I can't believe I'm in this arena? How did this happen?
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How is my Netflix special being filmed here? That seems
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a little leame to me. But again, I haven't seen
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it yet, he sometimes wrights. Turns out the grubbiness of
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the venue was literally built into the production, as Saftie
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in the production design team built the Nockturn Theater in Glendale,
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California into a ramshackle disaster that looks like it's on
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the brink of being shut down. It's strange to see
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one of the biggest comedy stars of his generation in
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such a down skill setting. But it's never not interesting.
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None of this would matter if the material isn't there
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and that department Sandler delivers a hilarious yet thought provoking
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mix of jokes and songs. Not everything works, mostly though,
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Sandler comes through where he's telling a story that sounds
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like it's pulled from real life but quickly turns absurd.
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We're playing solid guitar while performing these genre hopping songs,
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and a friend of the podcast, Jason Zinnemann in The
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New York Times, writes, Adam Sandler, at fifty seve Vin
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hasn't lost a step before it became a huge star.
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Sandler made proudly filthy and beloved comedy albums full of irreverence.
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Sketches the Chronicle subjects like an extremely long bout of urination.
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I'm gonna jump in and again. I respect Jason Zineman,
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and as I told Jason Zinneman when he was on
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the pod, Jason knows more about comedy than I do.
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But I'm going to push back on beloved comedy albums.
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And here's why I programmed a serious comedy for ten years,
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and especially in the area of programming on Live one
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and Slacker. I can tell you Adam Sandler bits are
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not loved. Like, for example, on the Live one app,
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you can thumbs up and thumbs down things, and I
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get to see all the data. Anytime I schedule Adam
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Sandler stuff. It is at the bottom of any playlist,
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all of them. They are not beloved, at least by
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the people that use the Live one app. These are
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not beloved. Jason Zinneman, but love you, Jason writes, the
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new Special can feel like a throwback to that era.
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If anything, age allows new avenues for potty humor. Sandler
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hasn't exactly matured that was destroy his comedy so much
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as allowed sentiment to overtake the humor he had helped
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from family, his wife and daughters, and now as much
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of regulars as his work as Chris Rock, David Spade,
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and his old friends from snl are. Sandler gives his
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old pal Rob Schneider an unnecessary cameo doing an Elvis impression.
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The best parts of the special are its long winding,
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dirty stories told in its characteristic mumble in crooked angles
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and close ups. Safty shoots Sandler watching his show fall
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apart a dog runs on stage. The video doesn't work.
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Sandler makes one joke about his own fame and stature,
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but the visuals undercut any hero worship, even putting silhouettes
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on the heads of audience members in the foreground. He's
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playing a small room and speaking softly about juvenile things.
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For certain kind of comedy, that's all you need. Jason
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also wrote about Langston Kerman's bad poetry that one I
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did watch last weekend, and you know it was okay.
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I just didn't do anything for me, so I bailed
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on it. But Jason writes in his Terrific debut Hour,
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Langston Kerman displays the kind of effortless, laid back charm
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that can make you underestimate him. There's an ease with
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which he moves between talking about his mother's romantic life
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for the student cruelty experience when he was a school
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teacher that can make his act seemed tossed off. You
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might also think he benefits from great stories, like an
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amazing one about a man his mother married who was
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fired from his job as an NBA mascot. But there's
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a precision to his low key stories and attention to
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detail that puts jokes across. His setups and punchlines are solid.
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Even his transitions contain gems, like all our heroes are monsters,
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and all our monsters have podcasts. The Punchline Comedy Club
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is opening with Dave Chappelle. It's their new location at
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twelve oh four Caroline in Houston, inside the former House
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of Blues restaurant, space capacity two hundred and fifty. Dave
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Chappelle will perform September sixth and seventh at the new location.
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It's probably sold out by the time you hear my voice.
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I tell you. The Traitorers wanted Ricky Gervais to be
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on their show. Ricky has responded on Twitter saying he
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loves the show and I'm very flattered, but it won't happen.
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I'm too busy and there's no way they could afford me.
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He wrote that alongside an emoji of a face wearing sunglasses.
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So when I put a show together, I have these
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little documents and I'll put the stories and I'll slot
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them in a different day. For example, if you announced
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a comedy special coming out December first, and I got
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a press release, I would not only mention it today,
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but in the December first folder, I would put it
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there to remind me to talk about it three months
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from now. And the other thing I do is like say,
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I'm gonna talk about Adam Sandler. I just have one word,
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all right, Sandler, to let me know as I go
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into the next story, what I'm about to talk about.
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What I'm about to talk about here is Michael Keaton.
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But for some reason I spelled it k E A
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R t O w N. I don't know how that happened. Kereton,
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Michael Kereton. You know him, he was Batman. Well, he's
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also in Beetlejuice. Beetlejuice. I know I'm not falling for it.
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I'm not saying that word a third time. You know
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what happens if you say it three times? Michael Keaton said.
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The only thing I was worried about was should we
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have left it alone? You know, should we have just said,
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don't touch it, just walk away, go make your other movies.
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So for me, it was a big roll of the dice
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at the end of the day. If somebody said you
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have to pick one thing you've done how I make
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my living, I'd probably pick that character that I'm not
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saying if it's all encompassing thing, just for it. Sorry,
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you know what I mean. I mean in you know,
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some pretty good movies, but this sequel is something different.
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I'm looking forward to this one. Do you know what
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The Day the Clown Cried is is? It is an
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unfinished and unreleased nineteen seventy two drama directed by and
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starring Jerry Lewis. Okay, have you heard of this? It
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is one of the most famous loss films in history.
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It's so bad, Jerry Lewis declared it should never be seen.
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Every now and then I hear stories of like a
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secret screening in a Los Angeles. I've seen a recreation
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of it on YouTube. So what's so bad about The