Shane Gillis SNL more reactions, Club cancels Dave Smith, Louis J. Gomez, Jim Florentine, and Kurt Metzger gig

Coverage of comedy news starting with the controversy about the cancellation of upcoming performances of comedians Dave Smith, Louis J. Gomez, Jim Florentine, and Kurt Metzger at the Seattle-based Capitol Hill Comedy Bar due to complaints from...
Coverage of comedy news starting with the controversy about the cancellation of upcoming performances of comedians Dave Smith, Louis J. Gomez, Jim Florentine, and Kurt Metzger at the Seattle-based Capitol Hill Comedy Bar due to complaints from progressive community activists.
Then a discussion of comedian Shane Gillis, with a review of his recent Saturday Night Live episode, and commentary about his past controversies.
The pod ends with brief updates on other comedians including Donnell Rawlings, Amy Schumer, Seth Meyers, and mentions of an upcoming Community film script.
Controversy at the Capitol Hill Comedy Bar
Comedians' Reactions to the Cancellation
Shane Gillis on Saturday Night Live
Remembering Bill Hicks
Amy Schumer's Health Diagnosis
Seth Meyers Celebrates 10 Years on Late Night
Updates on the Community Film Script
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Kalaroga Shark Media. Hello, I'm
Johnny Mack with your daily comedy news.
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A lot of Shane Gillis reactions,
but first let me tell you about a
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Seattle comedy club that canceled four stand
up comedians. They are Dave Smith,
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Lewis, J Gomez, Jim Florentine, and Kurt Metzger. They were canceled
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after angry community activists complained. According
to the comedians involved, these shows were
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at the Capitol Hill Comedy Bar,
and the version that we're being told is
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that left wing community actives and progressive
comics were offended. The comedians say they
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received an email from the club co
owner, who's also a stand up comics,
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saying the gigs had to be canceled. The decision came after discussions with
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our team, investors', local comedians, and neighborhood advocacy groups. An email
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posted by Jim Florentine and Kurt Metzger
says Capitol Hill is known for its progressive
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values, and we received significant feedback
expressing concerns about the alignment of these upcoming
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shows with the neighborhood's eth This feedback
includes concerns from local advocacy groups that are
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deeply embedded for our community and work
towards upholding its values. The goal is
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to avoid any potential negative impact on
both our club and the artists involved,
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as well as to maintain the harmony
without our community. Gomez on his podcast
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said, are they idiots for booking
us? And then on booking us?
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Yes, it's a dumb move.
Is my former agent an idiot for booking
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me at a superwoke progressive venue like
that? The entire lineup was like blue
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haired freaks. That's what happens when
comics don't have anything going on, they
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look for drama. So the owner
found drama within the comedy space there,
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and she was like, all right, I think they're great, but I
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don't need to make it a thing. According to a report from Kiing five,
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the Capitol Hill Comedy Bar makes comics
adhere to the Code of Conduct,
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which outlines expectations for respectful behavior and
language, helping to create a welcoming space
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for both comics and guests. Podcaster
Joshua Smith said, who needs comedy when
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Seattle is already a joke? Okay? Comedian Toby Turner tweeted the community bought
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tickets the people sabotaging. It aren't
really the community. What's going on over
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there? Fox News' is tyrus said
friendly advice book and another venue close to
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the town. Sell it out and
kill it in three months. When they
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tell you it's all good to come
back, send them the same email.
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Juno Mann is a local comic and
show producer who works with the club and
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hosts Funny Queer Asians. She said, I have loved working with this club
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and a more resolute and doing so
given their decision to prioritize the safety and
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inclusiveness of the local community. So
I see an article from last May from
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a King of five Comedy born now
open in Seattle's Capitol Hill neighborhood. According
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to that article, Capitol Hill Comedy
Bar is dedicated to supporting the art and
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craft of stand up comedy with integrity
and professionalism. The staff believes that creating
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a safe, accessible, and respectful
environment is of utmost importance. The goal
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is to provide a harassment free environment
regardless of gender, sexual orientation, disability,
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physical appearance, body type of race. All comics performing on stage must
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either adhere to the Code of Conduct, which outlines expectations for respectful behavior and
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language, helping to create a self
and welcoming space for comics and guests.
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So you know, I can both
sides this one. If the club wants
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to have a certain vibe and style
and expectation, sure go ahead. But
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why book these guys? These guys
are known, they do a festival called
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skank Fest. I mean, did
nobody do homework? How did they get
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booked? A lot of Shane Gillis's
reaction as expected. I on Sunday Night
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watched the entire episode as opposed to
just watching the individual clips. I thought
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it was an above average episode for
the last two years of Saturday Night Live.
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It didn't hit the heights of say
the Nate Berghatsy episode, but they've
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been far worse. The Io Atabury
episode was also pretty good. She was
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great. So I'll continue to say
what I've been saying. I find Shane
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funny, I find him charismatic.
I also think some of the points that
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I talked about during one of last
week's podcasts about some of the guests he's
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had on the podcast, so those
are worrisome. Vox writes. When Shane
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Gillis tells you who he is,
believe him in that article, they write.
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Shane Gillis is a thirty six year
old guy from Pennsylvania who was chasing
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a fledgling stand up career when he
began making inroad in twenty sixteen through the
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medium of comedy podcasting. This included
a stint hosting a show called a Fair
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One for Compound Media, a podcast
network created by Anthony Kumia, a notoriously
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offensive shock jock known for his own
racist comments. Yeah that's Anthony of Opian
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Anthony. Some of his comments are
so controversial. When I teach my college
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class on the fall, I spend
two and a half weeks just talking about
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Opian Anthony. And these are now
twenty year old incidents. Aunt plays on
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the side of the street that I
don't want to play on. I was
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actually asked to run the Opian Anthony
channel and I declined, and it probably
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didn't help my career at the old
place, but I just didn't want to
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deal with any of that. I
don't know if I've ever spoken to Anthony.
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I know Opia a little bit and
fed ob to be a good guy,
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Fox writes. Compound Media also hosted
Gavin Mcinness, the white nationalist who
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rallied other members of the network together
to form the Proud Boys, the extremist
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group that played a major role in
both the twenty seventeen Charlottesville Unite the Right
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rally and the January sixth insurrection.
Doesn't want to deal with any of that.
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Compound Media was the platform on which
Gillis dropped the racist slurs that ultimately
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got him dropped from SNL, but
it wasn't the only medium in which he
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aired his views and his independent comedy
work. In other projects, he was
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not shy about voicing repugnant views,
as one Philadelphia comedy club noted in twenty
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nineteen and a sense deleted tweet,
we like many were very quickly disgusted by
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Shane Gillis's over racism, sexism,
homophobian transphobia, expressed both on off stage.
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Upon working with him years ago,
Gillis's fans, including more liberal comedians
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like Gerrod Carmichael, seemed to believe
that, rather in being actually racist,
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Gillis is consciously cultivating his offensiveness purely
for the purposes of his comedy work.
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Vox writes this view as as old
as comedy itself, but in the current
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cultural era, it's evolved into what
nprs Eric Deakins is called bigotry denial syndrome.
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The thinking goes that a comedic project
has a certain level of importance and
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purpose, the level of which should
completely negate any suspicion that the comedian truly
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believes what they're performing, let alone
that they deserve consequences for the offensive material.
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In Gillis's case, it seems more
accurate to say that he's not performing
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ironic racism at all. He's coasting
on other people's good faith belief that he
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must be acting totally ingest. In
a twenty sixteen interview with Gillis, he
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claimed to be running experiments on his
audience. He said, it's funny what
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people will laugh at compared to what
they're so eager to prove that they're not
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laughing at. The conclusion we're left
with is with all that panic, as
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it so often does whenever someone is
supposedly canceled, has subsided, likely to
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have dissipated. In the wake of
Gillis's continued success, Vulture put forth two
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reasons for hosting the gig, and
the timing, one that perhaps Michaels is
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trying to remain a political during an
election year and wants to do that by
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opening up a platform for comics who
appeal to the right. And two that
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Lorne Michaels lives for the drama Pointer
had a good note and they had me
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wondering what Dave Chappelle might have done, how Dave Chappelle might have addressed his
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own controversy point right, So I
saw Gillis's monologue as an opportunity badly missed
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and what might be his only churn. Ever, his host, Gillis would
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have smartly addressed his past controversy as
well of his style of comedy. By
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the way, if you haven't heard
the monologue, I played clips from it
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on Monday's podcast. Shane could have
explained his point of view. He could
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have given his critics something to consider
instead of letting them assume as comedy goes
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to the lowest common denominator. If
Gillis is talented enough to actually have once
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been hired as an sl cast member, and funny enough to still end up
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being a host after being fired,
shouldn't he be clever enough to come up
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with a monologue that weaves together as
comedy and commentary about his comedy that is
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an excellent point by pointer. Gillis
took the safe way out and delivered a
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moment, then a real no impact, A hollow reporter writes. Fortunately for
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Shane Gillis, the SNL writers know
how to deploy a Gillis type, and
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he amiably played average white joes and
most of his sketches, including a contestant
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on the floor desperately trying to convince
others that he actually can identify famous black
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people. And as Forrest Gump's former
bully who peaked in high school, I
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thought both sketches were good. Gillis
played an Ohio Catholic dad who drags his
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family to church quifacationing in Jamaica.
He catches the spirit. The whole sketch
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ends with a literal crossing of the
aisle as the white source family and jams
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alongside the Jamaican congregation. I also
thought that was a funny sketch. Vulture
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wrote, Shane Gillis got away with
it, though we sometimes comes off as
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if barstool sports were a person not
bad. What Gillis does best in his
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comedy is translate red state values and
interest for a slightly broader audience. In
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his SNL monologue, though he does
the opposite, explaining at one point in
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the least defensive way that you can
muster what a dude himself thinks gay men
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are like. It's just filled without
data cliches that have no business in an
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era of this show that tends to
assume viewer familiarity with the modern landscape of
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sexuality and gender, and, considering
that his firing was partly due to homophobic
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content, performing this bit in the
setting seems particularly unwise. It did not
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go over well, especially with the
house band so many articles about the young
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and guitarist. She's probably getting a
lot more attention on than she wants.
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The Guardian says, what's ironic about
all this is how Gillis's actual comedy doesn't
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gell with either a narrative. Certainly, his persona is that of a meat
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headed conservative bro, but his material
for his edge, Lordy as it can
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be, more often than not ridicules
that demographic and with four sharper accuracy than
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ostensibly left leaning comedy, including an
especially snl. Anyone who's seen his recent
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Netflix special Beautiful Dogs and as being
Honest with Themselves recognizes his talent, even
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as his web series Gillian Keeve suggests
he's a mediocre sketch commedian in at best.
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For as much he did online discourse
as Gillis hosting BEGAT over the past
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couple weeks, it's hard to imagine
anyone feeling strongly about this episode one way
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or another. Gillis didn't exactly make
a case himself as any great missed opportunity,
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let alone the iconoclast as most ardent
fans were expecting. In fact,
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writes The Guardian, his reluctance to
address this firing made him look soft,
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especially when you compare it to the
nineteen ninety nine episode that Norm MacDonald hosted
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one year after his determination. But
then, Gillis is no Norm. The
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Guardian marked the thirtieth anniversary of the
death of Bill Hicks. This by Brian
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Logan, who wrote five years ago, I spoke about Bill hicks legacy with
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comics who weren't even born when he
applied his trade, and was startled to
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discover and how low regard they held
his work. Of course, I knew
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some of his material was out of
step with the times, but the extent
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to which the entire manner, the
whole Bill Hicks way of being as an
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outlaw, comic, of teller of
truth or power, and a man splainer
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now for many things A thing hideous
to behold that caught me by surprise.
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I have always found within the industry
Bill Hicks to be revered. Brian Logan
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Rights, I push back against it
a bit. I still would now,
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but revisiting Hicks material thirty years since
he died, I see more clearly what
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they meant if you're not familiar with
Bill Hicks. Basically, Dennis Leary lifted
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Bill hicks entire persona, so that
might be a way to shorthand it.
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But do yourself a favor and look
up Bill Hicks on YouTube. This reminds
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me of back at Serious before the
merger, Comedy Intern number five loaded some
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albums by Bill Hicks, except there's
another artist named Bill Hicks who did like
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smooth jazz guitar albums. So I'm
listening to my channel one day and there's
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like Bill Hicks guitar on and I'm
like, did you not listen to the
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clip? Stupid intern intern did not
get a job at the end of the
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semester. Logan Rights, I suppose
that my taste and standards like anyone else's
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can't help but be shaped by the
changing world around me. And with each
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passing half decade, I get a
bit more distance from the teen comedy fan
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that held Hicks to be just about
as good as comedy gets more of that
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tomorrow, getting a little long here. Donnell Rawlings has a new special out
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today. It is called Donnel Rollings
A New Day. Actually it's called Chappelle's
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Home Team, Donnell Rollings a New
Day. You'll find this on Netflix.
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Dressed in a blue suit, red
sox and lotion ankles, Donelle's here to
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discuss toxic relationships, traveling in New
Zealand, aging cope, parenting, and
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much more. Kind of weird,
right that Donell had all those controversies last
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week and was shouting to Corey Holcomb
and just a week later he's got a
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new special on Netflix. Weird.
A correction on yesterday's podcast, I teld
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you tig Nataro's special is out.
No, yesterday was February twenty sixth.
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Tig Nataro's special is out on March
twenty sixth. Sorry if I ruined your
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Monday night. Amy Schumer has revealed
she has been diagnosed with Cushing's syndrome,
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a relatively rare hormonal disorder that can
change a person's facial appearance and cause weight
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gain. She spoke with the newsletter
News Not Noise. Amy said there are
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a few types of cushing, some
that can be fatal require brain surgery or
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removal of adrenal glands. While I
was doing press on camera for my Hulu
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show, I was also in MRI
machines four hours at a time, having
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my veins shut down from the amount
of blood drawn, and thinking I might
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not be around to see my son
grow up. So finding out how this
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kind of cushing that will just work
itself out and I'm healthy was the greatest
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news imaginable. It's been a crazy
couple weeks for me and my family.
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Aside from fears about my health,
I also had to be on camera having
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the Internet chime in. But thank
God for that, because that's how I
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realized something was wrong, just like
when I had realized I'd named my son
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something that didn't sound so good.
The Internet is undefeated, as they say.
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The only thing I'd like to add
is that this is a good example
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of the fact that we never know
what's going on with someone. Everyone is
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struggling with something. Maybe we can
all be a little kinder to each other
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and ourselves. Late Night with Seth
Myers turned ten years old over the weekend.
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Seth said it's took about six months
for the show to find itself.
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He think a big change is when
he stopped doing an opening monologue and just
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sat at the desk. He jokes, once people stop seeing my legs,
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we turned a corner. Another change, he said, it seems so silly
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to wear a suit with no audience
during the pandemic, so I was in
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casual. Then when the audience came
back, I just felt more in my
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own skin. Dressing more like myself
allows me to be more like myself.
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I don't know if it's permanent,
but it's a nice feeling. The other
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day I put on a suit for
something else and I was like, ugh,
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I don't ever want to feel that
way. Will he still be doing
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this job in ten years? Sas
says, I don't know. I've tried
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my career to never think that forehead. I'd like to do it for a
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few more years. I can't imagine
anything being more enjoyable than that. I'm
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coming up on twenty five years at
thirty rock, and I'm pretty sure I'll
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get a watch or maybe a nice
pin tell you this. If I don't
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make it at twenty five, there
should be an investigation because that means they
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just don't want to spend watch money. Conflicting reports. Donald Glover suggested that
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the community film script was done,
but Dan Harmon, who would know because
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he's writing it, tells Variety it's
almost done. Dan says, what can
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I tell you about it? Set
on the campus of Greendale Community College.
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I'm super excited about it and we're
almost done. And that is your comedy
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news for today. If you enjoy
the program, let's tell more people about
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it. Share it on social media, or tell your friend at the bar
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at trivia and I'd be like,
Hey, I was listening to this podcast
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and this guy's not that annoying.
You should check it out. Something like
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that. Much appreciated. See tomorrow





