The King of Comedy: An Interview with Alex Bennett

In this episode of Daily Comedy News, host Johnny Mac sits down with radio personality Alex Bennett.
The discussion delves into Bennett's significant impact on the San Francisco comedy scene in the 1980s—earning him the title 'King of Comedy'—and...
In this episode of Daily Comedy News, host Johnny Mac sits down with radio personality Alex Bennett.
The discussion delves into Bennett's significant impact on the San Francisco comedy scene in the 1980s—earning him the title 'King of Comedy'—and includes anecdotes about influential comedians like Bobcat Goldthwait, Patton Oswalt, and Robin Williams. Topics range from Bennett's experiences with comedy and radio, interactions with legendary comedians, to contemporary issues in comedy and political discourse. Bennett also shares personal insights, including his approach to comedy, experiences with controversial comedians, and reflections on political comedy in today's climate.
02:29 Alex Bennett's Career Journey
03:32 The Rise of Alex Bennett as the King of Comedy
05:11 The Evolution of Radio and Comedy
06:49 Comedians' Reactions and Relationships
16:30 Challenges in Modern Comedy
29:15 Reflections on Political and Age-Related Comedy
34:41 Embracing the Worst in Old Age
35:04 Reflecting on Past Mistakes
36:41 The Impact of AIDS on Comedy
39:06 Comedy Legends: Pryor, Murphy, and Carlin
43:23 The Art of Interviewing Comedians
50:28 The Controversy of Robin Williams
53:25 Modern Comedy and Cancel Culture
01:02:21 Political Musings and Predictions
01:06:18 Favorite Comedians and Final Thoughts
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Callaroga Shark Media. Hello, I'm
Jenny Mack with your daily comedy news.
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This summer on Saturdays, I've been
doing some interviews. Today's guest is Alex
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Bennett, radio personality known for his
mix of left wing politics and humor.
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So why are you talking to this
political guy? John Well? Back in
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the eighties, Alex was a jock
in San Francisco, where the press dubbed
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him the King of Comedy for his
influence on the local comedy scene. So
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you'll hear us talk about people like
Bob gat Goldthwaite and Patton Oswald and Robin
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Williams. Will also talk about some
things like Dave Chappelle and current comedy.
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Alex and I work together, oh
like twenty and four to twenty thirteen,
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something like that, and we would
have very friendly political discussions in the hallway
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every day. We rarely agreed on
anything, but it wasn't the current name
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calling style of political disagreement. It
was always like I feel this way,
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you're crazy. You feel that way, you're crazy. So as part of
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this interview, towards the end,
we lightly talk about politics. I did
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edit back that part of the conversation
one because we had had it before the
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debate, and the pieces on the
board have changed since the debate. And
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two, I don't want to lose
half the audience with you going. I
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can't believe you don't support candidate X. I hate your show now, John
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that I listen to for four years, and you're stupid. And we'll share
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with you whatever you come away thinking
my politics are at the end, you're
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probably wrong. You will hear us
disagree on many things. There's a section
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about old jokes that kind of caught
me off guard. Alex also had some
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hot takes about folks like Kevin Spacey
that I didn't even know how to feel.
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You'll hear that awkwardness. And along
the way, Alex said some swear
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words. I thought about taking them
out. It would have just made for
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choppy edits so Titan, your Belta
notch today. I think there's two or
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three. One of them is the
capital M, capital F one, so
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be prepared for that one. And
if you normally listen to daily comedy news
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with your kids in the car,
don't. Here's Alex Bennett. Let me
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just jump in here again to remind
you we recorded this section before the debate.
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Back to the interview. So in
my own career I went through these
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weird phases. I did news talk
for the first ten years, and then
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when I started doing comedy at Serius
XM, everybody hit me with, well,
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what do you know about comedy or
a news talk guy. Then ten
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years later, when I got into
podcasting and I went back doing news talk,
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everybody said, but you're a comedy
guy. So Alex, the Alex
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Bennett I know is a host on
the left leaning channel on series XM,
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and we used to talk politics a
lot during the days. And then I'm
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talking to Mike Chisholm from The Letterman
podcast who randomly drops your name and ask
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me if I know you, and
I'm like, I know that guy,
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and he reminds me about your comedy
chops and how you'd be a great guest.
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So this morning I'm prepping even though
I know you. But now after
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doing the prep, I'm like,
maybe I don't really know Alex Bennett.
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Because I mean this lovingly. I
when I see the King of Comedy,
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I'm like, oh, I missed
the boat on a big chunk of this
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man's career. Let me dive in
here. So I invite you on today
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not to do our usual political friendly
banter, but to talk comedy. So
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how did you become the king of
comedy? That is not a light term.
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That is not a light term.
And I don't know that I ever
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particularly use the term myself, okay, but when I was in San Francisco,
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I started the thing where I,
you know, everything I ever did
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in this business is just it's organic. I don't sit down and say I'm
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going to do a show with comedians. Okay, the show with comedians kind
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of happened in that one thing led
to another, and before I knew it,
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I was up to my ass in
comics. And then of course the
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newspaper started referring to me as the
king of comedy. You know, when
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I was here in New York years
ago and I did left wing politics and
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I did music, musicians and what
we call left wing politics, the Abby
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Hoffmans and so on, the press
referred to me as the youth guru.
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So you always get this kind of
handle. And the one thing about radio
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that was great in those days is
you could move to a completely different market
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and redefine yourself. And I always
enjoyed comedy, and I met up with
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a comic who came on the show, and he was very funny, and
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I thought, this is very nice. And after the show, I said,
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you have any other friends who might
want to do the show? No
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comedians were doing radio shows at that
time, and he so he said,
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yeah, I got this other friend, Bobby Slayton. And then Bobby Slayton,
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I said, I got this other
friend, Jeremy Kramer, and Jeremy
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Kramer to me this friend and that
friend. Before I knew it, I
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was up to my ass in comics. I was doing live comedy concerts and
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things like that. It became a
literal business for me. Now, what
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was your show back in the day? Were you spinning records? Were you
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mostly talking? Were you doing issues
on the days? You didn't have comedians
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In my career except for the very
early part of my career, I never
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spun records. I always resented the
idea of using somebody else's talent to make
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my show work. Okay, So
I was very much the undisc jockey.
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I mean I came out of being
a disc jockey. I'm not denying that,
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but I got tired of that.
I thought that that was very limited
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in my opinion, and wasn't the
kind of radio I wanted to do,
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you know, so I didn't really
ever play record. I played records occasionally,
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you know, to fill time I
had to go to the bathroom.
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Now, and how early on were
you going jockless? You know? I
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think back to the New York market. Maybe other than wor there weren't there
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weren't really long form talk shows other
than evening sports talk. But the modern
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talk era to me is more very
late eighties, early nineties. But you
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were ahead of that. I was
doing talk in Houston, Texas. Thank
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god. I have to remember the
years now, it goes I go crazy
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trying to remember the years for that. The nineteen sixties maybe late six sixties.
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Yeah, I was doing a talk
show in Houston, Texas as Alexander
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Bennett, the man you love to
hate. I didn't create that, by
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the way, that was given to
me by the radio station. That gets
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back to you know, in later
days, everybody hates Howard Stern, so
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they listened to him three hours a
day. Yeah, exactly when you started
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having the comedians on. There's this
weird thing with the comics. I guess
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when they're not really well known,
they look up to the DJs. And
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then they at some point they pass
radio, and radio is not cool anymore,
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even at serious My listeners know I
will name check. I won't do
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it today. But a particular comedian
who's pretty famous now, who came up
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a lot in two thousand and three, two thousand and four and then forgot
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our phone number, how did they
react to you back in the day.
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Pretty good, actually, And even
to this day some of them will still
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remember me and mention that I had
a part in their career. Then there
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are others who who I had very
much a big part of their career and
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like to deny it, you know, because I made it on my own.
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I didn't need Alex Bennett blah blah
blah blah blah. You know,
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well, yes you did at that
time, and you used me till the
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cows came home. You know.
Yeah, it's not taking credit for someone's
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work. They're clearly talented, but
you giving somebody exposure helps accelerate someone's career,
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and let's just be real about it. Well, I don't want to
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see. Here's the thing. It's
kind of like, and I don't want
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to deny people deny that I had
anything to do with their career. Yet
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on the other hand, I don't
want them to have to say, oh,
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hey, Alex Bennett helped me.
You know, Alex Bennett made my
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career. I don't want that either. I just want them not to resent
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me because I helped them at one
time. You know, I was telling
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the story today. This is interesting. If there are a few comics I
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could probably say I had something to
do with their career. Others who say
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I had something to do with their
careers that I go, well, you
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know, it was more you than
me. Okay. But one guy who
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I absolutely made in San Francisco made
him into a big star, was Bob
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Goldthway. And Bob Goldthwaite came to
us from Boston, where he done okay,
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he came to San Francisco and he
came on my show, and the
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one thing he noticed about me that
nobody else was who did morning shows.
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He was expecting that I was going
to at some point say during the interview,
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well, Bob, come on,
what do you really like And I
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never did that. What I did
is I love being the straight man,
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and I played to the character and
he loved that and because of it,
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because of the combination of me knowing
how to use him and him appreciating what
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I was doing for him. He
became a just I mean, I can't
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tell you what kind of a star
he became. In San Francisco. I
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would hold concerts with Bob Goldthwaye on
the bill, and they sold out in
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fifteen minutes, okay, and these
were sometimes thousand sedars. So you know,
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I made this guy a star in
San Francisco. And then people called
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him to come to LA and be
in the movies, and he did the
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Police Academy films and some other films
and whatever. He comes back to San
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Francisco to do a special on HBO
for one of the one night stands I
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think it was, and I figured
I'll go backstage to say, oh to
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Bob. I haven't seen him in
a while. It's been in LA and
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whatever. I want to see how
he is. And I go in to
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see him and it's, Oh,
Alex, how are you arms around me?
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Jim, I'm so happy to see
you doing so well. Bob.
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Oh, thank you so much.
And I really, you know, appreciate
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our relationship. It was just huggy, kissy, wonderful, all of that.
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Right now, I go out in
the audience ready to see his act,
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and this is being taped, of
course, for HBO, and the
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first ten minutes of his act was
putting me down no way, Yes by
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name or as character by name.
Oh tell me more about that. No.
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I mean, I can't even remember
what he said. But it was
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one thing after another. Alex Bannon, Hey, what this? And he
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no talent, son of a bitch, blah blah blah, you know,
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and I'm going, wait a minute, that wasn't wasn't the guy I was
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talking to fifteen minutes ago, was
it? You know? And after that
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time, I just you know,
I just wrote them off, you know.
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And I never did anything to Bob
except wish the best for him and
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try to set the table for his
career, you know. And he he
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just say, you know, so
I think there's a sense of some comics
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will deny you. Okay, I'll
tell you a guy. It was a
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good guy, Patton Oswald. He
was doing a special in San Francisco for
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HBO, doing it at the Great
American Music Hall, where we did a
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lot of our gigs. And he
said to me, so I get a
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call and it's Patton. He said, Alex, I just wanted to call
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and say hello, and I said, well, it's very nice for me
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to do that, Paton, He
says, no, I wanted to tell
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you to night. I'm just playing
the great American music call. I'm doing
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it special for HBO, and I
have to thank you for my career.
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And I went, hey, you
know, and I said what I always
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say when the comedian would say something
like that, I didn't do it.
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You did it. You were great, you were terrific, you know.
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But it was a nice thing for
him to do. He didn't have to
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do that, you know. He
went out of his way to call me.
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That's super classy. So some guys
are really nice and appreciate what you
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did for him, and nobody should
appreciate what I did for him. Hell,
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they did for me too. I
had a top morning radio show in
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San Francisco and they were part of
the reason why, and so I have
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to thank them too. We used
each other. I find it a weird
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move to go after you were any
jock because in radio back in those days,
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even if you were an all time
ratings guru, maybe twelve percent of
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the town is listening to you and
another twenty percent. I've heard of you.
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So if you go up and you
start talking about the morning Man,
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half the audience might not know who
you're even talking about. Well, in
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San Francisco, they they probably knew
pretty well. If they were going to
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a comedy show and they were interest
in comedy, they probably listened to my
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show. Good point, So you
know that's why that played. But you
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know, so some comedians are really
appreciative and others aren't. I don't care
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if they aren't appreciative. But no, don't go on television for fifteen minutes
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or ten minutes of your comedy act
that they're taping and put me down.
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You know, I don't deserve that. And at this point, he's still
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doing the character. No, he's
not doing that anymore. No, not
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anymore. But when he ripped o
oh yeah, it was still doing the
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characters. Yeah. Yeah, he
almost seems like a different personnel. It
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does make me laugh that he titled
one of his albums, you don't look
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the same either. I thought that
was very funny. But he's done over
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his act. I do enjoy his
modern comedy. Well. I The thing
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that I found about Bob is that
sometimes you create a character that America loves
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in his case in San Francisco.
That character is a very lovable character,
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a person who was totally afraid of
everything and screamed and you know, it
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was whatever, and it was a
great hack. But at a certain point,
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people like that suddenly one day wake
up and go, oh, I
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want to marry you. To know
what the real Bob Goldthwait is Like,
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Well, they aren't buying the Bob
Goldwaight that you know eats dinner every night
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with his family. They're going there
to see Bob Goldthwait the comedian, And
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sometimes they start resenting the character they're
playing. And it's sad when that happens,
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because some of them create great characters. You know. One guy always
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persisted beautifully was Emo Phillips. Sure, And I got to tell you Emo
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had a character. If anybody had
a character, Emo had a character.
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Okay. And I would sometimes sit
down either backstage or at a party or
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whatever with Emo and have a really
strong political discussion, kind of like you
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and I used to have. And
he was a right winger, rabid right
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winger, and so we would go
back and forth and discussing it and very
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intelligent guy. And I really like
Demo a lot, even though we didn't
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agree politically, but he had you
know, he had a character. He
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always lived with that character. He
didn't care if anybody want to know who
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the real Emo Phillips was, you
know. But backstage did he drop it
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and speaking in more normally he dropped
it completely? Yeah, dropped it completely.
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Now another guy. People always ask
me about Gilbert. Yes, I
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was gonna bring Gilbert up. Yeah, Gilbert had a character, no question
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about it. Was Gilbert that way
when he wasn't on stage, Well,
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he sounded like Gilbert, but he
was quieter. He's much more demure.
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I mean every year we would both
go to the same party, Christmas party
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together, and we hate parties,
so we both went off into a corner
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and would talk for hours, you
know. And yeah, there was a
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Gilbert voice, but it wasn't the
Gilbert persona. You know what I'm saying.
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That's a different between the persona and
how you still sound like yourself when
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you're off the off the stage,
but the demeanor is not the same.
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Yeah, you'd be hey, Gilbert, let's go back to Studio three.
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Oh okay, And that's said.
You wouldn't get the the afflac Duck parking
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back at you exactly exactly more with
that look's been ittt after this. What
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made San Francisco such a great comedy
scene it still is. There are certain
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cities, you know, New York, Boston, Philly, Austin in there.
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Now I can go back and forth
in la but San Francisco definitely had
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a scene, still has a scene. The Great Sketch Fest. What is
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it about the uh? You know, I'd like to say that at least
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that comedy scene during that period of
time, which was the nineteen seventies,
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was part of the way it was
because as a me I mean, I
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had a radio show and we promoted
comedy, and comedians came on and established
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their characters on the you know,
these guys were these guys were fool proof
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when they went to do a gig
somewhere because people had already accepted their voice
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as it was. You know,
because what a comedian has to do when
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they first go on stage is establish
who they are to the audience. And
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you got to do that as quickly
as possible. You should be able to
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do it in the first five minutes, so that if nobody has ever seen
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a Gilbert Godfreed in the first couple
of minutes. He's got to establish this
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character and bring you into his world. Well, if you did my radio
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show, you didn't have to do
that because everybody had already been brought into
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your war and they were there because
they probably heard about it on my show
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that you were playing somewhere and they
went to see you. So you didn't
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have to do that salesmanship. I
mean, I could go on stage and
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I could get big laughs on stage, but I'm not comedian. I was
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an MC of these shows, and
yet I got laughs just simply because it
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was all based upon they listened to
me on the radio and I said something
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that I had to do with the
radio show or whatever, you know,
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So it may made comedians' jobs a
lot easier. Yeah, and you can.
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You can kind of cruise on attitude
and timing for three four five minutes
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in front of one audience once.
I've been talking with several guests recently about
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things that sound like comedy but maybe
there's no actual joke there. You can
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kind of get into that rhythm.
Yeah, well, I'll I'll give you
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an example of something I said.
You have to establish yourself in the first
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couple of minutes. Here, on
stage, bring people into that world of
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yours, that kind of skewed world
that you have, and then they laugh
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along with you at these things.
The best comedian I've ever known for bringing
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people into them as a guy by
named Larry Bubbles Brown. I don't know
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if you know who Larry Bubbles Brown. Tell Larry Bubbles Brown for my money.
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Is one of the most professional comedians
alive. Okay, And Larry plays
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this dead pan on stage okay,
and the first words out of his mouth
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are, yesterday, somebody tried to
steal my identity. Now they've got no
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life. That sets it all up
for the next ten minutes. It doesn't
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matter. He's established that character with
that one joke. I was reading an
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article I think it was yesterday with
Jerry saying that he'll set up like you
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know, I'm having an argument with
my wife and he said the audience knows
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it's not true, but they're willing
to go for the ride. They're willing
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to go for the bit. Oh
yeah, absolutely. Listen. Henny Youngman
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was saying take my wife please,
long after she was dead, you know,
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so I mean, but still it. You know, it's important that
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you establish yourself when you first go
on stage. You know, I'm bringing
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people into that world of yours,
that craziness that you inhabit. But as
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a comedy snob, I sometimes struggle
with I'll be watching a set and I
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understand that, you know, the
basic compared to graphing out a sentence when
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you're in grammar school, the basic, here's a premise. Let me exaggerate
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it for effect. Let me tell
something that happened very colorfully. Let me
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say something that probably didn't happen at
all, but it's funny, and later
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do the callback. I get that, But sometimes I'll watch a set and
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I just don't believe a single word
coming out of the artist's mouth that I'm
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like, that never happened. This
is just a made up story for laughs,
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And I struggle connecting with it that
they haven't sold it to me.
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Whereas Jerry's admitting to the tricks of
the magician, and I go, yeah,
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all right, I can imagine having
Maybe it's maybe I'm profiling back to
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myself. I can imagine having a
fight with my wife. Maybe that's what
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the connection is. Could also be
no comedy too, Well, well,
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that's true, I was that can
spoil it for you. I have one
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of my best friends over the years
has been Bobby Slayton. Well, why
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you think is inexorably the one of
the greatest stand ups alive? Okay,
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And he doesn't even do his act
anymore because he feels he's been, you
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know, shut out of the business
by people being too socially what's the word
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I'm looking for, socially? Right? Correct? Okay, because his act
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isn't that way puts down everybody,
Chinese, black people. He's a black
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guy in the audience, you know, he's kind of like Rickles in that
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in that fashion, and Bobby is
just an incredible comic, and he finds
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he can't work anymore because his act
has problems that people are just to to,
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Oh, that's not correct. You
shouldn't say that about women. You
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know, can't do the wife jokes
anymore, even though his wife's dead by
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the way, but he can't do
the wife jokes, so he's got to
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the girlfriend jokes. He can't do
them anymore. Most he said, most
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of my acts being got it.
But who are the people that are offended?
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I talked about this on the show
the other day. Every day there's
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an article some comedian I just saw
Julie Louis Dreyfuss reacting to it. You
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can't say anything anymore. But who
are these people who's actually canceled? Like,
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who's telling Bobby he can't do that
act when he goes to a college
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and they start booing him for a
joke. You know, there are a
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lot of comedians now who just will
not play colleges any longer. Yeah,
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I know, Jerry's one of them. Can you imagine like that they're too
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politically correct? Yeah, a college
student being more uptight than a sixty seven
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year old comedian, Like what is
happening? That's absolutely correct, you know.
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And the fact is that I hate
it when I see that Bobby decided
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to quit the business. He just
you know, it's that and salaries they're
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paying too. You know, they're
trying to get away as cheaply as possible.
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Hey, Slate, you want four
thousand a week, I can go
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get Bobby asshole to to work for
a third of that. You know,
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So why should I hire you?
Because you're a draw? You're not a
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draw in this theater? Blah blah
blah blah blah. You know, I
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mean, it's just it's very hard
for for especially older comedians today to work.
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You know, I mean, I
have my I mentioned Larry Bubbles Brown.
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He may not know, but he
He's worked more consistently with people than
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I've ever known because he's the perfect
opening act. And so he always opens
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for Dana Carvey. And there's this
Spanish guy that he opens up for.
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I can't remember his name now,
Sparsa Philippias Sparsa, Philippia Sparsa. Anytime
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he's in the Bay Area, he
has bubbles open for him. Heah bubbles
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open for him at the Netflix Festival, you know, because he's a great
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opening act, because he does one
of his main things is he doesn't spoil
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the room. There can be who
spoil the room. You put a Bob
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Goldthwaite on, Nobody wants to follow
him. Why not because he's great,
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Because he's loud, and loud comedians
are hard to follow. So you want
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an opening act that doesn't spoil the
room. And he doesn't spoil the room.
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I was looking at your resume and
I had no idea. I found
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this poster HBO comedy Half Hours hosted
by Alex Bennett nineteen ninety five. Fillmore
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Poster fifty Bucks, by the way, But listen to this lineup. I
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mean you were there, Bob,
Jonathan Katz, Mark Maren, Judy Gold,
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00:24:34.119 --> 00:24:38.319
Dana Gould, Jeanine Garoffalo, Carlos
Mencia. I mean, that's some
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lineup. If I had to rank
them, Jonathan Katz is the seventh greatest
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comedian on that list. That's some
show. Yeah, that was, But
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that was an HBO one Night stant
or half what were they half hour comedy
341
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half hour comedy hour? Yeah,
that was for the This was an HBO
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show that they were taping in San
Francisco. And all I did at that
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point I if you listen to the
old One Night one night Stands the first
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season, I'm the announcer on the
first season. But I all I did,
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really was I hustled the crowd into
the into the show, and then
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I opened up the show by being
the warm up guy. But I did
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those were not my shows. The
posters pretty awesome, though, it is
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I know you. Also, it
says here you're the host of Public Television's
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comedy Tonight. I'm k q ed
I again, you're somebody I talked to
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every day for ten years. I
had no idea six five seasons, and
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then I was replaced as a host
by Whoopy Goldberg. I can argue that
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either way. Right says it says
tonight the part of Alex Vanner will be
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played by Whoopy Goldberg. At least
it's somebody we've heard of. H No.
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I was the host of that show
for I think it was five years.
355
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What was that show? Like?
What happened on it? It was
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a half hour show, three comics
per show came out of what was I
357
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think it's now called Wolfgangs, or
maybe it was called Wolfgangs. I can't
358
00:26:10.720 --> 00:26:15.079
remember now, But anyway, we
did. We did the shows out of
359
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there, and we would go in
once a year, spend a couple of
360
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nights and do all these shows.
And you know, and I got residuals
361
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for another twenty years. Oh that's
nice. Fifty cents or five thousand dollars
362
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going to ask, Well, No, I got paid one hundred and fifty
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dollars a show. And then you
know, when they put the shows back
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on and ran the various places and
so on and so forth, the ones
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I really made off, you know
who, maybe the most money I've ever
366
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made. Bill Maher is a still
run his HBO one night Stand on the
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Max and every time they keep doing
that, every year I get another check
368
00:26:55.440 --> 00:27:00.160
each year. It's for less and
less money, but I figure over the
369
00:27:00.240 --> 00:27:03.599
years I've made maybe three four thousand
dollars from Bill Maher. Thanks Bill,
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Thanks Bill, just for doing the
opening. But by the way, that's
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a that's a great story that she's
doing the one night stand, okay,
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or yeah, HBO's one night Stand. So I do the warm up,
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right, and every night I get
a little better, I get a little
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funnier, get you know, I
get a little I build a little act.
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By the fifth night of doing these
shows, I'm pretty damn good.
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Okay, but I'm not a stand
up but I never will be, and
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I don't ever expect to compete in
that arena. But anyway, so we're
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doing the show that night, with
among other things, Bill Maher doing his
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show. So I do the warm
up, you know, and a part
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of it is I'll say, like, how many here, like I don't
381
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know, I don't know who the
president was at the time, and some
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of them will boo and cheer and
so. But what you're trying to do
383
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is, among other things, you're
trying to get a reaction from the audience
384
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that they can have some sound to
use if they have to fill in the
385
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show, like laughing or applauding or
whatever. I get the people to applaud
386
00:28:10.279 --> 00:28:14.160
all it. So anyway, so
before I go on, I'm called into
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Bill Maher's dressing room and he looks
at me. He says, you're Alex
388
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Bennett. I said, yes,
you're the warm up guy on the show.
389
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I said, I'm not really the
warm up guy. I'm kind of,
390
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you know, just going out and
getting people warmed up. And so
391
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he says, do you do any
political And I said, well, you
392
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know, I use a few political
things to get people to applaud and to
393
00:28:38.960 --> 00:28:42.599
cheer and get a reaction. You
know, how many people here like so
394
00:28:42.799 --> 00:28:47.279
and so? And I can't.
I can't remember it was president at the
395
00:28:47.319 --> 00:28:51.279
time, and who the the opposition
was, you know. But and he
396
00:28:51.319 --> 00:28:55.079
says, so you do comment,
you do do political. I said,
397
00:28:55.440 --> 00:28:59.200
well, that's not really political.
I'm just you know. He said,
398
00:28:59.200 --> 00:29:02.559
well I do political, so stop
doing it. And I looked at him
399
00:29:02.599 --> 00:29:06.480
and I said, I happen to
know you're making twenty thousand dollars for this
400
00:29:06.559 --> 00:29:12.759
show tonight. Follow me motherfucker.
That's fantastic. Yeah, political comedy has
401
00:29:14.000 --> 00:29:17.799
kind of become a lightning rod.
Now, if I'm thinking back, depending
402
00:29:17.799 --> 00:29:21.359
on the president, some president's made
for better comedy. Everybody had a generic
403
00:29:21.440 --> 00:29:25.720
Nixon, Everybody did the Ronald Reagan, Whyale, you know, maybe not
404
00:29:25.880 --> 00:29:30.599
so much Bush. Other than somebody
doing Dana Carvey's. Nobody really nailed Obama.
405
00:29:30.640 --> 00:29:33.880
But I feel like these days,
other than the late night guys piling
406
00:29:33.920 --> 00:29:37.880
on Trump, I feel like there's
a fear to really go political at all.
407
00:29:38.039 --> 00:29:41.759
You just immediately lose half the audience. Whereas back in the day,
408
00:29:42.119 --> 00:29:45.559
you could make a Bill Clinton joke. Yeah you could, and people would
409
00:29:45.640 --> 00:29:49.240
laugh at it because you're making fun
of the of the character Bill Clinton,
410
00:29:49.359 --> 00:29:59.480
not the personal problems that Bill Clinton
might have. You know, I think
411
00:29:59.519 --> 00:30:03.039
that people are too sensitive. Yeah, you're going to lose half the audience
412
00:30:03.039 --> 00:30:04.920
if you tell them where you are
politically. These days, I think that
413
00:30:06.000 --> 00:30:11.319
goes for any place. You know, the trouble I have and I you
414
00:30:11.319 --> 00:30:15.680
know, I enjoy all the bashing
of Trump. I have no compunctions about
415
00:30:15.759 --> 00:30:21.839
that, but I wonder if it
isn't cheap because he's really easy to get
416
00:30:21.839 --> 00:30:26.440
a laugh from. You know,
yes, it's a really it's it's almost
417
00:30:26.480 --> 00:30:29.240
like, why don't you use the
F word? Why shouldn't you use the
418
00:30:29.359 --> 00:30:32.440
F word? Hear? I?
Well, I always hated comedians who would
419
00:30:32.519 --> 00:30:36.640
use well we can say it here, who used fuck as a punchline.
420
00:30:37.000 --> 00:30:40.559
You know, they'd be telling him
and fuck and that's the point, and
421
00:30:40.559 --> 00:30:45.640
everybody would laugh, and I go, that's not comedy. You don't use
422
00:30:45.799 --> 00:30:49.160
that as a punchline. And the
same thing is true with Trump. Very
423
00:30:49.279 --> 00:30:55.039
easy, it's very easy to do
that, you know. And I don't
424
00:30:55.039 --> 00:30:57.599
know if I had a comedy act
somewhere, if I would go after Trump,
425
00:30:57.640 --> 00:31:03.519
because I consider it maybe cheap.
But conversely, I personally like a
426
00:31:03.720 --> 00:31:08.480
good old fashioned Joe Biden is so
old joke, and the joke's not really
427
00:31:08.599 --> 00:31:14.240
about Biden despite his age. It's
really a so and so is so old
428
00:31:14.400 --> 00:31:18.079
punchline. Here. I love those. Well, I am eighty four years
429
00:31:18.119 --> 00:31:22.480
old, and I get a bit
upset by them because again, they're kind
430
00:31:22.519 --> 00:31:26.359
of a cheap shot. You know. It's always about oh yeah, blah
431
00:31:26.359 --> 00:31:32.119
blah blah. I'll expend it meta
musil you know, uh, I you
432
00:31:32.119 --> 00:31:34.240
know, at eighty four, I
don't know if I find ages funny.
433
00:31:34.480 --> 00:31:41.039
You know, we got enough problems
being old, but people laugh at us.
434
00:31:41.519 --> 00:31:44.400
So see, I don't know.
I want to keep the courage of
435
00:31:44.440 --> 00:31:45.839
my own convictions here. And you
and I have a twenty year relationship of
436
00:31:45.880 --> 00:31:51.519
respectful discussions. And so where you're
you were always wrong, I was always
437
00:31:51.519 --> 00:31:53.759
wrong. I admitted that to you
in the pre dape. I like a
438
00:31:53.839 --> 00:31:57.880
good solid you know. Joe Biden
was at the D Day ceremony. It
439
00:31:57.920 --> 00:32:01.000
was the first time he had been
there since serving as a colonel in nineteen
440
00:32:01.079 --> 00:32:06.079
forty five. Like, it's a
silly joke and at the risk of offending
441
00:32:06.119 --> 00:32:07.799
you, Hey, Alex Bennett was
talking about D Day. It must have
442
00:32:07.839 --> 00:32:12.000
been really great for him to see
his old friends. Like, it's just
443
00:32:12.039 --> 00:32:15.599
to me, that's just a joke, joke. Well, to you,
444
00:32:15.720 --> 00:32:17.759
it's a joke, joke. To
somebody that age, it's not as much
445
00:32:17.759 --> 00:32:21.799
of a joke. It's kind of
like saying, oh, that joke about
446
00:32:21.839 --> 00:32:24.440
a black person is just a joke. Joke, you know, but if
447
00:32:24.480 --> 00:32:28.680
you're black, it may not be
a joke. So then what can we
448
00:32:28.799 --> 00:32:32.359
joke about? Well, you can
joke about anything. And I have the
449
00:32:32.440 --> 00:32:36.680
right to be offended by it if
I want to, But I don't have
450
00:32:36.759 --> 00:32:39.200
the right to stop you from offending
me. That makes sense, It makes
451
00:32:39.240 --> 00:32:43.680
total sense. Yeah, I have
the right to be offended, you know,
452
00:32:44.359 --> 00:32:47.720
And as I got older, I
have I can hear you when I
453
00:32:47.799 --> 00:32:52.920
give it. I'll tell you a
story. I was doing comedy tonight in
454
00:32:52.960 --> 00:32:55.839
San Francisco, and what I would
have to do is I would have to
455
00:32:55.880 --> 00:33:04.480
go into Channel nine in San Francisco, which was the PBS station, and
456
00:33:04.599 --> 00:33:07.799
record some voiceovers for stuff we had
missed or for the shows that we were
457
00:33:07.839 --> 00:33:13.000
doing or whatever. But I do
the voiceovers. So I'm sitting over there
458
00:33:13.039 --> 00:33:19.000
waiting in the lobby to get going
on this thing, and the woman who
459
00:33:19.119 --> 00:33:25.000
is the receptionist there says, by
the way, mister so and so over
460
00:33:25.200 --> 00:33:30.160
at over Easy would like to see
you now. Over Easy was the show
461
00:33:30.200 --> 00:33:36.799
they did with you downs. It
was about age and about aging, okay,
462
00:33:37.279 --> 00:33:38.839
And so I said, okay,
I've got a couple of minutes.
463
00:33:38.880 --> 00:33:43.000
I'll go over there. And I
went over there and I introduced myself.
464
00:33:43.440 --> 00:33:45.119
He said, Hi, you know, he says, I've listened to your
465
00:33:45.119 --> 00:33:50.119
show in the morning along, he
said, and you make jokes about old
466
00:33:50.160 --> 00:33:52.079
people, he said. Now,
I'm not here to tell you to stop,
467
00:33:52.799 --> 00:33:57.319
he said, but the fact is, it's hard enough being old.
468
00:33:57.519 --> 00:34:01.839
Because this guy was the expert on
aging and agism. He says, difficult
469
00:34:01.920 --> 00:34:06.480
enough getting old without having somebody make
fun of you. And he said,
470
00:34:06.680 --> 00:34:08.480
you really should stop doing that.
And I thought about it, and I
471
00:34:08.559 --> 00:34:13.239
said, you know, he's right, and I never did another. So
472
00:34:13.440 --> 00:34:19.000
he's so old joke ever again,
because he felt that it's hard enough getting
473
00:34:19.039 --> 00:34:22.800
being old, but it gets really
hard when people are giving it making a
474
00:34:22.920 --> 00:34:27.159
joke about it. You know.
Now, I appreciate that. I think
475
00:34:27.199 --> 00:34:30.920
one of the things, especially as
we age, is you learn that life's
476
00:34:30.920 --> 00:34:34.599
a journey and all you can try
and do is be a better person than
477
00:34:34.639 --> 00:34:37.199
you were the day before. And
along the way, some mistakes were made.
478
00:34:37.280 --> 00:34:40.719
I've been open with this audience back. I try. I try.
479
00:34:40.760 --> 00:34:45.679
I try to be the worst person
I can be every day. I figure
480
00:34:45.760 --> 00:34:49.159
I didn't do it well enough when
I was younger. I want to get
481
00:34:49.280 --> 00:34:51.800
it down when I'm older. You
know, a great thing about being old
482
00:34:52.400 --> 00:34:57.760
is that you can tell just yell
at people, get out of my way,
483
00:34:57.840 --> 00:35:00.920
get off of my lawn, you
know, and they fully expect it,
484
00:35:01.280 --> 00:35:06.199
so what are you doing? You
know? I remember back at Serious
485
00:35:06.360 --> 00:35:09.400
it was pretty early in my run. We had something on the air and
486
00:35:09.440 --> 00:35:14.559
one day one of my friends from
out Q, which was the LGBTQ Plus
487
00:35:14.599 --> 00:35:17.639
station, came by in a very
friendly way and said, what the hell's
488
00:35:17.679 --> 00:35:21.320
your problem? And I was like, what are you talking about? And
489
00:35:21.360 --> 00:35:23.239
he pointed out the thing that we
had on the air that was offensive.
490
00:35:23.360 --> 00:35:28.320
That here, twenty years later,
I'm embarrassed by I wish we hadn't done
491
00:35:28.320 --> 00:35:30.679
it. At the time I put
it on the air, I approved it.
492
00:35:30.679 --> 00:35:34.639
It didn't accidentally make it on the
air. I was just too stupid,
493
00:35:34.679 --> 00:35:37.559
ignorant, foolish, uneducated, didn't
realize we were hurting people. And
494
00:35:37.599 --> 00:35:40.320
we took it off the air as
soon it was brought to our ted what
495
00:35:40.519 --> 00:35:45.559
was it? Jim Brewer had a
bumper. He used to use a word
496
00:35:45.599 --> 00:35:49.320
that rhymes with rag and starts with
F. I don't want to use it,
497
00:35:49.840 --> 00:35:53.159
and he would explain it as it
had nothing to do with sexuality.
498
00:35:53.440 --> 00:35:59.000
He would describe it as the kid
who couldn't kick the kickball in the playground.
499
00:35:59.280 --> 00:36:04.599
Was how Jimmy and us denim jacket
wearing knuckleheads from Queens and Long Island
500
00:36:04.639 --> 00:36:07.639
who grew up in the eighties didn't
think twice about it. And then the
501
00:36:08.559 --> 00:36:12.559
friend coworker came over and I was
like, what is your problem? And
502
00:36:12.679 --> 00:36:15.480
I was horrified. I'm still horrified
by this twenty twenty five years later,
503
00:36:15.559 --> 00:36:19.800
but I don't have a time machine. I'll loan up to it. I'm
504
00:36:19.800 --> 00:36:22.760
sorry we did it, but I
can't go back in time. Yeah,
505
00:36:22.800 --> 00:36:28.800
but also, you did it at
a time when it was still fairly acceptable
506
00:36:29.000 --> 00:36:32.920
and wasn't in your purview as being
wrong. Today, you might not do
507
00:36:34.000 --> 00:36:37.840
it today, you might feel guilty
about it because you now know how wrong
508
00:36:37.920 --> 00:36:40.840
it was in retrospect, but at
the time you didn't. I'll tell you
509
00:36:40.880 --> 00:36:45.039
when I was, you know,
I had comedians on every morning, and
510
00:36:45.159 --> 00:36:50.400
all of a sudden, in the
middle of doing my little morning comedy show,
511
00:36:50.519 --> 00:36:54.360
something hit San Francisco that hit San
Francisco before it hit anywhere else.
512
00:36:54.440 --> 00:37:00.159
It was a thing called AIDS and
it was hitting pretty badly and people were
513
00:37:00.280 --> 00:37:04.840
dying by a high number. But
I, being the straight guy, not
514
00:37:05.000 --> 00:37:09.400
hanging out in the in the Castro
district or anything like that, never really
515
00:37:10.519 --> 00:37:15.719
thought about it. You know,
and I had comedians coming on making jokes
516
00:37:15.760 --> 00:37:21.519
about age, okay, which at
that point he went, oh, well,
517
00:37:21.599 --> 00:37:22.800
yeah, it's just a joke about
AIDS. Oh blah blah blah.
518
00:37:23.320 --> 00:37:27.599
One night, I'm watching television.
They show a guy with age and he's
519
00:37:27.599 --> 00:37:31.119
got all these CARPOSI sarcoma all over
his face and his body and so on,
520
00:37:31.719 --> 00:37:36.039
and he's gone and looks like he's
on the edge of death. And
521
00:37:36.079 --> 00:37:39.719
I said to myself, there's no
joke in this disease. So the next
522
00:37:39.800 --> 00:37:44.280
day I went in and every comedian
came on and he said, no age
523
00:37:44.400 --> 00:37:47.199
jokes. And I was the first
guy actually in San Francisco to realize that,
524
00:37:49.159 --> 00:37:52.719
you know, but I just found
that I didn't see anything funny in
525
00:37:52.800 --> 00:37:55.800
age. I didn't see it.
There's only one funny age joke I've ever
526
00:37:55.840 --> 00:38:01.960
heard, okay, and that was
what's the worst part about having AIDS?
527
00:38:02.960 --> 00:38:07.199
Having to tell your parents your haitian. That's a good joke, I know.
528
00:38:07.320 --> 00:38:09.719
I just I wanted to laugh at
the joke. That's a good joke.
529
00:38:09.719 --> 00:38:12.280
And I'm like, can I laugh
at this? Am I going to
530
00:38:12.320 --> 00:38:16.400
be canceled? This is the struggles
you see every other gay joke these comedians
531
00:38:16.400 --> 00:38:22.039
were doing was at the expense of
the person being gay? Okay, that
532
00:38:22.159 --> 00:38:27.039
joke does it isn't at the expense
of somebody being gay and and so uh,
533
00:38:27.079 --> 00:38:30.480
you know. But otherwise I just
said, no more jokes about ads
534
00:38:30.920 --> 00:38:32.800
and I hit it right on the
head. Then a lot of other people
535
00:38:32.880 --> 00:38:37.239
realized that that was the way to
go too, you know. But I
536
00:38:37.280 --> 00:38:40.400
mean, it was horrible. It
was a horrible disease. What's funny about
537
00:38:40.400 --> 00:38:45.559
it? How did comedians react to
you putting up a boundary? None of
538
00:38:45.559 --> 00:38:47.760
them were bothered by it. They
understood what I was saying. That's great,
539
00:38:49.039 --> 00:38:51.360
explained I explained it to him.
I said, I you know,
540
00:38:51.440 --> 00:38:55.519
I've seen people with aids and it's
not funny. There's nothing you wouldn't tell
541
00:38:55.559 --> 00:39:00.000
me a funny joke about cancer.
You know, you can't really come up
542
00:39:00.039 --> 00:39:04.039
with a funny cancer joke, can
you? And they said no, And
543
00:39:04.079 --> 00:39:06.639
I said, then, how can
you come up with a funny age joke?
544
00:39:06.960 --> 00:39:09.880
For those of us at a certain
age, my age, Eddie Murphy's
545
00:39:10.400 --> 00:39:16.079
brow Slash Delirious was a cornerstone comedy
piece because we were too young to realize
546
00:39:16.119 --> 00:39:22.440
what a Richard Pryor cover act.
It was, but his. He has
547
00:39:22.800 --> 00:39:27.039
the first ten to fifteen minutes of
that set. There are some age jokes
548
00:39:27.039 --> 00:39:30.320
in there. I mean nothing in
that set as aged particularly well, but
549
00:39:31.280 --> 00:39:35.039
I could probably do the entire thing
off the top of my head. That's
550
00:39:35.039 --> 00:39:37.960
how many times I listened to it
and laughed at it. As a fourteen
551
00:39:37.000 --> 00:39:42.320
year old, I never found Prior
a very good stand up interesting talk to
552
00:39:42.360 --> 00:39:45.159
me, not Prior, Not Prior, Eddie Murphy. I thought you were
553
00:39:45.199 --> 00:39:49.119
going to go on a heart take
here, Alex Bett. It well for
554
00:39:49.199 --> 00:39:54.639
exactly the reason you said it wasn't
funny because he was trying to be Richard
555
00:39:54.679 --> 00:40:00.320
Pryor only in a leather suit.
Well even sunset strip, Richard's wearing a
556
00:40:00.440 --> 00:40:05.440
red suit. It's a total lift. Again, I was fourteen, I
557
00:40:05.480 --> 00:40:07.960
didn't know. But as I've studied
this, I go back and I listened
558
00:40:08.000 --> 00:40:14.000
to the way Richard tells a story, the voices Richard does, and Eddie's
559
00:40:14.000 --> 00:40:15.880
a cover act doesn't mean it's not
funny, but it's a cover band.
560
00:40:16.519 --> 00:40:21.760
Prior was empirical. He was He
was one of the best of all time.
561
00:40:22.880 --> 00:40:29.039
I didn't come to appreciate Carlin till
years later in fact I interviewed him,
562
00:40:29.119 --> 00:40:31.119
and that's what kind of made me
listen to more Carlin in a different
563
00:40:31.159 --> 00:40:37.320
fashion, and I got to really
like Carlin's work. I thought that as
564
00:40:37.480 --> 00:40:44.599
a stand up comedy he was comedian. He had he had had a rhythm
565
00:40:45.440 --> 00:40:50.599
in his in his style, and
it was very precise that show that anytime
566
00:40:50.639 --> 00:40:54.679
he went on stage, all of
that material was literally set in stone,
567
00:40:54.760 --> 00:41:00.079
word for word before he went on
stage. There was no ad libbing or
568
00:41:00.119 --> 00:41:04.039
whatever, but it was brilliant in
the way it was presented, in his
569
00:41:04.239 --> 00:41:08.000
timing on it. Much like years
earlier I had was privileged to see and
570
00:41:08.199 --> 00:41:14.960
was a fan of Lenny Bruce.
And Lenny was a very musical act.
571
00:41:15.119 --> 00:41:21.079
I mean he was to comedy what
Miles Davis was to jazz. There was
572
00:41:21.119 --> 00:41:28.239
a rhythm there in his presentation that
was very musical, very musical. I
573
00:41:28.280 --> 00:41:31.199
feel like Lenny has gotten left behind. I forgot who said this recently.
574
00:41:31.320 --> 00:41:35.440
One of the topics that'll come up
is when we talk about best comedian of
575
00:41:35.440 --> 00:41:37.000
all time, like, you know, where do you want to start?
576
00:41:37.039 --> 00:41:40.360
You want to start at Shakespeare or
at what point? And somebody compared Carlin
577
00:41:40.480 --> 00:41:45.920
and prior to almost being John the
Baptists of comedy, of ushering in that
578
00:41:46.079 --> 00:41:50.320
modern era of maybe instead of doing
ten to fifteen minutes, we're going to
579
00:41:50.320 --> 00:41:54.320
do an hour here and putting out
albums. And that's when comedy started to
580
00:41:54.519 --> 00:41:59.679
change. And I feel like Lenny
got a little bit left behind. A
581
00:41:59.679 --> 00:42:01.639
part of that, as somebody who
has programmed comedy on the radio for twenty
582
00:42:01.760 --> 00:42:07.599
years, is factually the recordings just
aren't as good. I remember it serious.
583
00:42:07.679 --> 00:42:09.760
Early in the run, my boss, Jeremy Coleman asked me why I
584
00:42:09.760 --> 00:42:14.000
didn't play much Richard Pryor, and
the answer was because the record sounded like
585
00:42:14.039 --> 00:42:16.239
garbage, and when we pumped them
through the satellite and back and through the
586
00:42:16.239 --> 00:42:20.320
speakers, they didn't sound good on
the radio, so I didn't play them.
587
00:42:20.360 --> 00:42:22.239
Now, since then they've been well
remastered. But I feel like Lenny
588
00:42:23.519 --> 00:42:27.760
Missus Masel kind of helped a little
bit. But I feel like Lenny got
589
00:42:27.800 --> 00:42:32.159
left behind. Lenny got left behind, and he shouldn't be. His voice
590
00:42:32.199 --> 00:42:37.639
is still resident. The stuff he
was talking about, still much of it
591
00:42:37.639 --> 00:42:43.679
can play today and not have I
don't know if I don't think it's aged
592
00:42:43.760 --> 00:42:47.079
badly. I just think people have
forgotten him. You know, I think
593
00:42:47.119 --> 00:42:51.800
if they played him today, people
would get a good, good laugh out
594
00:42:51.840 --> 00:42:53.960
of it. The question, then, is who's the they. That's the
595
00:42:54.000 --> 00:42:58.519
issue. Oh they is the buying
public, you know, and what are
596
00:42:58.519 --> 00:43:02.320
they buying today. I've just seen
some of the comedians that are out there,
597
00:43:02.400 --> 00:43:06.639
and I, quite frankly and maybe
I sound like an old man,
598
00:43:06.920 --> 00:43:13.800
feel a lot of them don't deserve
the adulation they're getting. I liked the
599
00:43:13.920 --> 00:43:16.480
what's his name mulaney for a while
and then I watched him do this thing
600
00:43:16.480 --> 00:43:20.920
on Netflix a couple of weeks ago, and he was terrible. It was
601
00:43:21.039 --> 00:43:24.599
just horrible. See, I think
that show is misproduced. I've talked about
602
00:43:24.639 --> 00:43:29.800
this on the podcast a lot.
You know, well, you know you
603
00:43:29.920 --> 00:43:32.719
posted talk radio. Civilians can't tell
a story, get their point and get
604
00:43:32.719 --> 00:43:37.119
them out of there. And I'm
watching this thing screaming at my television.
605
00:43:37.280 --> 00:43:40.840
They're taking calls from civilians. You
have Jerry Seinfeld sitting next to you.
606
00:43:40.880 --> 00:43:44.199
All you have to do is shut
up and ask you a question and hang
607
00:43:44.280 --> 00:43:47.239
back. Why are you letting some
Oh that's the one thing. That's one
608
00:43:47.239 --> 00:43:50.440
thing a lot of people have never
learned. And that was the reason I
609
00:43:50.519 --> 00:43:53.159
was good at doing what I did
on radio. I was not perhaps a
610
00:43:53.280 --> 00:43:57.440
very good comedian, but I was
one of the world's best straight men,
611
00:43:57.880 --> 00:44:02.320
and I knew how to play straight
man to people. And that was the
612
00:44:02.480 --> 00:44:07.119
you know I did. I mention
with Goldthwaite. The reason Goldthwaite liked me
613
00:44:07.320 --> 00:44:10.960
was because I never Most interviewers that
would interview Goldwaite would have stopped and said,
614
00:44:10.960 --> 00:44:15.039
come on, Bob, tell us
what you really like. And I
615
00:44:15.079 --> 00:44:20.440
didn't do that. I played to
the character, and I played straight man
616
00:44:20.480 --> 00:44:24.360
to the character. And I always
loved playing straight man over anything else or
617
00:44:24.400 --> 00:44:28.280
the butt of jokes. Yeah.
Sure, And if you get a good
618
00:44:28.360 --> 00:44:30.960
guest. This gets back to Johnny
Carson theory. People would say, did
619
00:44:31.000 --> 00:44:34.440
you see Carson last night? He
was great, And what they meant was
620
00:44:34.559 --> 00:44:39.599
Don de Luiz told a great story. Well here was the great talent that
621
00:44:40.039 --> 00:44:45.079
Johnny had. He knew when to
shut up. Yeah, you know really,
622
00:44:45.639 --> 00:44:50.639
Steve Allen once said, and it
resonated with me, and I was
623
00:44:50.679 --> 00:44:53.880
never a big fan of Steve Allen's, but he was right. He said,
624
00:44:54.280 --> 00:44:57.920
you're running a talk show. There
are a couple of things you should
625
00:44:57.960 --> 00:45:00.239
remember. Number one, you're having
the g on to work for you.
626
00:45:00.760 --> 00:45:06.000
Okay, So don't try to top
him. And that's probably the best piece
627
00:45:06.039 --> 00:45:09.360
of advice anybody could take. If
you're interviewing a comedian, don't try to
628
00:45:09.360 --> 00:45:14.280
top him, try to get the
next joke out of him. I took
629
00:45:14.280 --> 00:45:19.480
that approach to programming, specifically the
Raw Dog Channel. I have heard over
630
00:45:19.519 --> 00:45:23.239
the years other comedy products, and
everyone tries to make the bumpers, things
631
00:45:23.239 --> 00:45:30.880
like comedy radio and you're coming out
of George Carlin's perfectly honed routine, the
632
00:45:30.880 --> 00:45:34.079
one they chose to press the vinyl. Don't follow that with a joke.
633
00:45:34.159 --> 00:45:37.360
We just said the station idea and
moved on to the next thing. That
634
00:45:37.119 --> 00:45:39.639
advice. You're not going to be
funnier than the comedians, no way.
635
00:45:40.559 --> 00:45:45.679
Well, and the other thing he
said was the other rule is don't try
636
00:45:45.719 --> 00:45:51.880
to be funny, try to be
fun. He said, Funny you can't
637
00:45:51.880 --> 00:45:57.119
do constantly. You can't get a
laugh every time. Fun you can always
638
00:45:57.159 --> 00:46:01.360
be enjoyable. That makes sense absolutely. I've never been a fan of comedian
639
00:46:01.400 --> 00:46:04.559
guests that go for their act.
Alex, how you doing, I'll tell
640
00:46:04.599 --> 00:46:07.280
you how I'm doing. I just
got back from the airport and this TSA.
641
00:46:07.880 --> 00:46:12.000
You know it just Oh, I
hated comics that just did their act.
642
00:46:12.239 --> 00:46:15.360
Yeah, you know, so how
are you these days? Well,
643
00:46:15.440 --> 00:46:17.280
funny thing happened to me yesterday.
Blah blah blah blah, and I'm going
644
00:46:17.960 --> 00:46:22.679
I like the comics who just could
sit there and add lib with me,
645
00:46:22.880 --> 00:46:28.360
toe to toe, and that was
wonderful. And some of them were terrific
646
00:46:28.400 --> 00:46:30.639
at it, you know, But
when they came on did nothing but material,
647
00:46:30.679 --> 00:46:32.760
that was the last time they were
going to be on my show.
648
00:46:34.119 --> 00:46:37.320
More coming up with Alex Bennett.
As I mentioned in the open, in
649
00:46:37.400 --> 00:46:40.960
this next section, here we lightly
talk about politics. The reason I'm sharing
650
00:46:42.000 --> 00:46:45.840
it is because Alex and I are
friends and for ten years in the hallway
651
00:46:45.880 --> 00:46:49.199
every day we discussed politics, so
I thought it would be weird of me
652
00:46:49.320 --> 00:46:52.840
to have Alex on and not talk
politics at all. Don't worry, we're
653
00:46:52.840 --> 00:46:58.039
not getting too much into it.
We mentioned George Carlin when I was programming
654
00:46:58.039 --> 00:47:01.320
the Rodock Channels. He had his
final two albums, and at the time
655
00:47:01.559 --> 00:47:07.400
I did not like them. I
thought it was bitter Carlin had lost his
656
00:47:07.480 --> 00:47:10.400
way, And twenty years later,
I think he's the great profit of the
657
00:47:10.400 --> 00:47:15.280
twenty first century. I mean,
his leader political material. I can play
658
00:47:15.320 --> 00:47:17.599
some of those bits today. It
sounds like he recorded them this morning.
659
00:47:17.880 --> 00:47:21.800
I mean, he did get bitter
more and more bitter as time went on,
660
00:47:22.719 --> 00:47:28.039
you know, But he was I
think, and I wasn't a big
661
00:47:28.079 --> 00:47:32.239
fan of his for years because I
didn't like him because all of a sudden,
662
00:47:32.320 --> 00:47:36.599
he was wearing his hair long,
you know, and wearing a beard,
663
00:47:36.719 --> 00:47:38.519
like he wanted to play to the
hippies of the day, you know,
664
00:47:38.960 --> 00:47:42.880
where before he had worn a suit
and been, you know, George
665
00:47:42.960 --> 00:47:49.039
Carlin, mister strait. And it
took me a while to realize the real
666
00:47:49.079 --> 00:47:52.639
George Carlin was what I was seeing, not the one who was wearing the
667
00:47:52.679 --> 00:47:55.880
suit. So he was horing himself
out. It was back then where he
668
00:47:55.960 --> 00:47:59.760
was wearing the suit, not when
he was trying to appeal to me.
669
00:47:59.800 --> 00:48:04.519
But but I resented that, and
so for years I didn't like or listen
670
00:48:04.559 --> 00:48:07.480
to Carlin. And then when I
finally did, I went, this guy's
671
00:48:07.719 --> 00:48:14.079
he's the best. His presentation,
He's timing everything, impeccable and something to
672
00:48:14.119 --> 00:48:16.960
say. He had something to say. It wasn't just she's always something to
673
00:48:17.000 --> 00:48:22.440
say. Yes, absolutely for the
modern scene, is there anybody that floats
674
00:48:22.440 --> 00:48:25.519
your boat? Who was it?
There was a female comic who was on
675
00:48:25.639 --> 00:48:30.400
the Brady Roast. I'm trying to
remember her name name, Nicky Glazer,
676
00:48:30.119 --> 00:48:35.760
Nicki Glazer. I think she's very
funny. She crushed, She crushed that
677
00:48:35.880 --> 00:48:38.159
day. Yeah, that was the
only thing on that whole thing that was
678
00:48:38.159 --> 00:48:43.679
worth watching. By the way,
that Brady Roast was the worst thing I've
679
00:48:43.719 --> 00:48:45.280
ever seen. Oh, I think
it's the best thing of the year.
680
00:48:45.519 --> 00:48:47.960
Talk to me, No, I
don't. I'll tell you why. I
681
00:48:47.960 --> 00:48:52.280
mean, they had people who are
not comedians trying to roast him, and
682
00:48:52.360 --> 00:48:57.360
what you got to do? You
know, too bad. Gilbert isn't alive.
683
00:48:57.920 --> 00:49:00.199
He's the guy who knows how to
do a roast, you know.
684
00:49:00.719 --> 00:49:06.519
And Nicki Glazer came close to that. You know, she was very good.
685
00:49:06.599 --> 00:49:08.719
I became a big fan of her. And then I watched your specials
686
00:49:08.719 --> 00:49:14.280
my wife and I and she's very
critical and she just loves Nicky Glazier.
687
00:49:14.960 --> 00:49:20.000
You know. I enjoy the art
of the roast when the comedians kind of
688
00:49:20.000 --> 00:49:22.360
switch up instead of so the rest
of Tom Brady, instead of making Tom
689
00:49:22.440 --> 00:49:27.480
Brady jokes, sort of goes sideways
and say, oh, and Alex Bennett's
690
00:49:27.519 --> 00:49:30.320
here, and then just take some
come. That's what you did at Roast.
691
00:49:30.639 --> 00:49:34.039
That's what you did at Roast.
Though. See the thing is the
692
00:49:34.159 --> 00:49:37.320
Roast died the day they put them
on TV. But now that it's on
693
00:49:38.599 --> 00:49:44.239
Netflix, they should be as filthy
as is humanly possible. Because you got
694
00:49:44.280 --> 00:49:46.559
to remember the Friars Club. These
guys I would see. I had a
695
00:49:46.599 --> 00:49:50.519
friend who belonged to the Friars Club, so I went to the Friars Club
696
00:49:50.559 --> 00:49:52.400
with them a lot. And I
went to one thing one night where they
697
00:49:52.440 --> 00:49:55.920
were just doing something with somebody.
It wasn't a Roast or anything, and
698
00:49:55.960 --> 00:50:00.480
it was all these old comics,
you know, the Sheechy so On sos
699
00:50:00.559 --> 00:50:05.559
and the you know Bobby so and
sos. And they were all getting up
700
00:50:05.599 --> 00:50:07.880
one after another. And I don't
think I've ever laughed that much in my
701
00:50:08.199 --> 00:50:13.599
life. All of a sudden,
these mediocre comics that I'd seen on TV
702
00:50:13.679 --> 00:50:16.440
and gone, hey, you know
old borsch belt come. They were just
703
00:50:16.760 --> 00:50:21.000
killing it. When they didn't have
any cameras there, when they didn't have
704
00:50:21.000 --> 00:50:25.400
any microphones there, and nobody was
gonna in years later put them in judgment
705
00:50:25.400 --> 00:50:30.800
of what they had said at that
rost. My Guide to Interviewing Alex Bennett
706
00:50:30.840 --> 00:50:35.239
says, I'm supposed to say Robin
Williams at some point I've been remiss.
707
00:50:35.280 --> 00:50:37.840
Were nearly an hour in Did you
have encounters with Robin? Do you have
708
00:50:37.840 --> 00:50:42.599
any good Robin stories? Robin did
my show in San Francisco total of one
709
00:50:42.639 --> 00:50:45.280
time. It was a very memorable
time. It was wonderful to have Robin
710
00:50:45.320 --> 00:50:52.239
on. The reason Robin didn't might
do my show a lot is because I
711
00:50:52.480 --> 00:50:58.960
had to call him on stealing jokes. I felt that, you know,
712
00:50:59.119 --> 00:51:04.519
a comic coming up, works hard
at getting material, you know, and
713
00:51:04.559 --> 00:51:09.760
to suddenly have it stolen from him
and used on the Tonight Show. Ruins
714
00:51:09.800 --> 00:51:14.960
that joke in just about a minute
and a half, so that this guy,
715
00:51:15.000 --> 00:51:17.280
whenever he goes on stage and does
that joke again, people yell out,
716
00:51:17.480 --> 00:51:22.159
oh, Robin Williams did that joke, Because if Robin Williams did the
717
00:51:22.280 --> 00:51:28.239
joke, it was his joke,
okay, and he would keep stealing material.
718
00:51:28.320 --> 00:51:30.719
I remember sitting at Cobbs Comedy Club, the old Cobbs Comedy Club,
719
00:51:31.079 --> 00:51:36.800
back in the back room the night
that Robin was on the Tonight Show,
720
00:51:37.480 --> 00:51:40.000
and all these comedians were sitting there
one after the osis, that's my joke.
721
00:51:40.280 --> 00:51:45.599
That's my joke. It's my joke. It's my joke. And the
722
00:51:45.679 --> 00:51:51.159
fact was that I you know,
I met up with Robin once. I
723
00:51:51.320 --> 00:51:53.559
said, you know, you just
shouldn't. You shouldn't steal from people.
724
00:51:53.599 --> 00:51:58.320
That's what I have against you,
Robin. You know it's not right.
725
00:51:58.440 --> 00:52:01.320
These people are coming up, They
they fight for every piece of material they
726
00:52:01.400 --> 00:52:07.599
have, and then you use it
one night on the Tonight Show and it
727
00:52:07.599 --> 00:52:08.920
can never be done again. I
don't care if you want to write him
728
00:52:08.920 --> 00:52:13.119
out a check for it. The
only person that has a right to say,
729
00:52:13.199 --> 00:52:15.320
yes, you can use my material
as a guy who's material it is,
730
00:52:16.119 --> 00:52:19.920
and not for you to steal it
first and send the check later.
731
00:52:20.280 --> 00:52:22.440
So how does a guy like that
make it? Is he more charismatic,
732
00:52:22.599 --> 00:52:25.960
is he handsome? He has a
better agent? Hollywood doesn't care if you
733
00:52:25.960 --> 00:52:30.400
steal jokes, all of that.
In his later years, Robin got to
734
00:52:30.440 --> 00:52:35.920
be very good about this and he
did improve and I have to give him
735
00:52:35.920 --> 00:52:38.199
credit for that. Okay, And
there are a lot of comics who love
736
00:52:38.280 --> 00:52:43.000
him because he did good stuff for
them. Okay, So I'm going to
737
00:52:43.079 --> 00:52:46.679
give Robin that and give him a
pass on the rest of it. But
738
00:52:46.960 --> 00:52:52.440
how he made it, How can
I describe it? His act was doing
739
00:52:52.480 --> 00:52:57.639
the best impression of a comedian he
possibly could. I got it. Do
740
00:52:57.679 --> 00:53:00.519
you get what I'm saying? I
totally get what you're saying. But yeah,
741
00:53:00.559 --> 00:53:05.920
before it sounds like comedy. But
he's telling you that Robin Williams is
742
00:53:05.960 --> 00:53:08.320
so funny, and I'd say,
okay, tell me something funny. He
743
00:53:08.440 --> 00:53:13.960
said, silence. It was just
that he went on, he did this
744
00:53:14.079 --> 00:53:19.840
comedy which is basically word salad.
You know you didn't really understand it,
745
00:53:20.199 --> 00:53:22.440
but you weren't willing to admit you
didn't understand it. And then when he's
746
00:53:22.440 --> 00:53:27.159
finished, went, oh, that
guy's great. Are you following Dave Chappelle?
747
00:53:27.239 --> 00:53:32.760
I'm I'm bothered by Dave Chappelle's greatness, and yet he has chosen to
748
00:53:32.840 --> 00:53:38.440
make his someday obituary. The second
line is going to be about digging in
749
00:53:38.519 --> 00:53:43.679
on transgender jokes. The way I've
been explaining this lately is, Alex,
750
00:53:43.719 --> 00:53:45.559
you know why it's so hot in
New York City today because of the trans
751
00:53:45.599 --> 00:53:47.880
And you slap your knee and you
mug for the camera with a smile and
752
00:53:47.920 --> 00:53:52.000
you get a laugh, and I
it boggles my mind. Why is Dave
753
00:53:52.079 --> 00:53:55.719
Chappelle choosing to make that the thing
that's going to be the second line of
754
00:53:55.760 --> 00:54:00.880
his open I think, and this
is just I can't read David Chappelle's mind,
755
00:54:01.280 --> 00:54:06.159
but let me try and do it
for a second here. I think
756
00:54:06.199 --> 00:54:09.519
he doesn't want to give up.
He doesn't want to say I won't do
757
00:54:09.679 --> 00:54:14.320
that because you're pressuring me. He
wants to say I won't do that because
758
00:54:14.360 --> 00:54:16.840
it's his decision. And I think
that's why he digs his heels in.
759
00:54:17.440 --> 00:54:22.079
You know, I saw a very
interesting interview with the Piers Morgan, who,
760
00:54:22.599 --> 00:54:25.840
again as a person I don't particularly
find wonderful, but he did a
761
00:54:25.920 --> 00:54:30.599
terrific interview with Kevin Spacey, and
Spacey was saying, you know, I
762
00:54:31.000 --> 00:54:36.079
haven't been found guilty of anything anywhere. All the charges have been thrown out.
763
00:54:36.239 --> 00:54:39.760
You know, anybody who sued me
civilly is lost. He said,
764
00:54:39.960 --> 00:54:44.519
I should be working right now.
And then he asked them, well,
765
00:54:44.559 --> 00:54:47.519
how do you feel about Netflix?
And he said Netflix as soon as this
766
00:54:47.559 --> 00:54:52.800
thing hit, before I was even
found guilty of anything, or even put
767
00:54:52.840 --> 00:54:57.280
on trial, or even charge they
got rid of me, He said,
768
00:54:58.039 --> 00:55:00.599
you would think they would have been
that way Dave Chappelle, but they weren't.
769
00:55:01.000 --> 00:55:06.000
He said. They didn't go after
Dave Chappelle in the same way they
770
00:55:06.039 --> 00:55:09.280
went after me, and I did
nothing interesting. Why do you think,
771
00:55:09.440 --> 00:55:14.760
why do you think Netflix has stood
by Dave Chappelle and dug their heels in.
772
00:55:15.760 --> 00:55:19.920
I find it disingenuous that Netflix always
has a House of Cards on the
773
00:55:19.960 --> 00:55:22.039
main menu, but never a picture
of Kevin Spacey's. Kevin Spacey's in this
774
00:55:22.119 --> 00:55:24.360
show, I had no idea.
Really, is he an house of Cards
775
00:55:24.559 --> 00:55:31.639
the show? Everybody but the man's
been erased, literally erased from anything.
776
00:55:32.079 --> 00:55:37.119
They even took him out of a
movie and replaced him with Christopher Plumber in
777
00:55:37.199 --> 00:55:40.559
the cost of several hundred thousand dollars
to film the scenes and to pay the
778
00:55:42.119 --> 00:55:47.360
actor. You know, what's happened
to Spacey is sad. It's time for
779
00:55:49.679 --> 00:55:52.880
the people in the industry to turn
around and say it's time to hire Kevin
780
00:55:52.920 --> 00:55:58.000
Spacey again. That seems like one
of those things that you know he'll have.
781
00:55:58.679 --> 00:56:01.239
It won't be at He'll have to
come back and play against type,
782
00:56:01.239 --> 00:56:06.400
whatever type would be, and just
do a really deep character role. Yeah,
783
00:56:06.440 --> 00:56:09.519
but he has to get hired first, you know, and nobody will
784
00:56:09.599 --> 00:56:14.360
hire him. There are some people
starting to come to his defense now,
785
00:56:14.519 --> 00:56:16.199
so maybe one of those people will
say, you know, he's a good
786
00:56:16.239 --> 00:56:20.320
actor, I want him in my
movie. Screw all of you, you
787
00:56:20.320 --> 00:56:23.159
know, and that will break it. But he mentions Kirk Douglas with the
788
00:56:23.559 --> 00:56:30.159
with the Blacklist and the fact that
Dalton Trumbull wrote Spartacus and he was going
789
00:56:30.239 --> 00:56:34.079
to put on a they were going
to put on a fake name for Dalton
790
00:56:34.079 --> 00:56:39.920
Trumbull on the screenplay, and Kirk
Douglas said, no, the Blacklist stops
791
00:56:40.079 --> 00:56:45.119
here, and I'm putting his name
on this movie. When that happened,
792
00:56:45.360 --> 00:56:50.119
everybody else dropped the blacklist as well, and that was the end of it.
793
00:56:50.320 --> 00:56:52.559
What he needs is his Kirk Douglas. It's interesting to bring up.
794
00:56:52.599 --> 00:56:58.199
He is one of the few actually
canceled Luis K's Top of Mind because of
795
00:56:58.199 --> 00:57:05.320
the new documentary What Happened to Louie
On the Flip Side, Jerry Seinfeld's dating
796
00:57:05.400 --> 00:57:07.199
history is quite colorful, and everybody's
like, yeah, okay, whatever,
797
00:57:08.079 --> 00:57:13.039
Yeah, but here's the thing with
Louie that just really bothered me. These
798
00:57:13.079 --> 00:57:17.239
women go to see him. He
says, do you mind if I pull
799
00:57:17.239 --> 00:57:22.920
out my penis? Did any of
them say no? No? None of
800
00:57:22.960 --> 00:57:28.440
them said no, and so Louis
did, and then they're offended by it.
801
00:57:28.639 --> 00:57:31.519
But he asked permission first. That's
a real gentleman. But what about
802
00:57:31.559 --> 00:57:37.960
the implied power dynamic? How do
I say no to this person? Well,
803
00:57:37.000 --> 00:57:39.880
I mean you could just you could
walk out of the room. He
804
00:57:39.920 --> 00:57:44.440
asked you in a very pleasant way. He didn't ask you in a threatening
805
00:57:44.519 --> 00:57:46.679
way. You know. If you
if you want to look at his penis
806
00:57:46.679 --> 00:57:51.239
in order to curry favor with him, then who's being the whore? I
807
00:57:51.239 --> 00:57:54.320
don't have her re tour? How
I'm gonna leave that alone. These days
808
00:57:54.320 --> 00:58:00.039
you're hosting on gabinet. It's great
to see you're still doing there. And
809
00:57:59.880 --> 00:58:04.079
I see the post on Facebook.
Looks like a very lively group. If
810
00:58:04.079 --> 00:58:07.880
you could explain as everybody what GABNet
is and how we can participate. Oh,
811
00:58:07.960 --> 00:58:10.000
GABNet is just you know, a
bunch of people calling up talking about
812
00:58:10.039 --> 00:58:14.280
stuff. I have a Monday show
which I do, which I really like
813
00:58:14.320 --> 00:58:19.760
because just really friendly people who like
each other as opposed to a bunch of
814
00:58:19.800 --> 00:58:24.280
people who start arguing with each other, which is on Wednesdays, Thursdays and
815
00:58:24.360 --> 00:58:30.679
Friday nights at ten thirty Eastern.
The other show is four o'clock on Mondays
816
00:58:30.679 --> 00:58:35.679
on the Facebook. So it's you
know, it just it just makes us
817
00:58:35.719 --> 00:58:38.880
eighty four year old still have to
force to use as chops. Now.
818
00:58:38.920 --> 00:58:44.119
I think that's good, you know, for several reasons. I always say
819
00:58:44.119 --> 00:58:46.000
it's good to have something on your
calendar, and we all need to get
820
00:58:46.039 --> 00:58:49.599
these things out of our system one
way or another. It's one of the
821
00:58:49.679 --> 00:58:52.159
reasons I started this podcast is you
know, me yelling at the wall about
822
00:58:52.199 --> 00:58:55.840
Chappelle does nothing. At least here
I can have, you know, a
823
00:58:55.880 --> 00:59:00.639
couple thousand people either agree or disagree. Also, if I could, I'd
824
00:59:00.719 --> 00:59:02.159
like to push something I haven't pushed
in a long time. That is that
825
00:59:02.239 --> 00:59:07.639
on thegabnet dot net, which is
our web page, there's a thing called
826
00:59:07.760 --> 00:59:15.119
Alex Bennett's Life in the Passing Lane. It's the history of my life in
827
00:59:15.519 --> 00:59:20.719
sixty nine episodes. Wow, and
a lot of it has stuff about the
828
00:59:20.760 --> 00:59:23.599
comedians, a lot of it has
stuff to do with you know, nineteen
829
00:59:24.599 --> 00:59:31.599
seventy's, nineteen sixties, radical era, you know, and people that I
830
00:59:31.679 --> 00:59:37.960
would have have had a relationship with, like John Lennon and so on,
831
00:59:37.559 --> 00:59:42.400
and it's every inch of my life. And I think people might find that
832
00:59:42.599 --> 00:59:45.400
interesting. Thank you for saying,
John Lennon. I had that on my
833
00:59:45.440 --> 00:59:50.280
notes and I forgot to ask you
about it. You met John Lennon?
834
00:59:50.280 --> 00:59:52.760
What's John Lennon? Like I often
said that if people, if you met
835
00:59:52.840 --> 00:59:55.800
John Lennon, you'd be expecting,
oh boy, I'm going to meet this
836
00:59:55.960 --> 01:00:01.639
brilliant, brilliant guy, and he
it almost seems stupid. Oh wow,
837
01:00:01.800 --> 01:00:07.440
you know, yeah, he never
had what he was. He was a
838
01:00:07.480 --> 01:00:14.119
savant. You know. What he
did musically was brilliant, just the best
839
01:00:14.239 --> 01:00:19.119
lyricist. He and Coleport are two
of the best lyricists of the last century.
840
01:00:19.440 --> 01:00:23.840
Okay, incredible, Yea. Yoko
was the brains of the family.
841
01:00:24.559 --> 01:00:29.639
Okay. I like Yoko a lot, and I like John John was okay,
842
01:00:29.719 --> 01:00:34.760
but I especially liked Yoko. You've
got a couple interesting takes here.
843
01:00:34.800 --> 01:00:37.800
I've never heard that take on the
Yoko. What is it about her?
844
01:00:38.159 --> 01:00:43.559
I think she was brilliant. I
think she was a brilliant artist, and
845
01:00:44.480 --> 01:00:49.800
I think her association with John Lennon
kind of stifled that because she was living
846
01:00:49.880 --> 01:00:53.039
in his shadow, and she shouldn't
have. She was too good at what
847
01:00:53.119 --> 01:00:57.920
she did. She was a brilliant
artist before he met her, and she
848
01:00:58.320 --> 01:01:02.719
could you know, I loved you, Yoko. I think the world of
849
01:01:02.800 --> 01:01:07.639
Yoko. Did you ever see the
photo album that are mutual coworker Pat Saint
850
01:01:07.719 --> 01:01:10.840
John, the New York City disc
jockey has Did he ever show you his
851
01:01:10.880 --> 01:01:16.280
photo album? No? So aside
from the amazing photos, the way Pat
852
01:01:16.280 --> 01:01:19.639
would present it to you, He'd
put it on the table and he'd very
853
01:01:19.639 --> 01:01:22.719
slowly flip the pages and he'd be
like, and this is me with and
854
01:01:22.760 --> 01:01:27.400
your brain is going, it's obviously
John Lennon, And this is me with
855
01:01:27.719 --> 01:01:32.159
It's obviously David Bowie. And everybody
in this photo album is like elite Mick
856
01:01:32.239 --> 01:01:37.440
Jagger level rockstar. You to identify
every single person they're in the picture with
857
01:01:37.480 --> 01:01:39.199
Pat, but he takes the minute
to explain to you, like, and
858
01:01:39.239 --> 01:01:42.880
this is me with, Yes,
those are the Eagles. Well, and
859
01:01:42.960 --> 01:01:46.159
there are moments in my life that
I have tapes that are kind of like
860
01:01:46.239 --> 01:01:50.199
that. I mean, I was
the first guy in the United States to
861
01:01:50.280 --> 01:01:57.480
interview Elton John, for instance,
I had on all of the Grateful Dead
862
01:01:57.519 --> 01:02:00.679
at the same time except for Pig
Pant, and I got high with them,
863
01:02:00.679 --> 01:02:02.960
but not because I wanted to.
They were I had a lawyer that
864
01:02:04.000 --> 01:02:06.760
said to me, if somebody starts
smoking a joint in our studio, you
865
01:02:06.760 --> 01:02:09.840
can let them, but you can't
join. Yeah, okay, So they
866
01:02:09.880 --> 01:02:14.199
came in. They all lit up
at the same time, and the room
867
01:02:14.360 --> 01:02:16.840
was filled with marijuana smoke, but
I couldn't have any And by the end
868
01:02:16.880 --> 01:02:20.960
of the hour, I didn't even
know what my name was anymore. That
869
01:02:21.039 --> 01:02:23.119
is a great story. I should
get on top. But I want to
870
01:02:23.159 --> 01:02:27.800
ask you. I got to spend
a couple of minutes I'm talking about Okay,
871
01:02:28.239 --> 01:02:30.000
I want to lose half the audience
here, so I'll just say nothing.
872
01:02:30.039 --> 01:02:32.480
I'll let you answer. Where do
you think we're heaving on? I'd
873
01:02:32.480 --> 01:02:37.000
be the right winger and then you
can be the left winger and then we
874
01:02:37.039 --> 01:02:42.199
can keep the whole audience. How
do you handicap this thing? Is Uncle
875
01:02:42.280 --> 01:02:45.719
Joe going to pull this off?
Or we looking at Trump too well,
876
01:02:45.760 --> 01:02:51.239
there's no way that Joe should lose
this. I mean, if you're a
877
01:02:51.320 --> 01:02:54.079
sensible human being I mean, look, it's not even a choice for me
878
01:02:54.199 --> 01:02:58.800
either. If I didn't have to
vote for Joe Biden, I wouldn't vote
879
01:02:58.800 --> 01:03:01.000
for Joe Biden. And quite for
I don't have to vote for Joe Biden.
880
01:03:01.400 --> 01:03:07.199
I live in New York and our
votes are all chopped down into what
881
01:03:07.400 --> 01:03:13.480
seventy nine electoral votes. So he's
going to win this state whether I go
882
01:03:13.559 --> 01:03:15.880
out to vote or not. All
right, But in a state like oh,
883
01:03:15.920 --> 01:03:20.440
say, South Carolina, then there's
a place you got to get out
884
01:03:20.480 --> 01:03:23.079
and vote. And why do you
have to vote for Joe Biden? And
885
01:03:23.199 --> 01:03:28.719
listen, it's not a great it's
a terrible choice we're being handed here,
886
01:03:29.119 --> 01:03:32.440
you know, and it's rumored that
most of America doesn't even like the choice.
887
01:03:32.800 --> 01:03:37.760
I think back to our hallway political
discussions and how far we've come.
888
01:03:38.199 --> 01:03:42.280
I mean, some of the stuff
we would talk about was, boy,
889
01:03:42.360 --> 01:03:45.639
look at that John Kerry. Look
at him on a surfboard. He's so
890
01:03:45.760 --> 01:03:49.440
out of touch. These were the
discussions we were having. Now you would
891
01:03:49.519 --> 01:03:53.800
kill for such a candidate. I
still wouldn't kill for John for him,
892
01:03:53.800 --> 01:03:59.760
but I yeah, I don't know. I just feel there are better people
893
01:03:59.760 --> 01:04:02.639
out there. Was suited to run
for office. Well, think about in
894
01:04:02.679 --> 01:04:09.519
the past, we have candidates got
not canceled, but eliminated because oh so
895
01:04:09.639 --> 01:04:15.280
and so might have smoked marijuana or
somebody went on a stage, I got
896
01:04:15.280 --> 01:04:20.960
canceled, which come a long way. Yeah, we sure have. We've
897
01:04:21.039 --> 01:04:26.360
lowered our expectations. How do we
get better people to run? I think
898
01:04:26.400 --> 01:04:30.840
we have to offer them the ability
to run and not be assailed in the
899
01:04:30.880 --> 01:04:34.039
way they get a sailed today.
You know, to be able to run
900
01:04:34.119 --> 01:04:38.519
on the basics, like what you're
going to do for the country. I
901
01:04:38.519 --> 01:04:41.559
mean, the thing that bothered me
most about Trump is when you ever hear
902
01:04:41.679 --> 01:04:45.239
him talk about what he's going to
do for the country. Basically most of
903
01:04:45.280 --> 01:04:49.960
his speeches are railing against all the
harm that's been thrown his way, and
904
01:04:50.000 --> 01:04:55.400
then how he was cheated with the
trial in New York and blah blah blah
905
01:04:55.440 --> 01:04:58.440
blah blah, and there's no like, well, here's how I'm going to
906
01:04:58.480 --> 01:05:02.480
make America better in modern times.
There's the show biz aspect of it.
907
01:05:02.519 --> 01:05:06.519
I think back to al Gore.
One of his big things was the climate
908
01:05:06.519 --> 01:05:13.639
emergency he's running for basically Bill Clinton's
third term, and he got outperformed by
909
01:05:13.639 --> 01:05:17.400
a fake cowboy. Yep, Trump
figured out the game. He's better at
910
01:05:17.400 --> 01:05:21.199
the game than everybody else. Well, I don't know if he's better at
911
01:05:21.199 --> 01:05:26.159
the game. I mean, he
had everybody convinced that he was really good
912
01:05:26.199 --> 01:05:30.440
with money, you know, and
now we've learned he doesn't know a thing
913
01:05:30.480 --> 01:05:34.920
about money, you know, And
everybody went, oh, I saw him
914
01:05:34.960 --> 01:05:39.760
on the Apprentice. He really knows
he really knows money. Well, this
915
01:05:39.800 --> 01:05:45.119
isn't the Apprentice. This is America. This is democracy that's at stake.
916
01:05:46.360 --> 01:05:49.199
But the debates are a reality TV
show. All I have to do is
917
01:05:49.199 --> 01:05:51.840
get up there and zing you a
couple of times and I win the night.
918
01:05:53.400 --> 01:05:57.800
Yeah yeah, but I don't know
that he can do that with Biden
919
01:05:57.920 --> 01:06:00.800
necessarily. You know, the optics
don't look good. If you're going to
920
01:06:00.880 --> 01:06:05.719
portray Biden is this old, doddering
old man. Then what are you doing
921
01:06:05.760 --> 01:06:09.519
if you go after him? You're
beaten up on an old man, you
922
01:06:09.599 --> 01:06:12.840
know, And we know you don't
like that. We've brought this full circle.
923
01:06:12.920 --> 01:06:15.480
I don't like that at all.
I don't like it getting beaten up
924
01:06:15.519 --> 01:06:18.199
on. All Right, we've now
lost half the audience. So who's your
925
01:06:18.199 --> 01:06:23.320
favorite comedian of all time. My
favorite comedian of all time couldn't even begin
926
01:06:23.400 --> 01:06:27.920
to say, because there are so
many good ones and for different reasons.
927
01:06:28.639 --> 01:06:33.000
I mean, Seinfeld is beautiful at
what he does. He's a beautiful If
928
01:06:33.000 --> 01:06:36.639
I had an example of here's a
comedian you should watch to see how to
929
01:06:36.719 --> 01:06:43.880
be a comedian, it would be
Seinfeld. Okay. On the other hand,
930
01:06:44.960 --> 01:06:47.000
you know Lenny. I saw Lenny. Lenny was a favorite of mine
931
01:06:47.000 --> 01:06:50.559
when I was growing up, you
know, So I mean, who was
932
01:06:50.599 --> 01:06:56.519
the greatest of all time? They're
all great for different reasons. But I
933
01:06:56.559 --> 01:07:01.280
could make you a list. I
suppose top ten that would be much fairer,
934
01:07:01.400 --> 01:07:04.440
but that would take too long here, So is there one show you
935
01:07:04.519 --> 01:07:11.559
remember seeing that sticks out? I
think the comedian that I think is maybe
936
01:07:11.360 --> 01:07:17.920
the best stand up club comedian in
the country is Bobby Slate. You're probably
937
01:07:17.920 --> 01:07:21.280
not all let familiar with Bobby.
I'm sure you are on a certain levels,
938
01:07:21.320 --> 01:07:28.800
but you know, I don't think
I've seen a better stand up than
939
01:07:28.840 --> 01:07:32.639
Bobby period. You know, plants
his feet on the stage and he makes
940
01:07:32.679 --> 01:07:35.679
you laugh. That's the job,
and that's Alex Bennett. And I hope
941
01:07:35.679 --> 01:07:44.960
you enjoyed him a little feistier than
usual, and that's your comedy news for
942
01:07:45.000 --> 01:07:46.079
today. Back somewhere with a normal
episode. See then.





