July 4, 2024
What comedy specials to watch this weekend

01:33 Eddie Murphy's Career Reflections
03:43 Taylor Tomlinson on Darker Material
04:27 Jackie Novak on Audience Reception
05:23 Top Comedy Specials of 2024
07:08 Weekend Watchlist and Recommendations
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01:33 Eddie Murphy's Career Reflections
03:43 Taylor Tomlinson on Darker Material
04:27 Jackie Novak on Audience Reception
05:23 Top Comedy Specials of 2024
07:08 Weekend Watchlist and Recommendations
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WEBVTT
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Callaroga Shark Media. Maybe fourth of
July. I'm Johnny Mack with your Daily
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00:00:12.080 --> 00:00:16.239
Comedy News. Eddie Murphy was on
the New York Times conversation. I saw
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00:00:16.280 --> 00:00:19.160
the Facebook group, which is Daily
Comedy News podcast group, talking about this
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00:00:19.199 --> 00:00:22.359
one. I held on to it
so i'd have something in the late off
5
00:00:22.359 --> 00:00:25.879
position on July fourth. Pretty interesting
interview. I did share it in the
6
00:00:25.920 --> 00:00:28.760
Facebook group again, Daily Comedy News
podcast Group. Now I didn't share it.
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00:00:28.839 --> 00:00:31.719
That's a lie, that's a conflation. I didn't share it. I
8
00:00:31.839 --> 00:00:34.320
was going to share it, but
Dylan shared it. Thank you Dylan,
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00:00:34.600 --> 00:00:38.320
And they remind us that at one
point, Saturday Night Live was cud on
10
00:00:38.439 --> 00:00:41.520
the thin ropes, and Eddie Murphy
helped bring it back through sheer force of
11
00:00:41.560 --> 00:00:46.560
charisma rights the Times, as well
as instantly iconic, hilariously unpredictable recurring characters
12
00:00:46.600 --> 00:00:50.520
like Gumby and mister Robinson. Eddie
brought the show back to life. A
13
00:00:50.600 --> 00:00:54.640
highly plausible argument can be made that
without him, SNL may not have made
14
00:00:54.640 --> 00:00:57.920
it to a tenth anniversary, let
alone the fiftieth. I agree it would
15
00:00:57.960 --> 00:01:02.159
have been really easy to put on
Saturday Night Videos. I was watching Friday
16
00:01:02.200 --> 00:01:06.000
Night Videos on. It was a
YouTube, a full episode with bumpers and
17
00:01:06.040 --> 00:01:10.239
everything. The first song was the
Police Synchronicity two, and then it went
18
00:01:10.239 --> 00:01:12.680
into Paul McCartney No More Lonely Nights. There was Lionel Richie, and I'm
19
00:01:12.719 --> 00:01:17.079
like, this is wonderfully terrible,
but I love that show. I lived
20
00:01:17.079 --> 00:01:19.920
in Queen's We didn't get cable till
nineteen eighty seven, and not because my
21
00:01:19.000 --> 00:01:23.920
parents were cheap queens in New York
City was not wired for cable television until
22
00:01:23.959 --> 00:01:26.760
nineteen eighty seven. You couldn't get
it, So Friday Night Videos and a
23
00:01:26.799 --> 00:01:30.640
channel Nick called You sixty eight was
all we had if here from the New
24
00:01:30.760 --> 00:01:33.920
York City metro area. You know
what I'm talking about anyway, Eddie,
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00:01:33.920 --> 00:01:37.159
back when the first Beverly Hills Cop
came out, did you feel you understood
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00:01:37.519 --> 00:01:40.519
what it was about you that met
the moment so perfectly? Eddie Murphy said
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00:01:40.519 --> 00:01:42.319
no, not even in retrospect.
I was twenty two when I got to
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00:01:42.319 --> 00:01:46.000
do cop and twenty years old when
I started doing forty eight hours. Now
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00:01:46.000 --> 00:01:49.159
I look back at those times and
I trip about how young I was back
30
00:01:49.200 --> 00:01:51.599
then. I kind of took it
for granted one thing that led to another,
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00:01:51.599 --> 00:01:53.959
and I wound up on a movie
set. Then when stuff worked and
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00:01:53.959 --> 00:01:56.480
became hit movies, I was like, Okay, that's what it's supposed to
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00:01:56.519 --> 00:02:00.159
be. Will Eddie Murphy go back
to stand up? Eddie says, I
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00:02:00.239 --> 00:02:02.439
used to have little periods where I'd
be like, I'm going to do it
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00:02:02.480 --> 00:02:06.519
again. The closest I got to
do it again was right before the pandemic,
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00:02:06.799 --> 00:02:08.199
because I had done Saturday Night Live, and I was like, let
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00:02:08.199 --> 00:02:10.759
me go to do one stand up
special and bring it all full circle.
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00:02:10.800 --> 00:02:14.000
Then the pandemic hit, and when
you're stuck in the house for two years,
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00:02:14.039 --> 00:02:15.039
I wasn't going. When I got
out of here, I want to
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00:02:15.039 --> 00:02:17.960
do stand up again. Here's a
good analogy. It's like somebody was in
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00:02:17.960 --> 00:02:21.080
the military. They were on the
front line in Vietnam, and they got
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00:02:21.120 --> 00:02:23.560
all these metals because they did all
this amazing stuff. Then they moved up
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00:02:23.560 --> 00:02:25.039
and became in general. So it's
like going to the general and saying,
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00:02:25.039 --> 00:02:28.280
hey, you ever think about going
back to the front line. You want
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00:02:28.280 --> 00:02:34.599
to bullets whizz past your ear again. No, Eddie was Elvis the influence
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00:02:34.680 --> 00:02:37.960
behind some of the on stage stuff. You wore when doing stand up.
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00:02:38.439 --> 00:02:42.759
I'll jump in there. I think
Richard Pryor was definitely an influence there.
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00:02:42.919 --> 00:02:46.439
Watch Sunset strip and then watch Eddie
stuff a similar outfit. Eddie said,
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00:02:46.439 --> 00:02:50.360
Elvis had a huge influence on me, though other suits and raw I come
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00:02:50.400 --> 00:02:52.759
out, I have a scarf.
I was rolling like Elvis too. I
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00:02:52.800 --> 00:02:54.759
didn't have the Memphis Mafia, but
I had my little crew of dudes in
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the same way you see me dressed
in Delirious and in RAW. I used
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00:02:58.199 --> 00:03:00.439
to dress like that in the streets. Totally in my Elvis trip. When
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00:03:00.439 --> 00:03:02.479
I got older, I was like, oh my god, Elvis wasn't cool
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00:03:02.479 --> 00:03:07.000
at all. Elvis was going through
some stuff now Michael Jackson, that whole
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00:03:07.039 --> 00:03:09.599
red jacket thing and thriller thrillers after
Delirious. When I own the red suit.
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00:03:09.639 --> 00:03:13.319
I'm not saying he was influenced,
but I had on the red jacket
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before, Eddie. Do you understand
what you mean? The comedians like Kevin
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00:03:16.039 --> 00:03:19.719
Hart and Dave Chappelle and Chris Rock
and Chris Tucker. Eddie said, well,
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00:03:19.840 --> 00:03:22.080
I didn't lay down a path.
They took their own path. The
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00:03:22.120 --> 00:03:23.879
comic used to be the sidekick,
the comic was the opening act, and
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I changed it to where the comic
can be the main attraction. That's fair.
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They thought of comics one way,
and I was like, no,
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a comic could sell out the arena
and a comic could be inn one hundred
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million dollar movie. All that changed
with black actors was like, the black
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00:03:36.800 --> 00:03:38.680
guy could be the star of the
movie, and it doesn't have to be
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a black exploitation movie. It could
be a movie that's accessible to everyone all
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00:03:42.080 --> 00:03:46.800
around the world. The Hollirod Reporter
did a comedy round table. Taylor Thomlinson
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00:03:46.919 --> 00:03:50.319
was on it. The questioned,
Taylor, you said that audiences weren't as
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00:03:50.319 --> 00:03:53.879
interested in hearing you tackle darker subject
material like your mother dying when you were
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00:03:53.919 --> 00:03:55.479
younger. I did you gauge that
and when did a shift? Taylor said,
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00:03:55.719 --> 00:03:59.280
I just started really young, So
watching a nineteen year old do stand
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up at all is uncomfortable. People
are already scared for you and nervous about
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the show. So I don't think
I had the maturity as a performer to
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00:04:04.159 --> 00:04:08.479
pull those jokes off. It took
a few years of performing anywhere and everywhere
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00:04:08.520 --> 00:04:11.800
you could. How do you know
when something's not working Taylor Tumlinson. She
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00:04:11.879 --> 00:04:15.439
says, people aren't laughing and it's
devastating. It's what you would call a
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00:04:15.479 --> 00:04:17.800
bad show for other people. It's
when people are laughing too much and you're
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like, none of this is new. No, It's when people are sad
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and uncomfortable and looking at you like
are you almost done? What's so great
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about stand up is that you know
pretty quickly if something does or doesn't work.
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Jackie Novak was on the round table
and she feels that the question one
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of their subjects that the rest of
you have felt audiences wouldn't go with you,
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00:04:32.279 --> 00:04:34.920
and Jackie said yeah, but for
Biglia said something to me like,
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there's your agenda, and there's the
audience's agenda or the booker's agenda. Work
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your agenda for me. That meant
I'm gonna put my show up in New
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00:04:42.839 --> 00:04:44.680
York, but I need to work
it out first, and so I'm doing
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it at the jukebox in Peoria,
so I know it's gonna land. Well.
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I mean, some people might find
it interesting, but I'm planning my
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feet and saying the words, and
maybe I'm burning my chance in the room
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where I did it. The punchline
in Philly and my boyfriend we talk about
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it now and he's like, yeah, the way you want up in Philly
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just bombed was great. You had
to do the thing you did. And
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I was like, I bombed.
I was always like, what do you
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00:05:01.959 --> 00:05:04.920
mean? I stood up there doing
my art. It was almost delusion,
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00:05:05.040 --> 00:05:09.959
required delusion. But this phrase my
agenda, really helped me almost not listen
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to the crowd, and it was
huge for me. My agenda doesn't matter
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tonight. Everyone in this room might
hate me, this club will never hire
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me again. And I had a
lot of bad nights before the run at
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the Cherry Lane Theater, nights where
I just had to stand there and say
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my words and get them in my
head. The eight hundred Pound Gorilla put
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together a list of the best comedy
specials of twenty twenty four so far next
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weekend, Like on the thirteenth,
I talked to to the executives at the
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eight hundred Pound Gorilla website. So
that'll be the Saturday Interview in about ten
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days. This Saturday, Alex Bennett, longtime radio personality with ties to the
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comedy scene, is the Saturday Summer
Interview. Anyway, The Gorilla has the
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ten best comedy specials of twenty twenty
four. And I like this list because
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it doesn't match mine at all,
and it reminded me of a bunch of
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specials I need to catch up on
and this will be a good weekend for
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that, right and plus itagely fourth, I have to watch Jaws tonight on
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00:05:59.800 --> 00:06:06.079
Thest Fern Brady Autistic Bikini Queen Don
l Rawlings a New Day. I can't
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00:06:06.120 --> 00:06:10.199
remember if I clicked on that one
or not. Dusty Slate Working Man,
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I love that one. I didn't
drop the G there. That's not a
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queen's accent. The title is called
working with No g Man Keith Robinson's Different
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Strokes on Netflix. Haven't gotten to
that one yet. I was shotgunning the
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00:06:20.920 --> 00:06:25.040
Bear. I wanted to watch the
entire Bear before I got spoiled. I
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00:06:25.079 --> 00:06:28.000
have completed it now I won't spoil
it for you. And I'm also trying
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00:06:28.000 --> 00:06:30.759
to keep up on the boys,
and I can only watch about ninety minutes
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00:06:30.800 --> 00:06:32.600
of TV in one sitting and then
I fall asleep. Rommy Us have some
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00:06:32.639 --> 00:06:35.439
more Feelings. I didn't like the
direction on that one, even though I
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00:06:35.480 --> 00:06:40.720
really like Rommy. Alex Edelman's Just
for Us I keep forgetting to watch that
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00:06:40.800 --> 00:06:45.040
one. That one is on Proper
HBO. Dan Locatta's for the Boys.
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00:06:45.199 --> 00:06:48.720
I'm hearing great stuff about that that's
on YouTube. Neil Brennan's Crazy Good.
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Like Neil, I feel like perhaps, possibly, maybe somehow someone added some
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00:06:54.160 --> 00:06:57.560
accidental crowd noise. I'm sure nobody
meant to do it, but the mix
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00:06:57.680 --> 00:07:00.439
just sounded suspicious to Johnny Mack and
I punched out on it. Sal Volcano's
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00:07:00.560 --> 00:07:04.600
terrified. Hearing good things about that
one that was on YouTube, but Taylor
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00:07:04.680 --> 00:07:09.399
Tomlinson's Have It All. That's on
my list. And I know I do
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00:07:09.439 --> 00:07:12.560
this frequently, but let me just
skim my list really quickly for you in
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00:07:12.600 --> 00:07:15.519
case you're looking for something to watch
this weekend. My list rost of Tom
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00:07:15.560 --> 00:07:20.560
Brady, David Tel Hot Cross Buns
on Netflix, Triumph You Lucky Bastards YouTube,
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00:07:20.839 --> 00:07:25.439
David Cross, Worst Daddy in the
World YouTube, Dusty Slay, Kyle
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00:07:25.519 --> 00:07:29.240
Kinane YouTube, Dirt nap As an
all time fifteen minute chunk about Fast and
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00:07:29.240 --> 00:07:32.040
the Furious. Dmet You Martin on
Netflix, Jimmy Carr Netflix, Kat Williams,
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00:07:32.040 --> 00:07:38.120
Hannah Gadsby's Gender Agendas on Netflix.
Brian Simpson tig Nataro Taylor, Tomlinson,
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00:07:38.399 --> 00:07:44.319
Rachel Feinstein also unfrosted the Jerry Seinfeld
movie and John Marcos Siresi's recent fifteen
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00:07:44.319 --> 00:07:46.879
minutes that he dropped on YouTube.
But last week or this week all highly
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00:07:46.920 --> 00:07:50.480
recommended. And this is reminding me
too. Vulture had a list. There's
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00:07:50.519 --> 00:07:54.759
a couple of things I want to
catch up on this weekend. So let
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00:07:54.800 --> 00:07:58.680
me just remind myself. Oh,
I need to add Nathan McIntosh down with
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00:07:58.800 --> 00:08:01.560
Tech to my list. That's on
YouTube as well. I'll do that now.
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00:08:01.000 --> 00:08:03.759
One of the ones I want to
check out that Vulture recommends Christina Catherine
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00:08:03.759 --> 00:08:07.319
Martinez is how to Bake a Cake
in the Digital Age. That's on YouTube.
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00:08:07.480 --> 00:08:11.600
I just want to check out.
And Natasha Vain Blonde World Dads here
145
00:08:11.680 --> 00:08:15.199
on YouTube. And let's keep the
podcast tight today so we can all hit
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00:08:15.240 --> 00:08:16.759
the beach or do whatever it is
you do on July fourth. That's your
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00:08:16.759 --> 00:08:20.800
comedy news for today. Back tomorrow
with a normal episode. See then,
1
00:00:03.200 --> 00:00:12.039
Callaroga Shark Media. Maybe fourth of
July. I'm Johnny Mack with your Daily
2
00:00:12.080 --> 00:00:16.239
Comedy News. Eddie Murphy was on
the New York Times conversation. I saw
3
00:00:16.280 --> 00:00:19.160
the Facebook group, which is Daily
Comedy News podcast group, talking about this
4
00:00:19.199 --> 00:00:22.359
one. I held on to it
so i'd have something in the late off
5
00:00:22.359 --> 00:00:25.879
position on July fourth. Pretty interesting
interview. I did share it in the
6
00:00:25.920 --> 00:00:28.760
Facebook group again, Daily Comedy News
podcast Group. Now I didn't share it.
7
00:00:28.839 --> 00:00:31.719
That's a lie, that's a conflation. I didn't share it. I
8
00:00:31.839 --> 00:00:34.320
was going to share it, but
Dylan shared it. Thank you Dylan,
9
00:00:34.600 --> 00:00:38.320
And they remind us that at one
point, Saturday Night Live was cud on
10
00:00:38.439 --> 00:00:41.520
the thin ropes, and Eddie Murphy
helped bring it back through sheer force of
11
00:00:41.560 --> 00:00:46.560
charisma rights the Times, as well
as instantly iconic, hilariously unpredictable recurring characters
12
00:00:46.600 --> 00:00:50.520
like Gumby and mister Robinson. Eddie
brought the show back to life. A
13
00:00:50.600 --> 00:00:54.640
highly plausible argument can be made that
without him, SNL may not have made
14
00:00:54.640 --> 00:00:57.920
it to a tenth anniversary, let
alone the fiftieth. I agree it would
15
00:00:57.960 --> 00:01:02.159
have been really easy to put on
Saturday Night Videos. I was watching Friday
16
00:01:02.200 --> 00:01:06.000
Night Videos on. It was a
YouTube, a full episode with bumpers and
17
00:01:06.040 --> 00:01:10.239
everything. The first song was the
Police Synchronicity two, and then it went
18
00:01:10.239 --> 00:01:12.680
into Paul McCartney No More Lonely Nights. There was Lionel Richie, and I'm
19
00:01:12.719 --> 00:01:17.079
like, this is wonderfully terrible,
but I love that show. I lived
20
00:01:17.079 --> 00:01:19.920
in Queen's We didn't get cable till
nineteen eighty seven, and not because my
21
00:01:19.000 --> 00:01:23.920
parents were cheap queens in New York
City was not wired for cable television until
22
00:01:23.959 --> 00:01:26.760
nineteen eighty seven. You couldn't get
it, So Friday Night Videos and a
23
00:01:26.799 --> 00:01:30.640
channel Nick called You sixty eight was
all we had if here from the New
24
00:01:30.760 --> 00:01:33.920
York City metro area. You know
what I'm talking about anyway, Eddie,
25
00:01:33.920 --> 00:01:37.159
back when the first Beverly Hills Cop
came out, did you feel you understood
26
00:01:37.519 --> 00:01:40.519
what it was about you that met
the moment so perfectly? Eddie Murphy said
27
00:01:40.519 --> 00:01:42.319
no, not even in retrospect.
I was twenty two when I got to
28
00:01:42.319 --> 00:01:46.000
do cop and twenty years old when
I started doing forty eight hours. Now
29
00:01:46.000 --> 00:01:49.159
I look back at those times and
I trip about how young I was back
30
00:01:49.200 --> 00:01:51.599
then. I kind of took it
for granted one thing that led to another,
31
00:01:51.599 --> 00:01:53.959
and I wound up on a movie
set. Then when stuff worked and
32
00:01:53.959 --> 00:01:56.480
became hit movies, I was like, Okay, that's what it's supposed to
33
00:01:56.519 --> 00:02:00.159
be. Will Eddie Murphy go back
to stand up? Eddie says, I
34
00:02:00.239 --> 00:02:02.439
used to have little periods where I'd
be like, I'm going to do it
35
00:02:02.480 --> 00:02:06.519
again. The closest I got to
do it again was right before the pandemic,
36
00:02:06.799 --> 00:02:08.199
because I had done Saturday Night Live, and I was like, let
37
00:02:08.199 --> 00:02:10.759
me go to do one stand up
special and bring it all full circle.
38
00:02:10.800 --> 00:02:14.000
Then the pandemic hit, and when
you're stuck in the house for two years,
39
00:02:14.039 --> 00:02:15.039
I wasn't going. When I got
out of here, I want to
40
00:02:15.039 --> 00:02:17.960
do stand up again. Here's a
good analogy. It's like somebody was in
41
00:02:17.960 --> 00:02:21.080
the military. They were on the
front line in Vietnam, and they got
42
00:02:21.120 --> 00:02:23.560
all these metals because they did all
this amazing stuff. Then they moved up
43
00:02:23.560 --> 00:02:25.039
and became in general. So it's
like going to the general and saying,
44
00:02:25.039 --> 00:02:28.280
hey, you ever think about going
back to the front line. You want
45
00:02:28.280 --> 00:02:34.599
to bullets whizz past your ear again. No, Eddie was Elvis the influence
46
00:02:34.680 --> 00:02:37.960
behind some of the on stage stuff. You wore when doing stand up.
47
00:02:38.439 --> 00:02:42.759
I'll jump in there. I think
Richard Pryor was definitely an influence there.
48
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Watch Sunset strip and then watch Eddie
stuff a similar outfit. Eddie said,
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Elvis had a huge influence on me, though other suits and raw I come
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out, I have a scarf.
I was rolling like Elvis too. I
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didn't have the Memphis Mafia, but
I had my little crew of dudes in
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the same way you see me dressed
in Delirious and in RAW. I used
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to dress like that in the streets. Totally in my Elvis trip. When
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I got older, I was like, oh my god, Elvis wasn't cool
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at all. Elvis was going through
some stuff now Michael Jackson, that whole
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red jacket thing and thriller thrillers after
Delirious. When I own the red suit.
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I'm not saying he was influenced,
but I had on the red jacket
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before, Eddie. Do you understand
what you mean? The comedians like Kevin
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Hart and Dave Chappelle and Chris Rock
and Chris Tucker. Eddie said, well,
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I didn't lay down a path.
They took their own path. The
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comic used to be the sidekick,
the comic was the opening act, and
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I changed it to where the comic
can be the main attraction. That's fair.
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They thought of comics one way,
and I was like, no,
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a comic could sell out the arena
and a comic could be inn one hundred
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million dollar movie. All that changed
with black actors was like, the black
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guy could be the star of the
movie, and it doesn't have to be
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a black exploitation movie. It could
be a movie that's accessible to everyone all
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around the world. The Hollirod Reporter
did a comedy round table. Taylor Thomlinson
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was on it. The questioned,
Taylor, you said that audiences weren't as
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interested in hearing you tackle darker subject
material like your mother dying when you were
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younger. I did you gauge that
and when did a shift? Taylor said,
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I just started really young, So
watching a nineteen year old do stand
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up at all is uncomfortable. People
are already scared for you and nervous about
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the show. So I don't think
I had the maturity as a performer to
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pull those jokes off. It took
a few years of performing anywhere and everywhere
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you could. How do you know
when something's not working Taylor Tumlinson. She
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says, people aren't laughing and it's
devastating. It's what you would call a
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bad show for other people. It's
when people are laughing too much and you're
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like, none of this is new. No, It's when people are sad
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and uncomfortable and looking at you like
are you almost done? What's so great
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about stand up is that you know
pretty quickly if something does or doesn't work.
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Jackie Novak was on the round table
and she feels that the question one
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of their subjects that the rest of
you have felt audiences wouldn't go with you,
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and Jackie said yeah, but for
Biglia said something to me like,
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there's your agenda, and there's the
audience's agenda or the booker's agenda. Work
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your agenda for me. That meant
I'm gonna put my show up in New
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York, but I need to work
it out first, and so I'm doing
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it at the jukebox in Peoria,
so I know it's gonna land. Well.
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I mean, some people might find
it interesting, but I'm planning my
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feet and saying the words, and
maybe I'm burning my chance in the room
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where I did it. The punchline
in Philly and my boyfriend we talk about
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it now and he's like, yeah, the way you want up in Philly
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just bombed was great. You had
to do the thing you did. And
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I was like, I bombed.
I was always like, what do you
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mean? I stood up there doing
my art. It was almost delusion,
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required delusion. But this phrase my
agenda, really helped me almost not listen
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to the crowd, and it was
huge for me. My agenda doesn't matter
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tonight. Everyone in this room might
hate me, this club will never hire
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me again. And I had a
lot of bad nights before the run at
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the Cherry Lane Theater, nights where
I just had to stand there and say
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my words and get them in my
head. The eight hundred Pound Gorilla put
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together a list of the best comedy
specials of twenty twenty four so far next
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weekend, Like on the thirteenth,
I talked to to the executives at the
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eight hundred Pound Gorilla website. So
that'll be the Saturday Interview in about ten
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days. This Saturday, Alex Bennett, longtime radio personality with ties to the
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comedy scene, is the Saturday Summer
Interview. Anyway, The Gorilla has the
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ten best comedy specials of twenty twenty
four. And I like this list because
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it doesn't match mine at all,
and it reminded me of a bunch of
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specials I need to catch up on
and this will be a good weekend for
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that, right and plus itagely fourth, I have to watch Jaws tonight on
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Thest Fern Brady Autistic Bikini Queen Don
l Rawlings a New Day. I can't
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remember if I clicked on that one
or not. Dusty Slate Working Man,
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I love that one. I didn't
drop the G there. That's not a
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queen's accent. The title is called
working with No g Man Keith Robinson's Different
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Strokes on Netflix. Haven't gotten to
that one yet. I was shotgunning the
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Bear. I wanted to watch the
entire Bear before I got spoiled. I
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have completed it now I won't spoil
it for you. And I'm also trying
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to keep up on the boys,
and I can only watch about ninety minutes
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of TV in one sitting and then
I fall asleep. Rommy Us have some
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more Feelings. I didn't like the
direction on that one, even though I
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really like Rommy. Alex Edelman's Just
for Us I keep forgetting to watch that
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one. That one is on Proper
HBO. Dan Locatta's for the Boys.
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I'm hearing great stuff about that that's
on YouTube. Neil Brennan's Crazy Good.
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Like Neil, I feel like perhaps, possibly, maybe somehow someone added some
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accidental crowd noise. I'm sure nobody
meant to do it, but the mix
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just sounded suspicious to Johnny Mack and
I punched out on it. Sal Volcano's
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terrified. Hearing good things about that
one that was on YouTube, but Taylor
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Tomlinson's Have It All. That's on
my list. And I know I do
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this frequently, but let me just
skim my list really quickly for you in
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case you're looking for something to watch
this weekend. My list rost of Tom
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Brady, David Tel Hot Cross Buns
on Netflix, Triumph You Lucky Bastards YouTube,
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David Cross, Worst Daddy in the
World YouTube, Dusty Slay, Kyle
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Kinane YouTube, Dirt nap As an
all time fifteen minute chunk about Fast and
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the Furious. Dmet You Martin on
Netflix, Jimmy Carr Netflix, Kat Williams,
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Hannah Gadsby's Gender Agendas on Netflix.
Brian Simpson tig Nataro Taylor, Tomlinson,
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Rachel Feinstein also unfrosted the Jerry Seinfeld
movie and John Marcos Siresi's recent fifteen
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minutes that he dropped on YouTube.
But last week or this week all highly
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recommended. And this is reminding me
too. Vulture had a list. There's
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a couple of things I want to
catch up on this weekend. So let
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me just remind myself. Oh,
I need to add Nathan McIntosh down with
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Tech to my list. That's on
YouTube as well. I'll do that now.
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One of the ones I want to
check out that Vulture recommends Christina Catherine
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Martinez is how to Bake a Cake
in the Digital Age. That's on YouTube.
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I just want to check out.
And Natasha Vain Blonde World Dads here
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on YouTube. And let's keep the
podcast tight today so we can all hit
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the beach or do whatever it is
you do on July fourth. That's your
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comedy news for today. Back tomorrow
with a normal episode. See then,





