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Callaroga Shark Media.
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Hi there, Johnny Mack. This is a bonus episode on
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this Friday, October third. The Mark Maren documentary Are We
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Good hits theaters. This raw, intimate portrait of comedian and
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podcast pioneer Mark Maron follows the sudden loss of his
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partner and filmmaker Lynn Shelton. Maren struggles with grief, disillusionment,
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and a shifting comedy landscape, processing it all both on
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stage and off. My guest today is Julie Sebaw. She
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is the film's producer, story editor, and originator. She'll explain
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where this came from. She's also working on a Mitch
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Hedberg documentary that'll be out in twenty six. We talked
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about that a little as well. Just while I have
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your attention, I hope I have your attention if you're
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listening to my podcast. Earlier today, the Normal Sunday episode
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went out and Johnny Mack's a little punchy on that one.
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That wasn't a lot of fun, So don't blow that
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one off. Let's jump in midsrailer here. The voices you're
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going to hear are David Cross, Mark Maren, and then
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John mulaney This is a snippet from the trailer to
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give you a little taste.
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I met Mark in the early eighties.
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I was one of a handful of people.
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There weren't many who could tolerate them. I couldn't draw,
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no matter how many Conan's I did. And that was
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part of the beginning of the podcast. It's happening. I'm
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Mark Maren. This is my podcast.
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Yeah, there's that lou read line. I accept the new
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found man, and that that is what Mark became. Are
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we good? The Mark Maren documentary in theaters when hour
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thirty seven minutes long. In Deuter's Friday, October third, here's
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Julie Sebaugh. All right, let me ask the lame question.
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Why Mark Maren?
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Why now Martin Mare? Uh? Yeah, there's something about this
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guy in a sea of comedians where he's always stood out.
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I've always been a massive fan. He speaks from not
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just the brain, not just from his gut. You know,
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this is up he has to say, and he needs
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this connection on stage with people kind of in order
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to function, and you see that a lot in comedians.
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But he's just endlessly watchable for his ability to you know,
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pull no punches, no holds barred. He will go there
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anything that is on his mind. And it's been that
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way for you know, his careers now, however, many decades,
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and he never really felt like he was successful or
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influential or moved a needle in any way. And I
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find not extremely interesting that he couldn't see what his
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fans saw. And then I was watching his instagram lives
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when the pandemic struck. He was kind of the first
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one doing those instagrams at that time. Also, just like
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he was popularizing the podcast, and the stuff he was
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shown was more you know, we're going into quarantine and
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Lynn is here and here's the cats. And then it
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changed very grammatically when Lynn suddenly passed away. It was
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an undiagnosed form of leukemia. Came absolutely out of nowhere,
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just lost her super suddenly. After realizing that he had
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found the love of his life, this was kind of
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what he'd been waiting for the whole time. And so
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I was very struck by the question of know, how
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is he going to go on to create comedy material
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after this, and also is she going to stick with him?
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Is he going to be the person he's always been,
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or is he going to be a new, better version
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of Mark Marin from her influence on him and just
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the way he was talking about her was the most raw, beautiful,
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brilliant stuff I'd seen a comedian putting out there, you know,
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through his Instagram and podcast. And they realized someone should
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docu meant this next time in his life. And after
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thinking about it a while, you know, as a major
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fan who started to make films, I realized it was
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me and I put together, you know, all the materials,
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reread the books, you started pulling some of the clips,
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and eventually approached state Stephen fine Arts, who'd made the
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Bitter Buddha documentary that Maren was in, and they had
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kind of a contentuous relationship, which I know is shocking
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with Marvin, but I also knew that he would yell
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at fine Arts through the camera, and so that was
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the reason. Yeah, I kind of feel like I know
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Maren better than he knows him still up at this point,
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because he's talking about he's going to quit comedy, he's
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going to move to Canada, and I'm just knowing, yeah,
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I don't think that's going to happen. I think he's
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going to go on stage and create the best material
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is ever created in his life, and that is what happened.
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And so the documentary basically follows this period his life
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where he's dealing with grief and who's turning it into comedy.
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And I think that's always my favorite thing about stand
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up comedy is how we can use it to help
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us with all of these emotions that the world constantly
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grows at us. And he even says in the doc
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grief is an unusual it happens to everyone. This is
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just my turn. And so yeah, it's just basically following
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following this guy on his journey, and I think that
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people can learn a lot from it. It's funny, it's
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super sad, and there's lots of cats. The cats are
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proving very popular.
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It's amazing in that he's doing his strongest work now
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on this side of just a horrible, devastating tragedy. He's
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at the peak of his powers, and he's about to
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walk away from the podcast when we probably need him most.
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I think you're right about that. Many fans who thinks
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the podcast should not be indeed, But yeah, it's an
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interesting time for him also because he has been trying
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to find a bit more peace in his life. You know,
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he turned sixty. His birthday party, we're just kind of
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looking back at his life is also included in the documentary.
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And he knows that he can be his own worst enemy,
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and I think he's just trying to be an old
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man in peace. Really, he's been fighting for so long,
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and there's definitely new generations, contrary to what he thinks,
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who are maimulating him in terms of knowing really forcing
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themselves to produce quality comedy that's uniquely personal to them
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that no one else could be doing, and also carrying
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his mantle in terms of, you know, his political beliefs.
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He does think that his popularity with his podcast has
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a some negative consequences. You know, the Joe Rogan parallels
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are always very interesting. But yeah, I think he's already
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established his place in the world enough that I don't
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probably doesn't have anything else to prove. We would like
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to continue having him as long as possible. They'll still
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be doing stand up, of course, but yeah, I think
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it's just interesting to kind of look at the podcast
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as a collection of it's committing it to history. For yeah,
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it's already in you know, the Hall of Fame for podcast.
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He's won all the awards. He's going to start doing
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some directing also, so he's continuing to b mart Maron,
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just in different form.
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We talk about the Joe Rogan of the Left. I
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feel like he could be the Joe Rogan of the Left.
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I totally get the podcast is a body of work
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and we're done with it. But I do see a
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scenario where you could do almost something like Bird does. Hey, Mark,
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could you come on on Monday and do twelve minutes
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about politics and be the Joe Rogan of the left.
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You have to go away totally. Like, I get you
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don't want to prep for guests. I get you want
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to take your foot off the gas. It's six years old.
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I get all that, But can you do ten minutes
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every other week?
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I'll just say, as somebody who knows Maren very well
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at this point, I can I can tell what kind
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of a mood he's in by the pants who's wearing,
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Like I will say, I would not be surprised if
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anything like that, Just despite is saying to the contrary,
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because I think he always knows that his fans will
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be there, and you know, again he's infinitely watchable, and
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that he will do different forms of entertainment. But no
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one's gonna tell him what to do. This is Mark Maren.
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We can't shape his opinions.
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Hopefully I have some good questions later. But I do
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have a few name questions up top, and one of
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which was, what is Mark Maren like? Now? I think
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you may have opened the door there where he said
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he just wants to, you know, go a way in peace.
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I think, and hopefully this isn't a false memory. I
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think I had a conversation with him back in two
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thousand and three or four in my early run at
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Serious Satellite Radio. I feel like I was talking to
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him in the lobby and that would have been Air
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America's Mark Mariner right after that period, and he was
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perfectly nice. I have nothing bad to say about him,
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but I just feel like his vibe was like, no,
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I'm good, you know, let me know when it's time
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to go back in the studio, and wasn't looking to hang,
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wasn't looking at a no hang. It just was like,
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I'm just here, I'm good man. Is that how he's like?
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I try to keep a respectful distance and not bother
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him too much, although I fail frequently. Yeah, even before
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this documentary. I'd written the five different journalistic pieces over
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the years, from Village Boys to La Times. Yeah, he
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certainly does have that prickly exterior, but I think we
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know as all comics, it's hiding something for Shure. Even
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now today, he's kind of been experimenting with medication. I
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think a lot of people think he probably just has
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often is a more ADHD. It's gone undiagnosed, and that
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might not be a lodge if there is some exploraging
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in that area. But yeah, I think it's all It's
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a safety mechanism, you know, it really is. Once your
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nervous system is wired in a certain way, it's very
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difficult to change it. I use comedy to try to
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do it personally. But yeah, I think he's trying to
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kind of figure out between the X tier and IN tier.
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Like you said, how to just have more peace in
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his life. It's been sixty years of chaos. Like you know,
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let the man have a good time for once.
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Makes total sense. We'll circle back to Maren for sure.
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I do want to talk about your resume. I love
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having guests on here. I explain to my audience I
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know more about comedy than most people if we go
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down to the bar, there's a good chance I know
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more about it put us on the bar. But the
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other people who know more about comedy than me know
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way more about comedy I do, and I'll put you
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in that bucket because of the work that you've done.
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I've read your pieces, I know some of your upcoming work.
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I know this work. I just love to hear you
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explain to the audience your comedy journey.
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Oh yeah, thanks. I consider myself a professional comedy fan. Really,
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I did not know what stand up comedy was until
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my senior year of college because I grew up on
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a farm in Missouri without cable and not much to
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do other than read. So I had all the books,
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all the magazines. I was very into film and music,
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and I thought I was going to write about that
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one day. So at the University of Missouri, I studied
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journalism and senior year, David tel Caaman did a show
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and I got to interview him beforehand, and then we
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hung out backstage and we went across the street to
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the journalism bar and he got everyone drunk on Ye
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you're misto and so is the height of insomniac, which
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was the most amazing experience for a college senior about
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to unleash themselves on the world of journalism. And I
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immediately moved to New York and started hanging out the
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Comedy Seller and bugging David tell more More all the time,
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still to both day, But yeah, I just fell in
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love with it because at that time, it felt like
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no one was writing about comedy as seriously as we
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see today. This was a time when comedy coverage was
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more shoved than like with the calendar listings or the
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music events, and it wasn't being perceived as individual artists
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with their own perspectives and their own means to say.
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It was just kind of a generic comedy. It's something
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you can watch on the weekends, and I really wanted
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to change that. Yeah, it's been twenty two years of
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writing about comedy. I've recently decided to call myself less
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of a journalist and more of a opera and documentarian,
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but that's a natural progression anyway. But yeah, I've covered
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all the festivals. I've been freelanced for most of the time,
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so have written for basically any title you can think of,
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and I just can't get enough. I love the live
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comedy experience sitting in the bat row of a room
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and watching all these different people from different backgrounds and
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who knows why they're there tonight, but they've all gathered
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in this one space now, laughing at the same thing
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at the same time in a way that's completely unable
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to be recreated again. And I just leave there feeling
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a little bit more optimism for the world. We can
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all agree in this thing. Maybe we'd agree on more
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that doesn't know its work out well. But that's my
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favorite part about comedy, of being able to kind of