March 1, 2026
Robby Hoffman, Chris Fleming and Hannah Gadsy. Quirky Sunday!
Johnny Mac shares Sunday Comedy News highlights, noting his recent conversation with Pete Holmes and an upcoming “Comedy Survivor” episode. He recaps a Washington Post profile of Robby Hoffman, including her avoidance of TikTok, her move from accounting to writing on “The Chris Gethard Show,” her path to appearing on “Hacks,” and her involvement in “Rooster,” a Bill Lawrence HBO project starring Steve Carell and also featuring John C. McGinley. He covers major profiles of Chris Fleming (New York Times and Vulture), describing Fleming’s densely layered, physical, bruising stage style and mentions an interview with Conan O’Brien. He summarizes Hannah Gadsby telling the Post they’ve stepped back from Netflix to take creative risks, promoting “Woof” as free online audio with a 20-minute animated sock-puppet video, and discussing fame, shifting audiences, and large venues. Additional items: Jeff Ross’ “Take a Banana for the Ride” hits Netflix March 24; Hulu orders “Swap Meet,” an animated half-hour series by and starring Ralph Barbosa; and LA’s “Puppet Up! Uncensored” features Jim Henson-style improv puppetry and a renewed appreciation for human artistry amid AI.
00:53 Robby Hoffman Profile
02:02 Rooster HBO Buzz
02:57 Chris Fleming NYT Spotlight
04:14 Fleming Style Breakdown
05:45 Hannah Gadsby Quits Netflix
07:08 Woof Origins and Fame
08:24 Jeff Ross Netflix Special
08:51 Ralph Barbosa Hulu Cartoon
09:10 Puppet Up Uncensored
10:13 AI Backlash and Wrap Up
Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.
Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.
COMEDY SURVIVOR in the facebook group.
Contact John at John@thesharkdeck dot com
For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening. $4.99/month
John's Substack about media is free.
This is the animal sanctuary mentioned in the February 10 episode.
WEBVTT
1
00:00:03.160 --> 00:00:11.720
Callaroga Shark Media. Hey, I'm in a good mood. I'm
2
00:00:11.839 --> 00:00:14.199
Johnny Mack with your daily comedy news, A daily briefing
3
00:00:14.240 --> 00:00:16.559
on stand up comedy comedians in the comedy industry. A
4
00:00:16.600 --> 00:00:19.800
sentence to the algorithm. Just loves why in a good mood,
5
00:00:19.839 --> 00:00:22.480
John Well. Pete Holmes I thought was fantastic. If you
6
00:00:22.519 --> 00:00:25.760
missed yesterday's episode, I just loved talking to Pete Holmes.
7
00:00:25.760 --> 00:00:28.320
I'm still thinking about it three days later by the
8
00:00:28.320 --> 00:00:30.440
time you hear this. Pete was just so gracious with
9
00:00:30.480 --> 00:00:32.039
his time and just what a cool guy to hang
10
00:00:32.039 --> 00:00:35.719
out with. I also just recorded Comedy Survivor, which will
11
00:00:35.719 --> 00:00:38.560
come out tomorrow at noon Eastern, and the results are
12
00:00:38.719 --> 00:00:42.759
incredible and the AI analysis even better. I can't wait
13
00:00:42.799 --> 00:00:46.039
for you to hear Comedy Survivor. And it was actually
14
00:00:46.079 --> 00:00:49.759
fifty degrees out yesterday, not fifty below zero, and actual
15
00:00:49.880 --> 00:00:52.560
fifty like you could go outside and leave your house.
16
00:00:52.600 --> 00:00:56.159
Can you imagine? The Washington Post profiled Robbie Hoffman. I
17
00:00:56.240 --> 00:00:58.759
think a lot of us came away was that December
18
00:00:58.960 --> 00:01:02.200
really impressed with Robbie Hoffman's John Mlaney produced a special.
19
00:01:02.759 --> 00:01:05.560
The Post writes, Robbie Hoffman is not on TikTok, which
20
00:01:05.599 --> 00:01:07.840
is surprising for comedian these days until you meet her
21
00:01:07.840 --> 00:01:10.040
and realize she might be the oldest thirty six year
22
00:01:10.079 --> 00:01:12.560
old on the planet. Robbie says, my friends, go, are
23
00:01:12.560 --> 00:01:14.200
you mental? Why don't you do this clip and post
24
00:01:14.239 --> 00:01:16.599
it on TikTok? I said, I have one of the
25
00:01:16.599 --> 00:01:18.480
apps I have Instagram. I was born as seventy three
26
00:01:18.519 --> 00:01:22.239
year old man her origin story. She left accounting for
27
00:01:22.319 --> 00:01:24.920
a writing gig on the Chris Getherd Ship. For that show,
28
00:01:24.959 --> 00:01:27.120
she moved back to New York City despite having been
29
00:01:27.200 --> 00:01:29.799
born in the city. She told the Post, I felt
30
00:01:29.799 --> 00:01:31.920
like a tourist in many ways. She had only known
31
00:01:31.959 --> 00:01:34.680
the four square blocks of her religious enclav up until
32
00:01:34.680 --> 00:01:37.000
that point. She said, this was my first time seeing
33
00:01:37.040 --> 00:01:40.359
New York too. During the pandemic, she crossed paths with
34
00:01:40.480 --> 00:01:43.599
Paul W. Downs, the co creator and star of the
35
00:01:43.680 --> 00:01:47.640
TV show hacks Downs, remembered being struck by how unfiltered
36
00:01:47.719 --> 00:01:51.560
Robbie Hoffman could be. Robbie eventually guest starred on hacks Down. Said,
37
00:01:51.560 --> 00:01:53.439
the whole show's about people who are cast aside by
38
00:01:53.480 --> 00:01:55.840
the industry. We wanted Robbie to fit into that tapestry
39
00:01:55.840 --> 00:01:58.159
of people on the outside looking in. The post tells
40
00:01:58.239 --> 00:02:01.400
us though in real life the industry likes Hoffman, she'll
41
00:02:01.400 --> 00:02:04.239
be back on Hacks. She's also part of Rooster. Now.
42
00:02:04.319 --> 00:02:07.760
Rooster is interesting. It is a Bill Lawrence project. You
43
00:02:07.799 --> 00:02:11.400
know Bill Lawrence, the guy from Scrubbs and Ted Lasso.
44
00:02:11.759 --> 00:02:15.520
He knows what he's doing. Rooster stars Steve Carell, you know,
45
00:02:15.599 --> 00:02:18.319
the guy from the Office. And the reason John C
46
00:02:18.479 --> 00:02:21.520
McGinley isn't in many of the Scrubs episodes is because
47
00:02:21.520 --> 00:02:26.680
he's working on Rooster. All right, So it's HBO, Bill Lawrence,
48
00:02:26.919 --> 00:02:31.159
Steve Carell and Robbie Hoffman and John C McGinley. That's
49
00:02:31.159 --> 00:02:34.120
gotta be good, right on paper, that's like amazing, right,
50
00:02:34.680 --> 00:02:37.280
better be good. I don't think Bill Lawrence is missed yet,
51
00:02:37.319 --> 00:02:40.680
so looking forward to that one. John mulaney is quoted
52
00:02:40.680 --> 00:02:42.680
in this article. He said of Robbie Hoffman has not
53
00:02:42.719 --> 00:02:46.120
taken into consideration any rules or accepted wisdom on show business.
54
00:02:46.199 --> 00:02:48.240
And to bring it back home, Hoffman said, I've never
55
00:02:48.280 --> 00:02:50.439
been the overnight success. I've always been the slow and
56
00:02:50.439 --> 00:02:52.680
stead he wins the race kind. We may have waited
57
00:02:52.680 --> 00:02:54.719
a little longer, we didn't do the TikTok pop off
58
00:02:54.800 --> 00:02:56.240
or whatever, but we did it in a way that
59
00:02:56.319 --> 00:03:00.159
felt good. Meanwhile, Chris Fleming, did you enjoy Chris Flaming
60
00:03:00.240 --> 00:03:03.360
Special on HBO on Friday Night? Chris Fleming got the
61
00:03:03.439 --> 00:03:08.080
fancy schmancy New York Times profile. Mike Birbiglia said, Chris
62
00:03:08.159 --> 00:03:10.560
is one of the most exciting comedians to watch right now,
63
00:03:10.639 --> 00:03:13.879
and interestingly didn't accuse Chris Fleming of ripping off John Mulaney.
64
00:03:13.919 --> 00:03:15.280
I don't know why you would do that, but you
65
00:03:15.280 --> 00:03:18.039
know it's something Berbiglia sometimes does. I don't see it.
66
00:03:18.560 --> 00:03:20.560
We learned from the Times that Chris Fleming got his
67
00:03:20.560 --> 00:03:23.479
start doing stand up and finding his exaggerated style at
68
00:03:23.520 --> 00:03:26.560
a club above a Chinese restaurant in Harvard Square. He
69
00:03:26.680 --> 00:03:29.719
recalls being at a bookstore next door and looking over
70
00:03:29.919 --> 00:03:33.360
rockstar photos Mick Jagger, Prince Stevie Nicks, Freddie Mercury, Big
71
00:03:33.400 --> 00:03:35.199
pictures of these people rocking out, and I was like,
72
00:03:35.199 --> 00:03:37.680
how do I bring that to one hundred person cap room.
73
00:03:38.280 --> 00:03:41.199
Since wearing hoodies was out, I gotta wear bird armor.
74
00:03:41.280 --> 00:03:44.439
I love it. By the way, you caught on Friday's
75
00:03:44.439 --> 00:03:46.639
Comedy stock Market, we said buy some Chris Fleming. I
76
00:03:46.639 --> 00:03:48.800
hope you bought some Chris Fleming, because just minutes later
77
00:03:48.840 --> 00:03:51.159
the New York Times did a big profile here. I'm
78
00:03:51.159 --> 00:03:55.360
also sitting on the Chris Fleming press. People earn their
79
00:03:55.360 --> 00:03:57.360
money on Friday. I kicked it to in the middle
80
00:03:57.360 --> 00:03:58.680
of the week in case I have the jury duty.
81
00:03:58.719 --> 00:04:00.520
Have I mentioned that you never know when have to
82
00:04:00.520 --> 00:04:03.319
pre tape an episode at midnight so you can spend
83
00:04:03.360 --> 00:04:06.360
the day in Newark? I digress. Conan O'Brien and Chris
84
00:04:06.360 --> 00:04:08.240
Flemings did a whole interview. We'll get to that in time.
85
00:04:08.360 --> 00:04:11.000
So if you bought stock and Chris Fleming on Friday,
86
00:04:11.080 --> 00:04:13.919
per the Comedy Stock Market recommendation, you're doing quite well
87
00:04:14.000 --> 00:04:17.720
right now. Chris explains he sometimes choreographs his routines by
88
00:04:17.839 --> 00:04:21.639
drawing them, but doesn't watch himself. He finds the humor
89
00:04:21.639 --> 00:04:23.360
from the audience. He explains a lot of what I
90
00:04:23.360 --> 00:04:25.000
put out on social media, I'm doing it for the
91
00:04:25.040 --> 00:04:28.199
first time. In an improv dance class, he learned, don't
92
00:04:28.199 --> 00:04:30.000
do something unless you feel the impulse to do it.
93
00:04:30.000 --> 00:04:33.360
It has to be organic. Good description. Here. Fleming's routines
94
00:04:33.360 --> 00:04:36.800
are densely layered confections of references, space movies, college life,
95
00:04:36.879 --> 00:04:40.839
animal encounters, the economy confetied with digressions, and Bonker's turns
96
00:04:40.839 --> 00:04:42.959
a phrase. One song at dance Routine is about why
97
00:04:43.000 --> 00:04:45.800
a young professional had a tasteful made well sweater was
98
00:04:45.839 --> 00:04:49.000
the most terrorizing thing at a haunted house at a
99
00:04:49.000 --> 00:04:52.040
skyward rechion. People are always laughing. What a great paragraph
100
00:04:52.040 --> 00:04:55.839
there in New York Times. Fleming also has a competitive
101
00:04:55.920 --> 00:04:58.800
body fearlessness. We learn from The Times. Fleming said, I
102
00:04:58.839 --> 00:05:00.800
love putting as much weight as I can on the stool.
103
00:05:00.839 --> 00:05:04.480
I love drop kicking and flanling different ways. To this day,
104
00:05:04.519 --> 00:05:08.319
I leave every performance completely bruised. Are you guys listening going?
105
00:05:08.360 --> 00:05:09.879
What's going on with the show? He's been in a
106
00:05:09.879 --> 00:05:13.360
good mood for like four days? Did Scrubs completely changed
107
00:05:13.399 --> 00:05:16.600
my life? Can I get back to being Curmudgeonty? More
108
00:05:16.759 --> 00:05:19.560
wonderful writing here in the Times? Chris is somewhere between
109
00:05:19.600 --> 00:05:22.199
six foot one and six foot three, with a long
110
00:05:22.279 --> 00:05:24.920
legged hips wivel that can make them appear even taller.
111
00:05:25.040 --> 00:05:28.120
When he frog leaps or tumbles over a chair, flieser
112
00:05:28.199 --> 00:05:30.600
laps around the stage, there's an element of controlled danger,
113
00:05:30.759 --> 00:05:34.519
a glam firecracker on the loose. Oh yeah. Vulture also
114
00:05:34.560 --> 00:05:37.199
profiled Chris Fleming. Let me bounce this as well, because
115
00:05:37.199 --> 00:05:38.959
we you know, I like to fix up the topics.
116
00:05:38.959 --> 00:05:40.439
I don't want to do ten minutes like Chris Fleming.
117
00:05:40.480 --> 00:05:43.079
I love Chris Fleming, but this thing's quite long here.
118
00:05:43.680 --> 00:05:45.920
It must have been comedian week in the big newspapers.
119
00:05:45.959 --> 00:05:48.680
Back to the Washington Post, they caught up with Hannah
120
00:05:48.759 --> 00:05:51.439
Gatsby and we learned that Hannah has broken up with
121
00:05:51.480 --> 00:05:55.000
the Netflix is. Hannah explains, Netflix was a launching pad
122
00:05:55.000 --> 00:05:57.000
for me, and I'm very thankful for it. But I'm
123
00:05:57.040 --> 00:05:59.079
creatively a risk taker, and I like to take things
124
00:05:59.120 --> 00:06:01.600
apart and rearrange them to do things differently. I don't
125
00:06:01.639 --> 00:06:03.079
want to go with the flow right now. The flow
126
00:06:03.120 --> 00:06:06.600
seems quite toxic. But Netflix, being an algorithmic first machine,
127
00:06:06.639 --> 00:06:09.000
they've worked out what comedy is. Now they've got the formula,
128
00:06:09.360 --> 00:06:12.000
and that doesn't actually give a lot of space. The
129
00:06:12.040 --> 00:06:14.360
Post said, Well, the formula is to pump out endless
130
00:06:14.360 --> 00:06:16.160
specials for which they've paid a lot of money. That's
131
00:06:16.199 --> 00:06:18.199
the formula you're talking about. Hannah said, I don't want
132
00:06:18.199 --> 00:06:19.439
to be there. I don't want to live there. It's
133
00:06:19.480 --> 00:06:21.319
not to say that I can't won't work with them again.
134
00:06:21.360 --> 00:06:22.839
I just wanted to make a decision and take some
135
00:06:22.879 --> 00:06:25.720
creative risks, and also a lot of the subjects that
136
00:06:25.759 --> 00:06:27.759
I talk about in Wolf and the placement of myself,
137
00:06:27.800 --> 00:06:30.319
I wanted to put myself outside of that particular story.
138
00:06:30.839 --> 00:06:35.040
Hannah's out promoting Woof. The audio to woof is free
139
00:06:35.040 --> 00:06:38.480
online with a twenty minute video version that features hannagas
140
00:06:38.519 --> 00:06:41.720
By speaking through an animated sock puppet. They asked about
141
00:06:41.720 --> 00:06:44.959
the sock puppet thing. Hanna said, every decision is almost
142
00:06:45.000 --> 00:06:48.040
like what is the algorithm? Wan, I'll do the opposite. Now,
143
00:06:48.040 --> 00:06:50.839
this is an interesting show. Today. I've talked about three comedians,
144
00:06:50.920 --> 00:06:54.279
Hannah Gadsby, Chris Fleming, and Robbie Hoffman. And of the
145
00:06:54.319 --> 00:06:57.399
three comedians I've talked about, Robbie Hoffman is the most
146
00:06:57.439 --> 00:07:02.279
mainstream comedian. I like the alty stuff. The Washington Post
147
00:07:02.319 --> 00:07:06.680
was speaking on Zoom with Hannah Gatsby. Hannah was in Tasmania.
148
00:07:06.800 --> 00:07:09.560
I love details like that. We learned that Wolf was
149
00:07:09.600 --> 00:07:12.519
originally going to be about the death of Hannah's father.
150
00:07:12.680 --> 00:07:14.639
Hanna explains, Yeah, and the dead Dad's show is a
151
00:07:14.720 --> 00:07:17.560
universal show, particularly for people of a certain age when
152
00:07:17.560 --> 00:07:20.120
you start to think about your mortality. But as I
153
00:07:20.160 --> 00:07:21.759
realized as I was going through this, I'm the only
154
00:07:21.800 --> 00:07:24.360
person on earth who hasn't adapted to my fame. I
155
00:07:24.399 --> 00:07:26.720
was a creature of the Milbourn International Comedy Festival, in
156
00:07:26.720 --> 00:07:29.319
the Edinburgh Fringe Festival. Every year I'd write a show,
157
00:07:29.360 --> 00:07:30.759
maybe it gets to tour a little bit, then the
158
00:07:30.759 --> 00:07:32.639
next year I'd set it down right another one. I'm
159
00:07:32.639 --> 00:07:34.560
pushing forty. I'm not thinking about cracking in the US
160
00:07:34.560 --> 00:07:36.360
market or having high powered agents in LA And then
161
00:07:36.360 --> 00:07:37.879
all of a sudden it was more than possible. And
162
00:07:37.920 --> 00:07:40.360
I was so ill equipped for that good follow up
163
00:07:40.360 --> 00:07:42.120
by the post who asked what was the biggest challenge
164
00:07:42.160 --> 00:07:44.560
of all that? And the answer the change in my audience.
165
00:07:44.639 --> 00:07:47.079
My audience beforehand were definitely people I was talking to
166
00:07:47.120 --> 00:07:49.319
in the room. I was a live performer that had
167
00:07:49.360 --> 00:07:53.199
slowly built a solid, sustainable fan base that'd bring a
168
00:07:53.240 --> 00:07:55.079
new piece of work to every year, maybe every two years.
169
00:07:55.120 --> 00:07:56.480
I was making a living. Was in the scheme of
170
00:07:56.480 --> 00:07:59.399
things modest, but I was successful. Then the net happens
171
00:07:59.439 --> 00:08:01.079
and my agents said, are we going to give up?
172
00:08:01.079 --> 00:08:03.759
For a stadium tour. I wouldn't survive that. I don't
173
00:08:03.759 --> 00:08:05.160
want to be in a crowd of thirty thousand people,
174
00:08:05.199 --> 00:08:06.959
and I don't want to talk to thirty thousand people.
175
00:08:07.079 --> 00:08:08.839
Music can work it well in a large crowd, but
176
00:08:08.879 --> 00:08:10.680
that's where comedy goes to die. When you get to
177
00:08:10.759 --> 00:08:12.879
those big venues. The last don't come back. They disappear
178
00:08:12.920 --> 00:08:14.879
out the back. I don't want to sell tickets to
179
00:08:14.920 --> 00:08:17.279
the Apocalypse, and that's what it feels like. It feels gross.
180
00:08:17.319 --> 00:08:20.120
I don't actually cast judgment, it's just what they're doing.
181
00:08:20.199 --> 00:08:21.639
They can do it. Power to them. If you want
182
00:08:21.639 --> 00:08:23.600
to be a court jester to the Saudi regime, go
183
00:08:23.720 --> 00:08:27.439
for it. Some news news on a Sunday, Jeff Ross
184
00:08:27.519 --> 00:08:29.920
is one man show. Take a Banana for the Ride.
185
00:08:30.079 --> 00:08:32.759
We'll be on Netflix. Hanna Gatsby's not gonna like that.
186
00:08:33.279 --> 00:08:35.120
On March twenty fourth. You can watch you Take a
187
00:08:35.120 --> 00:08:37.320
Banana for the Ride. We see Jeff Ross sharing personal
188
00:08:37.360 --> 00:08:40.519
stories about his upbringing, family, loss, resilience, and how humor
189
00:08:40.600 --> 00:08:43.440
has carried him through tough times. I just made a
190
00:08:43.480 --> 00:08:46.320
Hannahatsby joke, But isn't that pretty much what Hannah Gatsby does?
191
00:08:46.559 --> 00:08:49.679
Maybe Hannah and Jeff Ross could be friends. I don't know.
192
00:08:49.799 --> 00:08:51.519
I was just riffing on the Netflix of it all.
193
00:08:52.000 --> 00:08:55.679
Hulu still into the Ralph Barbosa business. They announced a
194
00:08:55.720 --> 00:08:59.480
new project titled swamp Meat, a half hour series created
195
00:08:59.480 --> 00:09:03.639
by Ralph Barbosa and comedy animation writer Isaac Gonzalez. This
196
00:09:03.679 --> 00:09:06.919
will be a cartoon. Ralph Barbosa voice stars and serves
197
00:09:06.919 --> 00:09:10.639
as an executive producer. Swap Meet coming to Hulu. If
198
00:09:10.679 --> 00:09:13.840
you're in La, go check out the Henson Puppets. They
199
00:09:13.840 --> 00:09:17.919
are doing improv comedy in puppet Up Uncensored. Puppet Up
200
00:09:18.000 --> 00:09:21.600
Uncensored combines the style of puppetry originated by Jim Henson
201
00:09:21.639 --> 00:09:24.720
with improv comedy games fueled by audience prompts. It can
202
00:09:24.759 --> 00:09:27.000
get raunchy, he said, don't bring your kids. You know.
203
00:09:27.679 --> 00:09:30.279
There are no official muppets, but we're told the production
204
00:09:30.399 --> 00:09:34.159
includes recreations of several original Jim Henson puppets from early
205
00:09:34.159 --> 00:09:37.440
in his career. And it's Brian Henson that created this thing,
206
00:09:37.480 --> 00:09:40.440
so it's not like this is totally rogue. Brian Henson
207
00:09:40.480 --> 00:09:43.279
says of the recreations, they're really old. It's super fun
208
00:09:43.320 --> 00:09:45.600
to rebuild those puppets and actually perform those scenes in
209
00:09:45.600 --> 00:09:47.480
front of a live audience. That hasn't happened in forty
210
00:09:47.519 --> 00:09:50.399
to fifty years. Probably. We're told that Henson puppets are
211
00:09:50.480 --> 00:09:53.440
tailored for the camera, but in Puppet Up, uncensored audience
212
00:09:53.480 --> 00:09:56.559
members see both the stage for screen performance on video projection,
213
00:09:57.000 --> 00:09:58.919
and you also get to see the puppeteers work in
214
00:09:58.919 --> 00:10:01.799
a way that's usually hidden from view. Henson said, it's
215
00:10:01.799 --> 00:10:03.120
really fun to let people see how we do it
216
00:10:03.120 --> 00:10:05.240
because it's clever and it's chaotic. It also means our
217
00:10:05.240 --> 00:10:07.240
audience watches the show in a different kind of way.
218
00:10:07.679 --> 00:10:10.360
Hanson was asked about the Muppet Show. I haven't gotten
219
00:10:10.360 --> 00:10:12.120
around to that yet, but people seem to really liked that.
220
00:10:12.120 --> 00:10:14.960
That was back Henson's take. The AI craze has created
221
00:10:15.000 --> 00:10:18.039
a backlash of please let me see human craftsmanship, human artistry,
222
00:10:18.039 --> 00:10:20.399
where I know this is coming from a human artistic mind.
223
00:10:20.840 --> 00:10:23.080
So I think right now there's just this enormous appreciation
224
00:10:23.120 --> 00:10:26.200
for artistry that's not computer generated in any way. That'll
225
00:10:26.200 --> 00:10:29.120
benefit all sorts of arts, but it certainly benefits puppetry
226
00:10:29.320 --> 00:10:33.279
for sure. That your comedy news on a Sunday catch
227
00:10:33.279 --> 00:10:34.080
you back in the morning,
1
00:00:03.160 --> 00:00:11.720
2
00:00:11.839 --> 00:00:14.199
3
00:00:14.240 --> 00:00:16.559
4
00:00:16.600 --> 00:00:19.800
5
00:00:19.839 --> 00:00:22.480
6
00:00:22.519 --> 00:00:25.760
7
00:00:25.760 --> 00:00:28.320
8
00:00:28.320 --> 00:00:30.440
9
00:00:30.480 --> 00:00:32.039
10
00:00:32.039 --> 00:00:35.719
11
00:00:35.719 --> 00:00:38.560
12
00:00:38.719 --> 00:00:42.759
13
00:00:42.799 --> 00:00:46.039
14
00:00:46.079 --> 00:00:49.759
15
00:00:49.880 --> 00:00:52.560
16
00:00:52.600 --> 00:00:56.159
17
00:00:56.240 --> 00:00:58.759
18
00:00:58.960 --> 00:01:02.200
19
00:01:02.759 --> 00:01:05.560
20
00:01:05.599 --> 00:01:07.840
21
00:01:07.840 --> 00:01:10.040
22
00:01:10.079 --> 00:01:12.560
23
00:01:12.560 --> 00:01:14.200
24
00:01:14.239 --> 00:01:16.599
25
00:01:16.599 --> 00:01:18.480
26
00:01:18.519 --> 00:01:22.239
27
00:01:22.319 --> 00:01:24.920
28
00:01:24.959 --> 00:01:27.120
29
00:01:27.200 --> 00:01:29.799
30
00:01:29.799 --> 00:01:31.920
31
00:01:31.959 --> 00:01:34.680
32
00:01:34.680 --> 00:01:37.000
33
00:01:37.040 --> 00:01:40.359
34
00:01:40.480 --> 00:01:43.599
35
00:01:43.680 --> 00:01:47.640
36
00:01:47.719 --> 00:01:51.560
37
00:01:51.560 --> 00:01:53.439
38
00:01:53.480 --> 00:01:55.840
39
00:01:55.840 --> 00:01:58.159
40
00:01:58.239 --> 00:02:01.400
41
00:02:01.400 --> 00:02:04.239
42
00:02:04.319 --> 00:02:07.760
43
00:02:07.799 --> 00:02:11.400
44
00:02:11.759 --> 00:02:15.520
45
00:02:15.599 --> 00:02:18.319
46
00:02:18.479 --> 00:02:21.520
47
00:02:21.520 --> 00:02:26.680
48
00:02:26.919 --> 00:02:31.159
49
00:02:31.159 --> 00:02:34.120
50
00:02:34.680 --> 00:02:37.280
51
00:02:37.319 --> 00:02:40.680
52
00:02:40.680 --> 00:02:42.680
53
00:02:42.719 --> 00:02:46.120
54
00:02:46.199 --> 00:02:48.240
55
00:02:48.280 --> 00:02:50.439
56
00:02:50.439 --> 00:02:52.680
57
00:02:52.680 --> 00:02:54.719
58
00:02:54.800 --> 00:02:56.240
59
00:02:56.319 --> 00:03:00.159
60
00:03:00.240 --> 00:03:03.360
61
00:03:03.439 --> 00:03:08.080
62
00:03:08.159 --> 00:03:10.560
63
00:03:10.639 --> 00:03:13.879
64
00:03:13.919 --> 00:03:15.280
65
00:03:15.280 --> 00:03:18.039
66
00:03:18.560 --> 00:03:20.560
67
00:03:20.560 --> 00:03:23.479
68
00:03:23.520 --> 00:03:26.560
69
00:03:26.680 --> 00:03:29.719
70
00:03:29.919 --> 00:03:33.360
71
00:03:33.400 --> 00:03:35.199
72
00:03:35.199 --> 00:03:37.680
73
00:03:38.280 --> 00:03:41.199
74
00:03:41.280 --> 00:03:44.439
75
00:03:44.439 --> 00:03:46.639
76
00:03:46.639 --> 00:03:48.800
77
00:03:48.840 --> 00:03:51.159
78
00:03:51.159 --> 00:03:55.360
79
00:03:55.360 --> 00:03:57.360
80
00:03:57.360 --> 00:03:58.680
81
00:03:58.719 --> 00:04:00.520
82
00:04:00.520 --> 00:04:03.319
83
00:04:03.360 --> 00:04:06.360
84
00:04:06.360 --> 00:04:08.240
85
00:04:08.360 --> 00:04:11.000
86
00:04:11.080 --> 00:04:13.919
87
00:04:14.000 --> 00:04:17.720
88
00:04:17.839 --> 00:04:21.639
89
00:04:21.639 --> 00:04:23.360
90
00:04:23.360 --> 00:04:25.000
91
00:04:25.040 --> 00:04:28.199
92
00:04:28.199 --> 00:04:30.000
93
00:04:30.000 --> 00:04:33.360
94
00:04:33.360 --> 00:04:36.800
95
00:04:36.879 --> 00:04:40.839
96
00:04:40.839 --> 00:04:42.959
97
00:04:43.000 --> 00:04:45.800
98
00:04:45.839 --> 00:04:49.000
99
00:04:49.000 --> 00:04:52.040
100
00:04:52.040 --> 00:04:55.839
101
00:04:55.920 --> 00:04:58.800
102
00:04:58.839 --> 00:05:00.800
103
00:05:00.839 --> 00:05:04.480
104
00:05:04.519 --> 00:05:08.319
105
00:05:08.360 --> 00:05:09.879
106
00:05:09.879 --> 00:05:13.360
107
00:05:13.399 --> 00:05:16.600
108
00:05:16.759 --> 00:05:19.560
109
00:05:19.600 --> 00:05:22.199
110
00:05:22.279 --> 00:05:24.920
111
00:05:25.040 --> 00:05:28.120
112
00:05:28.199 --> 00:05:30.600
113
00:05:30.759 --> 00:05:34.519
114
00:05:34.560 --> 00:05:37.199
115
00:05:37.199 --> 00:05:38.959
116
00:05:38.959 --> 00:05:40.439
117
00:05:40.480 --> 00:05:43.079
118
00:05:43.680 --> 00:05:45.920
119
00:05:45.959 --> 00:05:48.680
120
00:05:48.759 --> 00:05:51.439
121
00:05:51.480 --> 00:05:55.000
122
00:05:55.000 --> 00:05:57.000
123
00:05:57.040 --> 00:05:59.079
124
00:05:59.120 --> 00:06:01.600
125
00:06:01.639 --> 00:06:03.079
126
00:06:03.120 --> 00:06:06.600
127
00:06:06.639 --> 00:06:09.000
128
00:06:09.360 --> 00:06:12.000
129
00:06:12.040 --> 00:06:14.360
130
00:06:14.360 --> 00:06:16.160
131
00:06:16.199 --> 00:06:18.199
132
00:06:18.199 --> 00:06:19.439
133
00:06:19.480 --> 00:06:21.319
134
00:06:21.360 --> 00:06:22.839
135
00:06:22.879 --> 00:06:25.720
136
00:06:25.759 --> 00:06:27.759
137
00:06:27.800 --> 00:06:30.319
138
00:06:30.839 --> 00:06:35.040
139
00:06:35.040 --> 00:06:38.480
140
00:06:38.519 --> 00:06:41.720
141
00:06:41.720 --> 00:06:44.959
142
00:06:45.000 --> 00:06:48.040
143
00:06:48.040 --> 00:06:50.839
144
00:06:50.920 --> 00:06:54.279
145
00:06:54.319 --> 00:06:57.399
146
00:06:57.439 --> 00:07:02.279
147
00:07:02.319 --> 00:07:06.680
148
00:07:06.800 --> 00:07:09.560
149
00:07:09.600 --> 00:07:12.519
150
00:07:12.680 --> 00:07:14.639
151
00:07:14.720 --> 00:07:17.560
152
00:07:17.560 --> 00:07:20.120
153
00:07:20.160 --> 00:07:21.759
154
00:07:21.800 --> 00:07:24.360
155
00:07:24.399 --> 00:07:26.720
156
00:07:26.720 --> 00:07:29.319
157
00:07:29.360 --> 00:07:30.759
158
00:07:30.759 --> 00:07:32.639
159
00:07:32.639 --> 00:07:34.560
160
00:07:34.560 --> 00:07:36.360
161
00:07:36.360 --> 00:07:37.879
162
00:07:37.920 --> 00:07:40.360
163
00:07:40.360 --> 00:07:42.120
164
00:07:42.160 --> 00:07:44.560
165
00:07:44.639 --> 00:07:47.079
166
00:07:47.120 --> 00:07:49.319
167
00:07:49.360 --> 00:07:53.199
168
00:07:53.240 --> 00:07:55.079
169
00:07:55.120 --> 00:07:56.480
170
00:07:56.480 --> 00:07:59.399
171
00:07:59.439 --> 00:08:01.079
172
00:08:01.079 --> 00:08:03.759
173
00:08:03.759 --> 00:08:05.160
174
00:08:05.199 --> 00:08:06.959
175
00:08:07.079 --> 00:08:08.839
176
00:08:08.879 --> 00:08:10.680
177
00:08:10.759 --> 00:08:12.879
178
00:08:12.920 --> 00:08:14.879
179
00:08:14.920 --> 00:08:17.279
180
00:08:17.319 --> 00:08:20.120
181
00:08:20.199 --> 00:08:21.639
182
00:08:21.639 --> 00:08:23.600
183
00:08:23.720 --> 00:08:27.439
184
00:08:27.519 --> 00:08:29.920
185
00:08:30.079 --> 00:08:32.759
186
00:08:33.279 --> 00:08:35.120
187
00:08:35.120 --> 00:08:37.320
188
00:08:37.360 --> 00:08:40.519
189
00:08:40.600 --> 00:08:43.440
190
00:08:43.480 --> 00:08:46.320
191
00:08:46.559 --> 00:08:49.679
192
00:08:49.799 --> 00:08:51.519
193
00:08:52.000 --> 00:08:55.679
194
00:08:55.720 --> 00:08:59.480
195
00:08:59.480 --> 00:09:03.639
196
00:09:03.679 --> 00:09:06.919
197
00:09:06.919 --> 00:09:10.639
198
00:09:10.679 --> 00:09:13.840
199
00:09:13.840 --> 00:09:17.919
200
00:09:18.000 --> 00:09:21.600
201
00:09:21.639 --> 00:09:24.720
202
00:09:24.759 --> 00:09:27.000
203
00:09:27.679 --> 00:09:30.279
204
00:09:30.399 --> 00:09:34.159
205
00:09:34.159 --> 00:09:37.440
206
00:09:37.480 --> 00:09:40.440
207
00:09:40.480 --> 00:09:43.279
208
00:09:43.320 --> 00:09:45.600
209
00:09:45.600 --> 00:09:47.480
210
00:09:47.519 --> 00:09:50.399
211
00:09:50.480 --> 00:09:53.440
212
00:09:53.480 --> 00:09:56.559
213
00:09:57.000 --> 00:09:58.919
214
00:09:58.919 --> 00:10:01.799
215
00:10:01.799 --> 00:10:03.120
216
00:10:03.120 --> 00:10:05.240
217
00:10:05.240 --> 00:10:07.240
218
00:10:07.679 --> 00:10:10.360
219
00:10:10.360 --> 00:10:12.120
220
00:10:12.120 --> 00:10:14.960
221
00:10:15.000 --> 00:10:18.039
222
00:10:18.039 --> 00:10:20.399
223
00:10:20.840 --> 00:10:23.080
224
00:10:23.120 --> 00:10:26.200
225
00:10:26.200 --> 00:10:29.120
226
00:10:29.320 --> 00:10:33.279
227
00:10:33.279 --> 00:10:34.080